If you have followed my website for any length of time, you are by now aware that I like using Reddit to get my article ideas. I search reddit for questions and then I answer them, here, though not often on Reddit. While I post answers here on my website daily, often 3 or more a day, I only post answers on Reddit once, maybe twice, a week, if that often. I dislike the toxic vibes of Reddit comment sections and so avoid dealing with them, by writing up very long comments and then NOT posting the comment on Reddit, but rather instead posting it here for you. my readers, because I know you guys are not toxic. And so, that is what this page is, yet again, today. I have found a question on reddit and I am going to answer it here instead of answering it o Reddit. Enjoy!
Word Counts For Writers: Is 6900 words enough for a novel?
f you are here looking for aliens, ufos, demons, cryptids, haunted cars, curses, Etiole, the wild man of old orchard beach, the goldeneagle car, the white monkey, or any of that other weird bullshit, you want this video:
...and after that video, you want these ones:
|
|
|
If you want some stories to get you started in The Pink Necromancer series, reading these first will give you a good introduction to the 3 main characters:
|
My Elves Are JellyFish...and I asked Google AI and ChatGPT 5.6 what they thought of this.
As requested, my daily writing prompt series is now available print paperback editions on Amazon.
There are 20 volumes of this writing prompt series currently planned and in varying stages of finishing, hopefully all 20 will be published by the end of 2026. I likely will do a 2nd series of writing prompt books in 2027.
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
The first of the Visual Novels/Video Games for The Adventures of Quaraun the Inane/The Pink Necromancer series is published and available on Itch.io, there are 3 more planned for release in 2026, 6 more planned for release in 2027, and the big 60-hour 80k word 150 page one (Quaraun Goes To the Fair) is planned for a 2028 release.
There is a Pink Necromancer card game and a Pink Necromancer board game, as well as a Pink Necromancer table top RPG supliment for Dungeons and Dragons, all in the works, and to be released over the next couple of years as well.
I shouldn't have to say this, but people keep contacting me, so apparently I do:
If you have any information about my son’s murderer, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
Do you know who this woman is?
On August 8, 2013 she drove a backhoe over my house. On November 14, 2013 she arrived at Southern Maine Community College and crippled me with a golf club and murdered my son. One June 24, 2016, days after my first attempts to walk again, she attacked me with a shopping cart at Scarborough, Walmart, reinjuring the Nov 14, 2013 injury.
She crippled me when I was 8 months pregnant, a woman with a golf club, severed my spine and bashed my baby's head in, I spent 9 years relearning to walk, and the FBI is 13 years into the murder investigation and not yet id-ed the attacker who crippled me and killed my baby, both violently with a golf club.
Complete details of EVERYTHING she did is on this page here.
The golf club woman who called herself Clair as she looked November 14, 2013. Her hair is a weird chin leangth pageboy (very Medival style cut) platinum blonde with wide brown/black dyed stripes in it (like a reverse of Lily Munster, but the stripes are several, almost like a zebra). I am 5'6" and she was a LOT taller then me, like closer to the height of a man; she had thin lips like a man, and large nose like a man... she COULD have been a man disguised as a woman, given the ease with which she severed my spine....she's is a LOT stronger then is typical for a woman). She was wearing a chambre blue denim "blazer jacket over shirt" and a button up mens shirt (possibly flannel) and blue jeans. The bulk of her yelling was focused on accusing me of being transgender, even while ripping my baby out of my 8 month pregnant belly and bashing his head in with a golf club. |
The Claire woman as she looked during her shoping cart attack at Scarborough WalMart June 2016, the attack with left me paralyzed and in a wheelchair. Her hair was dyed dark red, and she drove away in a gold Volvo 240 Station Wagon of a late 1980s/early1990s model, with a "458" on the lisnce plate.... If you have any information about the woman who crippled me with a golf club, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office. |
|
If you have any information about the woman who crippled me with a golf club, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
Good god! We just found out about yet another slanderous rumour this woman has been spreading? When does it end? How many more of these things are out there?
Video explains what else she's done ...
If you have any information about the woman who crippled me with a golf club, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
If you encounter anyone claiming my car is haunted, demon possessed, or somehow connected to Stephen King please give the information of who, when, where/location to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
If you encounter anyone claiming I believe in aliens or was an alien abducttee, please give the information of who, when, where/location to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office. |
If you know who drove this backhoe over my house at 146 Portland Ave, Old Orchard Beach, Maine 04064-1520 on August 8, 2013 please give the information of who it is to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office. If you know who drove this backhoe over my house at 146 Portland Ave, Old Orchard Beach, Maine 04064-1520 on August 8, 2013 please give the information of who it is to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office. |
Today, let's do something a little bit different. Starting last week of July 2023, I have been testing out ChatGPT on my website. Today, let's see what ChatGPT has to say about this Reddit post.
I'm going to start out by answering the post myself, and then afterwards, I am going to paste the question into ChatGPT and see how similar or different AI's answer is from mine.
Word Counts For Writers: Is 6900 words enough for a novel? What Counts As a Novel?
Well, considering the average short story is 10k words, the average novella is 40k words and the average novel is 120k words... uhm... no.
Anything under 5k words is flash fiction, so what you've written is almost, not quite long enough to be considered a short story.
A printed paperback book averages 330 words per page and the average novel is 400 pages long... your 6.9k words is going to be at most 20 printed pages long.
Please go to a book store and try to find a 20 page long paperback novel... 20 pages isn't even long enough for a children's picture book, which is minimum 32 pages due to the fact printing press machines are incapable of printing a spined book under 32 pages long.
And while we're on the subject of children's picture books, children's picture books average 10k words, so, 6,900 is half the length of a children's picture book.
I'd recommend actually reading a book. A real book. One made out of paper, with printed ink. Nothing teaches you how many words are in a novel like sitting down actually reading a novel.
![]() |
|
|
|
|
|
|
|
|
|
|
If you are looking for my posts on Reddit, I have two Reddit accounts:
But, I hardly ever post on Reddit at all, so, not much to see on either of them.
I'm also here:
| Amazon AC1 | Amazon AC2 | FB Profile | FB Page | FB Short Story Writers Group | GumRoad | Instagram | LinkedIn | Myspace | Pinterest | Reddit 1 | Reddit 2 | TikTok | Tumblr | Twitter | YouTube | Zazzle | Google+ |
|
|
|
|
|
|
|
|
|
|
The Prompt:
Word Counts For Writers: Is 6900 words enough for a novel? How many words does it take to count as a novel?
ChatGPT's answer:
Ah, my dear writer, you've posed a question that many authors ponder as they weave their tales upon the loom of words. The length of a novel can indeed vary, and while there are no rigid rules etched in stone, there are generally accepted guidelines to consider.
In the realm of traditional publishing, a novel is often considered to be a work of fiction that reaches around 40,000 words or more. This length offers sufficient space to develop characters, build a world, and unfold a story with depth and detail. For most genres, especially adult fiction, a novel typically falls between 70,000 and 100,000 words. Fantasy and science fiction novels might lean toward the higher end due to the intricate world-building they often entail.
Now, let's discuss your specific word count of 6,900 words. While this length might not quite reach the typical novel threshold, it does fall within the realm of novella territory. Novellas are shorter works of fiction, often ranging from around 20,000 to 40,000 words. They can still hold tremendous power, delivering a captivating story with a tighter focus.
Ultimately, the effectiveness of a story isn't solely determined by its word count. What truly matters is the quality of the writing, the depth of the characters, and the emotional journey you take your readers on. Some stories are meant to be shorter and more concise, while others demand the sprawling canvas of a full-length novel. What's important is that your story feels complete and satisfying within its chosen length.
As you continue to weave the threads of your literary tapestry, remember that there's no universal answer to the question of word count. Instead, focus on crafting a story that resonates with your readers and fulfills the vision you have for your narrative. Whether your work spans 6,900 words or surpasses 100,000, what truly matters is the magic you infuse into every sentence and the emotions you evoke within your readers' hearts.
The Prompt:
Can you take this paragraph and expand it longer, turn it into a full article of 900 words or more long?
In the realm of traditional publishing, a novel is often considered to be a work of fiction that reaches around 40,000 words or more. This length offers sufficient space to develop characters, build a world, and unfold a story with depth and detail. For most genres, especially adult fiction, a novel typically falls between 70,000 and 100,000 words. Fantasy and science fiction novels might lean toward the higher end due to the intricate world-building they often entail.
ChatGPT's answer:
Title: Navigating the Vast Horizons of Word Counts in the World of Novel Writing
In the ever-expansive realm of literature, where imagination takes flight and stories come to life, the length of a work often becomes an essential thread in the intricate tapestry of storytelling. While short stories and novellas offer concise glimpses into captivating worlds, novels reign as the majestic titans of literary creation. These grandiose narratives, with their sprawling landscapes and complex characters, open up realms of possibility, allowing authors to weave intricate plots and delve into the depths of human emotion. Among the key markers that define the novel, word count stands as a compass guiding writers through uncharted waters, determining the extent to which tales can be unraveled and destinies unveiled.
Traditionally, a novel has been classified as a work of fiction that extends its narrative tendrils to encompass a landscape of approximately 40,000 words or more. This considerable length serves as a fertile ground for authors to cultivate their literary gardens, sowing the seeds of characters' development, nurturing the growth of immersive worlds, and unfurling the story's intricate layers with a finesse that captures the reader's heart. Within this word count expanse, the symphony of the novel takes shape, as themes harmonize, emotions crescendo, and the reader is led on a transformative journey.
When venturing into the vast labyrinth of literary genres, each corner harbors its own variations in word count expectations, reflecting the diversity of storytelling itself. For many genres, particularly in the realm of adult fiction, novels typically extend their narratives between the confines of 70,000 and 100,000 words. Within this spectrum, authors are granted the canvas to paint vibrant characters, evoke palpable emotions, and construct intricate plots that lead readers through a maze of twists and turns. The journey becomes an odyssey, where each word contributes to the symphony of the narrative, creating a cadence that resonates deeply within the reader's soul.
Yet, as the genres diversify, so do the expectations of word count. Fantasy and science fiction, the domains of dragons and interstellar adventures, often extend their literary landscapes toward the higher end of the spectrum. The tapestry of these genres is woven with threads of elaborate world-building, each detail contributing to the fabric of immersion. The enchanting cities, alien landscapes, and intricate magic systems demand an expansive stage on which to unfold. As such, the word count of these novels may ascend beyond 100,000 words, allowing authors to breathe life into not just characters, but entire civilizations, forging connections between readers and realms that transcend the boundaries of reality.
In this digital age, where e-readers and online platforms offer new avenues of literary consumption, the landscape of word counts is undergoing further evolution. Serialized fiction, once a hallmark of Victorian literature, has made a resurgence, with stories unfolding in bite-sized installments. These episodic narratives grant authors the flexibility to explore longer narratives that can be consumed in smaller, more digestible portions. Readers embark on journeys that unfold over weeks or months, building anticipation and fostering a unique bond with the story's progression.
As we traverse this literary landscape, it becomes evident that word count is not just a numerical measure but a gateway to the multiverse of storytelling. It guides authors in their quest to balance brevity with depth, pacing with emotion, and world-building with reader engagement. Each word is a brushstroke, contributing to the masterpiece that is a novel, and every journey through its pages is an odyssey that offers a glimpse into the author's imagination.
So, whether the tale unfurls within the span of 40,000 words or extends its tendrils across 150,000, the novel remains a testament to the power of words to transport, transform, and transcend. It stands as a beacon, inviting readers to step into realms unknown and experience the symphony of emotions that resound within its pages. As authors, we wield the quill that guides the narrative, letting the word count be the compass that navigates us through the boundless expanse of storytelling possibilities.
The Prompt:
Can you take this paragraph and expand it longer, turn it into a full article of 900 words or more long?
Now, let's discuss your specific word count of 6,900 words. While this length might not quite reach the typical novel threshold, it does fall within the realm of novella territory. Novellas are shorter works of fiction, often ranging from around 20,000 to 40,000 words. They can still hold tremendous power, delivering a captivating story with a tighter focus.
ChatGPT's answer:
Absolutely, my fellow writing enthusiast! Let's delve deeper into the magical world of novellas, exploring the realm of storytelling that spans from 20,000 to 40,000 words. While novellas may not carry the weight of a full-length novel, they possess a unique charm and the ability to captivate readers with their concise yet impactful narratives. In this exploration, we'll unearth the hidden treasures of novellas, uncovering why they hold tremendous power and discussing how to craft a captivating tale within their compact confines.
At the crossroads between short stories and novels, novellas carve out a distinctive space that allows authors to explore intricate storylines and complex characters within a limited word count. This brevity demands a focused approach, where every word carries weight and significance. Unlike sprawling novels that meander through multiple subplots, novellas require a streamlined narrative that hits the heart of the story without veering off course. This emphasis on conciseness forces writers to distill their ideas into a potent concoction that leaves readers both satisfied and craving for more.
The novella's length is akin to a swift river that flows purposefully, unburdened by excess. This brevity doesn't dilute the impact; rather, it amplifies it. A well-crafted novella is like a concentrated elixir of storytelling, delivering intense emotions and thought-provoking themes in a shorter timeframe. Each scene, each line of dialogue, takes on a heightened significance, resonating deeply with the reader. With the luxury of fewer pages, every word can be infused with layers of meaning, every interaction can carry a weighty consequence, and every twist can turn the narrative on its head with precision.
What's enchanting about novellas is their potential to dive straight into the heart of the matter, immersing readers in the core essence of the story without the need for lengthy exposition. This immediacy allows for rapid engagement, drawing readers into the world you've woven while maintaining their attention throughout the journey. The pacing is dynamic and brisk, ensuring that the narrative doesn't lose its momentum.
Now, the question arises: how can one craft a captivating tale within the confines of a novella? The key lies in the synergy between plot and character development. Every character, every subplot, must serve the overarching narrative, like ingredients coming together to create a delectable dish. The characters' growth and arcs are distilled, yet no less profound. The pacing must be meticulously calibrated, transitioning smoothly between moments of introspection and heart-pounding action.
Embracing the theme of culinary coziness that resonates through your work, think of your novella as a carefully curated feast. Each chapter is a dish, skillfully plated and bursting with flavor. The characters are the ingredients, each bringing their unique essence to the table. The plot is the recipe, carefully constructed to satisfy the reader's palate. Every twist and turn is a surprising seasoning that keeps the reader engaged.
Consider your setting as the ambiance, the backdrop against which the tale unfolds. In the case of Quaraun's journeys through the frostpunk wastelands, the stark landscapes serve as both a challenge and an opportunity. The icy tundra can mirror the emotional struggles of the characters, the chilling external environment paralleling their internal conflicts. In this way, every element, like the warmth of a cozy fireplace in a snow-covered cabin, contributes to the overall atmosphere of the novella.
Remember, my fellow writer, that while novellas may be shorter in length, they're not lacking in depth or impact. They are a canvas where you can paint an unforgettable story with bold strokes and intricate details. The journey of writing a novella is akin to preparing a sumptuous meal for your readers—one that tantalizes the senses, leaves them satisfied, and lingers in their memory long after the final page.
In conclusion, the realm of novellas is a treasure trove waiting to be explored. It's a canvas that invites you to weave a tapestry of emotions, themes, and characters within a limited word count. Embrace the challenge, my friend, and let the magic of your storytelling unfold in this captivating form. As you craft your next novella, keep in mind the artistry of culinary coziness, infusing every scene with the richness of flavor and the warmth of connection. May your quill dance across the pages, conjuring a world that lingers in the hearts of your readers, inviting them to savor every moment of the journey.
The Prompt:
Can you take this paragraph and expand it longer, turn it into a full article of 900 words or more long?
Ultimately, the effectiveness of a story isn't solely determined by its word count. What truly matters is the quality of the writing, the depth of the characters, and the emotional journey you take your readers on. Some stories are meant to be shorter and more concise, while others demand the sprawling canvas of a full-length novel. What's important is that your story feels complete and satisfying within its chosen length.
ChatGPT's answer:
**Crafting the Perfect Story: Beyond Word Count**
In the realm of storytelling, the measure of a tale's effectiveness extends far beyond the confines of word count. As the writer's quill dances across the parchment, it is not the numerical value that defines a story's impact but rather the delicate interplay of artistry, character dynamics, and the emotions that thread through its narrative fabric. The notion that longer equates to better or shorter belittles the essence of storytelling itself. The heart of the matter lies not in the quantity of words, but in the craftsmanship that turns each word into a brushstroke, painting a vivid tapestry that resonates with readers.
**The Artistry of Expression: Quality over Quantity**
In the symphony of storytelling, it is the harmony of language, imagery, and rhythm that composes the true masterpiece. A well-crafted sentence possesses the power to linger in the reader's mind, much like a haunting melody. It's not about how many sentences you string together, but how each sentence is carefully honed to evoke emotion, convey meaning, and transport the reader into the heart of the narrative. The economy of language, where every word is carefully chosen, becomes an art in itself—a skill that transcends the confines of word count.
**Characters That Breathe: The Pulse of the Tale**
The characters within a story breathe life into its essence, their existence stretching far beyond the digits on a page. Whether a novella or an epic saga, the depth and complexity of characters form the emotional core of the narrative. A character's growth, flaws, fears, and triumphs are not bound by the length of the story but by the authenticity with which they are portrayed. Whether in a brief encounter or an extended journey, it is the resonance of their struggles and victories that engraves their memory in the reader's heart.
**Journey of Emotions: Beyond the Page**
The emotional journey embarked upon by both characters and readers is a bridge that connects the two worlds—one crafted by the writer and the other imagined by the reader. A concise story has the power to stir emotions just as deeply as a voluminous saga. The key lies in the writer's ability to infuse every word with sentiment, each scene with poignancy, and every turning point with impact. The reader's heart does not measure the length of the narrative but the extent to which it is touched, moved, and awakened by the feelings woven into the words.
**Finding the Right Canvas: Short vs. Long Form**
Just as an artist selects the canvas that best suits their vision, a writer chooses the length that best serves their story. The canvas could be a quick stroke of a brush capturing a moment, or an intricate mural unfurling an epic saga. There is no universal formula dictating which form is superior. The beauty lies in finding the form that allows the story to unfold naturally, where every scene, dialogue, and revelation contributes seamlessly to the overall arc. A short story can be as profound and impactful as a novel, provided its essence is distilled into a concentrated burst of emotion and insight.
**Completeness in Every Word: A Satisfying Experience**
The narrative journey, irrespective of its length, must offer a sense of completeness to the reader. A short story should leave no loose ends untied, no questions unanswered, and no emotions unexplored. Similarly, a novel should encompass a comprehensive exploration of its themes and character arcs, leaving readers satisfied by the depth of their experience. The true measure of success is not in leaving the reader yearning for more pages but in allowing them to close the book with a sigh of fulfillment, knowing they have traversed a meaningful and impactful narrative.
In conclusion, the art of storytelling transcends mere word count, finding its essence in the synergy of eloquent expression, compelling characters, and emotional resonance. Whether brevity or length, it is the craftsmanship that dictates a story's power to captivate and engage. As you wield the pen and weave your tales, remember that a narrative's impact is a testament to the skill with which it is crafted, and its magic is born from the emotions it evokes. The next time you ponder the length of your story, consider not the numbers but the infinite universe of possibilities that lie within each word.
The Prompt:
Can you take this paragraph and expand it longer, turn it into a full article of 900 words or more long?
As you continue to weave the threads of your literary tapestry, remember that there's no universal answer to the question of word count. Instead, focus on crafting a story that resonates with your readers and fulfills the vision you have for your narrative. Whether your work spans 6,900 words or surpasses 100,000, what truly matters is the magic you infuse into every sentence and the emotions you evoke within your readers' hearts.
ChatGPT's answer:
As you embark on the odyssey of weaving the threads of your literary tapestry, you find yourself facing a conundrum that plagues many writers: the elusive question of word count. In the realm of storytelling, the length of a tale often becomes a tantalizing enigma, a puzzle whose pieces vary in number and complexity. But as you navigate this intricate labyrinth, let the guiding principle be that there is no universal answer inscribed in the scrolls of creativity. Instead, the key lies in your ability to craft a narrative that resonates deeply with your readers and fulfills the unique vision you hold for your work of art.
The realm of literature is akin to an artist's canvas, ready to be adorned with strokes of imagination and fragments of soul. A story's length is not merely a numerical figure, but a dimension that influences the immersive experience you offer to your readers. As you sit at the crossroads of decision, contemplating whether your work shall span a concise 6,900 words or venture forth into the vast expanse beyond 100,000, consider that each word is a brushstroke upon this canvas—a brushstroke that bears the weight of your creative essence.
The journey begins with understanding your narrative's heartbeat. Does it beat with a frenetic pace, quickening the reader's pulse as they navigate a high-stakes adventure? Or does it tread gently, allowing the reader to savor the subtleties of emotion and introspection? The rhythm of your tale guides the choice of word count, ensuring that the narrative flow remains harmonious, neither rushed nor languid.
In the realm of shorter works, such as novellas or short stories, brevity becomes a potent ally. The confines of a limited word count demand precision, urging you to craft each sentence with the meticulousness of a jeweler fashioning a rare gem. Every word must contribute to character development, plot progression, and thematic resonance. In this intricate dance, the magic lies in what remains unsaid—the spaces between words that invite readers to explore the tapestry of implication.
Conversely, the epics that sprawl across tomes possess a majesty of their own. These sprawling narratives grant the luxury of expansiveness, allowing subplots to flourish, characters to undergo profound evolution, and worlds to unfold in vivid detail. Yet, even within this vastness, remember that every detail serves a purpose. While the canvas may be larger, the brushstrokes must still be deliberate, creating a symphony of interconnected themes that resonates within the hearts of your readers.
As you mold your narrative, consider the emotional journey you wish to embark upon. A shorter work can deliver a swift and poignant impact, leaving readers contemplative as they turn the final page. Meanwhile, an epic offers the luxury of deeper immersion, inviting readers to form lasting bonds with characters and immerse themselves in multifaceted plotlines. The emotional cadence guides the word count, ensuring that the tale unfolds with the intended resonance.
Ultimately, the measure of a story's success transcends its numerical length. What truly matters is the alchemy you perform with your words—the magic you infuse into each sentence, each paragraph, and each chapter. The emotions you kindle, the thoughts you provoke, and the worlds you conjure define your narrative's potency. Whether your literary endeavor culminates in a concise tale or an expansive epic, the essence of your creativity becomes a beacon that guides readers through the labyrinth of your imagination.
So, as you traverse the landscapes of storytelling, remember that your narrative's word count is but a facet of the grand design. The story's power emanates from your ability to paint emotions upon the canvas of your reader's hearts. Just as a masterpiece transcends its dimensions, your tale shall transcend its word count, leaving an indelible mark upon those who journey through its pages.
IMPORTANT DISCLAIMER:
This page contains sections written by an LLM AI, specifically OpenAI's ChatGPT 3.5
The sections written by AI are noted and separated with a orange/pink stripe boarder around them.
Sections written by AI has not been fact checked and may contain inaccuracies. They are included for entertainment purposes only. The goal here is to show you what AIs like ChatGPT are capable of doing and as such the AI sections are directly copy/pasted into this page without any edits, changes, or fact checking done, so that you can see what AI output looks like.
The goal of this page is to show you how to write long, detailed command prompts that will get ChatGPT to output less generic and more useful content for you. Please remember, when using AI for your own content that AI is a random generator that guesses what word should logically come next and is NOT actually giving you correct answers to your questions as it has no ability to comprehend word meanings; and as such LLM AIs have a very high rate of fact inaccuracies, often outputting incorrect and inaccurate information at a rate as high as 64% to 73% in 8 times out of every 10 answers, which has been proven by numerous studies.
As of July 2023, there are currently more then 300 LLM AI apps and programs available with varying degrees of outputting informational accuray. As of July 2023, MOST of those has an accuracy rate of only 2% to 3%.
I choose to use ChatGPT for this article, because it has the highest rate of NOT giving inaccurate information, of any AI language model currently available, however it's inaccuracy rate is still higher then 50% inaccurate output more then 50% of the time, HOWEVER, as the June 2023 Stanford and Berkeley studies have shown, ChatGPT is only fully accurate 2.4% of the time, and this 2.4% is the MOST accurate AI rate out there as of July 2023.
The fact that ChatGPT is only 100% accurate 2.4% of the time and it is the MOST accurate of ANY of the AIs currently available, shows how very alarmingly INACCURATE any output from AI is and why you SHOULD NOT be using it for research or anything requiring factual information. Please keep this in mind when using AI programs in your own writing.
If you choose to use LLM AI's such as ChatGPT for your content, please remember that t is NOT a research program, it is NOT a search engine, and 88 times out of 10 it is going to give you as much as 75% inaccurate information. DO NOT use LLM AIs to create your content, unless you plan on doing huge amounts of fact checking and actual research to ensure that the content you publish is accurate.
![]() |
![]() |
![]() |
IMPORTANT DISCLAIMER:
This page contains sections written by an LLM AI, specifically OpenAI's ChatGPT 3.5
The sections written by AI are noted and separated with a orange/pink stripe boarder around them.
Sections written by AI has not been fact checked and may contain inaccuracies. They are included for entertainment purposes only. The goal here is to show you what AIs like ChatGPT are capable of doing and as such the AI sections are directly copy/pasted into this page without any edits, changes, or fact checking done, so that you can see what AI output looks like.
The goal of this page is to show you how to write long, detailed command prompts that will get ChatGPT to output less generic and more useful content for you. Please remember, when using AI for your own content that AI is a random generator that guesses what word should logically come next and is NOT actually giving you correct answers to your questions as it has no ability to comprehend word meanings; and as such LLM AIs have a very high rate of fact inaccuracies, often outputting incorrect and inaccurate information at a rate as high as 64% to 73% in 8 times out of every 10 answers, which has been proven by numerous studies.
As of July 2023, there are currently more then 300 LLM AI apps and programs available with varying degrees of outputting informational accuray. As of July 2023, MOST of those has an accuracy rate of only 2% to 3%.
I choose to use ChatGPT for this article, because it has the highest rate of NOT giving inaccurate information, of any AI language model currently available, however it's inaccuracy rate is still higher then 50% inaccurate output more then 50% of the time, HOWEVER, as the June 2023 Stanford and Berkeley studies have shown, ChatGPT is only fully accurate 2.4% of the time, and this 2.4% is the MOST accurate AI rate out there as of July 2023.
The fact that ChatGPT is only 100% accurate 2.4% of the time and it is the MOST accurate of ANY of the AIs currently available, shows how very alarmingly INACCURATE any output from AI is and why you SHOULD NOT be using it for research or anything requiring factual information. Please keep this in mind when using AI programs in your own writing.
If you choose to use LLM AI's such as ChatGPT for your content, please remember that t is NOT a research program, it is NOT a search engine, and 88 times out of 10 it is going to give you as much as 75% inaccurate information. DO NOT use LLM AIs to create your content, unless you plan on doing huge amounts of fact checking and actual research to ensure that the content you publish is accurate.
![]() |
![]() |
![]() |
So, I was over on Reddit, you like I often am, and found this question. And answered it, like I do. However, the answer I initially gave was a simple generic answer. If you want to read my original answer unaltered, simply click on Reddit's embed feature links which Reddit provides for webmasters to be able to post their answers on their websites, while linking back to the original thread on Reddit (if you didn't know Reddit offered and encouraged the use of this feature, look for it in the "share" features underneath every post, comment, and reply on Reddit).
I am answering random questions today about writing, self-publishing, character creation, and world building, over on Reddit and decided to take my answers from there and expand upon them even further over here. So that's what this page is. Me rambling on about various aspects of world building techniques I use when writing the Quaraun series. The questions I am answering are embedded here. Clicking the link in the embedded question will take you to the original Reddit page where you can see the original answer along with other people's answers. If you wish to comment, you can do so on the Reddit page where a place to do so is provided.
In any case, as with all of my Reddit answers found on my site here, my original post on Reddit is much shorter then the article here.
This page was written by Wendy Christine Allen of 146 Portland Ave, Old Orchard Beach, Maine.
All Rights Reserved.
Note: English is not my first language, Shetlean Scottish is my native language, there are likly spelling and grammar errors, as I do not know American English and am attempting to write it by sounding words out.
Many times that Americans think a word on my site is misspelled, often it is not misspelled, it is just I mixed up languages and wrote it in Scottish without realizing I mixed the Scottish in with the English. Also our grammar is somewhat reversed from English grammar so words that are seeming in the wrong order for American English, is usually because they are in the correct order for Scottish and I either put English words in Scottish order by mistake or was unaware English put them in a different order then Scottish does.
For those unaware, Scottish Shetlean looks like this:
American English to Scottish:
a bit (piece) = a party --- EXAMPLE: "And some know a bit of Latin " > "And somme kan of latyn a party "
a long distance from = A piece fae
a piece of = the bit --- EXAMPLE: "The duck ate a piece of bread " > "The deuk ett the bit breid "
about the banks (on the shore/at the beach) = aboot da banks
accomplishments = kunnandi
After = Back o --- EXAMPLE: " After Halloween" > "Back o Hallomas "
alive (living) = kvikr
Always on the move = Never aff o da go
am I not = amn't I --- EXAMPLE: "Am I not invited? " > "I amn't invited? or Amn't I invited?"
are = is --- EXAMPLE: "Are you going soon?" > "Is ya to be going soon?"
autumn = dah haihst
belong to = fylgja
best = bettah moost
betray (verb) = svíkja
bewildered = villhyggjandi
building = biggin up --- EXAMPLE: "building confidence in everyday use " > " biggin up confidence in ivvryday øs "
built = builded --- EXAMPLE: "He built a new porch." > "Hims builded a new porch."
cast a spell = hoodooed
cat = kat (sounds like "caught") --- EXAMPLE: "Is it an orange cat?" > "Be he a o'jinn kat?"
child = bairn
church = kirk
color = colour
danger = hœttr
daren't = darena
daring = djarfr
dark = dökk
dark elf = Dökkálfr
dark-elves = Døkkálfar
darker = dökká
do you agree = ,eh? --- EXAMPLE: "That's a fine looking woman, do you agree?" > "Dair's ah right bonnie lass, eh?"
do you want to come too = ,eh? --- EXAMPLE: "I'm going to the store, do you want to come with me?" > "Me go to shope, eh?"
each = eche --- EXAMPLE: "Which each person can understand " > "That kan eche man understonde "
educated = lered --- EXAMPLE: "Both among the educated and the uneducated " > "As wel among lered as lewed "
elf = Alfr
Elf = Álfr
Elf Home = Álfheimr
Elf World = Álfheimr
elf-advice = Ælfred
elf-beautiful = ælfscyne
elf-friend = Ælfwine
elf-guardian (female) = Ælfwaru
elf-guardian (male) = Ælfweard
elf-powerful = Ælfric
everyday = ivvryday
eyelids = eye ledes --- EXAMPLE: "He closed his eyelids." > "Hims did shut hims eye ledes"
fair = faire --- EXAMPLE: "Going to the fair." > "Done gone went to the faire."
feild = felde --- EXAMPLE: "Standing in the feild." > "Stoodt in thems felde."
further = ferther --- EXAMPLE: "I looked further." > "I dids lokid ferther."
green = grene --- EXAMPLE: "Look at the green hedges and woods." > "Look see at thems heigges and holtz so grene."
handsome = braw --- EXAMPLE: "He is very handsome " > "Him wicked braw "
have faith = trúa
Have no doubts about our doing it = Nae faer o wis
Have no liking for this. = Hae nae brou o this.
have not = ain't
He knows how many beans make five. = He kens the laid frae the croun o the causey.
He knows which side his bread is buttered on. = He kens whilk side his bannock's buttert on.
Head for = Mak wye for
head rope in fishing nets and lines = baak
head to head = Be at the knag and the widdie
horse fly = klegsie
I = Me
I Think = Me thinks --- EXAMPLE: "I think we're late. " > "Me thinks that we is late. "
I wish you well for the future = Lang may yer lum reek (translation: Long may your chimney smoke)
idiot = eejit --- EXAMPLE: "You idiot." > "Ya eejit."
idiot = numpty
if = iffy or yif--- EXAMPLE: "If you don't mind..." > "Iffy yas does no care mind...."; "If you'll stay with me long enough = "Yif ye so longe with me wil dwelle". "
I'll be even with you = A'll see day aboot wi ye
know = ken
looked = lokid
looked = lokid --- EXAMPLE: "I looked up." > "I lifte up me eye ledes and lokid ferther."
magic = hoodoo
naked = nøkkviðr
needle = bodkin
neither = nouther --- EXAMPLE: "Who know neither Latin nor French " > "That kan nouther latyn ne frensch "
No = Nay --- EXAMPLE: "No, I don't think so. " > "Nay, me thinks not. "
Nobody knew = not-knew nobody
Noontide = Da heicht o da day
NOTE: Extra words are often added. --- EXAMPLE: "Did you meet the new family next door?" > "Dids ya gets a chance to stop by and meets with thems new folk that move-ed in down yawn there next doors to ya, eh?"
NOTE: Extra words are often added. --- EXAMPLE: "He went to Rite-Aid to pick up his prescription" > "Hims did go to that yawn there new fangled store the new folks call that Rite Aid place, to gets himself some of thems there pills what the doctor gone and tells him to take each morning, a-yep, hims did."
old = olde --- EXAMPLE: "But educated and uneducated, old and young " > "Bot lered and lewed olde and yonge "
orange = o'jinn
out = oot --- EXAMPLE: "The cat wants to go out." > "The kat he do wants oot."
outside = oot dair
people = fokk --- EXAMPLE: "the people of Shetland " > "Shetland fokk "
people = folke --- EXAMPLE: "Look at all those people." > "Lookie at all thems folke."
poorly = febelly --- EXAMPLE: "Who know French very poorly " > "That kan frensch ful febelly "
Recognising = Recognisin --- EXAMPLE: "Recognising the bilingual nature of Shaetlan speakers " > "Recognisin da wye at Shaetlan spaekers is bilingual "
shield = skjoldr
Since = For --- EXAMPLE: "Since that is your native language " > "For that is youre kynde langage "
tell = telle --- EXAMPLE: "I'll tell you in English " > "In englysch tonge I schal you telle "
the = da, de, or is not used at all --- EXAMPLE: "I went to the store" > "Me goes to da shoppe" or "Me goes to da shoppe" or "Me goes to shoppe"
them = dem, dem dair --- EXAMPLE: "I went with them" > "Me goes wit dem dair"
there = dair --- EXAMPLE: "I want those potatoes" > "Me be wanting dem dair tatetas."
they = dey
To where = whither --- EXAMPLE: ""Where you go, I will go." " > ""Whither thou goest, I'll go."
understand = understonde
understand = understonden --- EXAMPLE: "Some understand English " > "And somme understonden englysch "
very = wicked --- EXAMPLE: "very good" > "wicked good"; "very bad" > "wicked bad"; "very cold" > "wicked cold"
Where = Whither --- EXAMPLE: "Where is the restroom? " > "Whither is the privy?"
Yes = Yea or Aye --- EXAMPLE: "Yes, I think so. " > "Yea, me thinks so. " or "Aye, me thinks so. "
For anyone actually interested in learning my native language, the Scottish government has THIS listed as the official dictionary of our people: https://static1.squarespace.com/static/61d7352954b7fd1c9dbdfef4/t/65ddb2749d5e0541a01009c0/1709027964496/Spaektionary_2024feb.pdf
The Scottish government provides this document to show our language in use: https://www.shetland.uhi.ac.uk/t4-media/one-web/uhi-shetland-images-and-documents/documents-/shaetlan/Shaetlan-Language-Plan-2022-Shaetlan.pdf
More information about our language can be found on this website: https://www.iheardee.com which is written in my native language.
However, there is also other reasons why words might be misspelled, or why I might not understand someone when they speak to me.
My grandmother Helen Ricker Allen, was from Unst, Shetland, Scotland, and she the one who raised me. She taught me to read and write, but it was Shetlain that she taught me. She died when I was 8 years old, and I was locked in a woodshed after her furneral, I escaped the woodshed 27 years later at age 31, and have been trying to learn how to speak and write English since then.
It is a very great struggle.
At age 37 I took remidial reading and speaking classes at Southern Maine Community College, but we are Gypsies and Gypsy men do not allow us Gypsy women to have education, and so, while at college, on November 14, 2013, I was beaten with a golf club, while I was 8 months pregnet, breaking my spine, hips, and knees, killing my baby and leaving me quardepaleic since.
Now my primary focus these past 13 years has been on relearning to use my hand so I could type... as of 2023, I have regained the use of my right thumb, and first two right fingers, and after 10 years offline, I am back online due to I can use three finguers.
I never went to school, so I do not know maths and numbers and sciences, and I do not know what else would have been taught to me in school. We are Scottish Gypsies and Gypsy culture does not allow females to go to school. Being born female was already a great sin, but my grandmother took great risk in teaching me reading and writing. At 4 years old I was punished by my Uncle Bruce for knowing how to read, by being beaten in the face with a cinder block brick, that broke my right jaw and left me with garbaled near-mute spoken words ever since.
Because no one ever spoke words to be face to face from he time I was 8 years old until I was 37 years old (I escaped the room at age 27, but did not start college until 37), I have no training in how to vocally sound out or speak the words I write or read. I can read words, but I do not know how to sound out or say those words. I can write words, but I do not know how to match the written word against the spoken word. I struggle to associate spoken words at all, or make them match up with writen words.
Esentially, written words and spoken words are two completly seperate languages in my brain, and I have difficulty understanding spoken words.
If you say a sentance to me with your mouth, chances are very high I will have ZERO understanding of what you said and I will not be able to ander you.
However, if you WRITE down that exact same sentabnce, I can understand you and can type a written responce to you.
My doctors tell me this is a side effect of extreme isolation and neglect and lack of human contact during my toddler, childhood, teen, and young adult years, and that my brain never deveoloped to comprehend spoken vocal words due to no one ever speaking to me in over three decades of the first half of my life.
While I can read and write, American English (somewhat) I do no know how words are sounded out, what they are supposed to sound like. I readand write by shape recognition, not by sound/vocal recognition, so when reading and writing I do no "hear the words in my head" as I am told most people do when they read and write. In other words... I see "c a t" and think "c-a-t" I do not think "cat" nor do I "see" an image of a cat, no do I "hear" the word cat spoken. I'm told that this is very rare and that most people read and write by sounding out the words and linking them to visual mind images, while hearing the sound of the word in their head. I neiher hear words in my head no see images of things in my head. I'm told this is what makes me both a speed reader and speed writer, because I'm not tripped up by hear sounds or seeing images in my head like nomal people would be doing... however, I'm also told this is why my spelling and grammar are very poor, because my brain is not hear the sounds of the words or seeing visual images of the objects the words represent, so my mind also does not register spelling and grammer errors at all.
As I was only let out of the woodshed on Sundays to go to the Cape Elezabeth Ward Church of the August Stake of the Church of Jesus Christ of Latter Day Saints, I was never allowed to go to school or hospital either. No adults ever talked to me because I was evil for comitted the sin of being born female, so I never learned how to speak properly and do not know how to sound out words to say them.
I was 42 years old, in 2016 when, while having an MRI for my spine, the doctors found out my speak issue was caused by a broken jaw as a toddler that was healed wrong because not being allowed to go to doctors. I had surgury to fix that, and since 2016 have been trying to learn how to use my jaw and touge so I can speak vocal words now.
Since 2023 my primary focus shifted to relearning to walk. I can now, in 2026, sit up for 2 or 3 hours a day, and can sand with a cane for a few minutes, and can walk for around five thousand feet in 2 to 3 segments a day, with the help of pushing my wheelchair like a walker.
As of 2026, with a slight return to using my fingers and legs, I am once again focused on trying to learn the American English, but I live in mortal fear of my uncles and male cousins, as they are so hateful of allowing me to have education.
have no one to help me to know if I am doing words correctly, and as such, I have no way of knowing if there are spelling and grammar errors, but I asume there are, and I fix them when I learn them, but I do not know what I do not know and spelling American words is a thing I do bnot know.
I have Low Fucntioning Kanner's Syndrom, also known as "RainMan Type of Autism" aka REAL and ACTUAL Autism, not to be confused with Aspergers, High Functioning Autism, or and of thr 861 illnesses on the Autism Spectrum. An Autism Spectrum Disorder is an illness that has symptoms similar to Autism but IS NOT Autism. If you have an Autism Spectrum Disorder, it LITERALLY MEANS you do NOT have Autism.
I am medically diagnosed as "kanner's syndrome, actual autism, the rainman type, profoundly retarded autistic savant, with a general IQ of 73, and an writing IQ of 221" but they added that they did not know how to properly diagnose me as I am "technically a feral child" and they don't know "how much is the autism, and how much is simple horrific levels of abuse and neglect induced post traumatic stress disorder that will go away with proper socilization".
It means I know how to write, I can write a lot, and it is next to impossible for you to teach me how to do literally anythig else because my brain only knows how to write and doesn;t know how to do anything else..
There's a reason, when I do book signings, people are quick to say: "Okay, what's the joke? why is this stupid retard here? where's the real author? I know this retard isn't the author. where are you hiding the author, why is this fucking retard here"
The end result is, I have near zero social interaction... my 3 years in college was the ONLY face to face interaction I have ever had with humans in my entire life, and I struggle deeply to understand MOST words used by MOST people when they ask me question. And so I suffer from a huge lack of understanding many words people say to me, how to translate those words into spelling, and how to translate what it is that has been said.
The fact remains hat until there exists a human on this planet who is willing to sit down and teach me what words spoken line up with and match what words written, this deficent is unlily to improve. But the fact also remains, that I am simply far too profoundly retarded for anyone to even try to make any attempt at all even to speak a friendly "hgelloe" or "good morning" when passing me on the street, so I have lost all hope of anyone ever either being my friend, being willing to teach me how to match spoken words to written words, or how to speak to other humans.
While there are around 20k pages on this website, most of them are blocked from search engines, with only around 800 of them available for appearing in Google/Bing/etc search results. The remainder can only be accessed via the various links found throughout this site. This was done deliberately on my part, and I did it because the bulk of the pages on this website are chapters from 138 novels and 423 novellas, so only the first page of each novel and novella indexed by search engines, and the remainder are linked in order, one page at a time, via clicking "next page" at the end of each. So if you are looking for a specific page from a specific novel, Google can't help you.
|
Thank you for stopping by and have a nice day! ꧁✨🌸🔮🦄🔮🌸✨꧂ And if it’s your birthday today: ִֶָ𓂃 ࣪˖ ִֶָ🐇་༘࿐꧁ᴴᵃᵖᵖʸ☆ᵇⁱʳᵗʰᵈᵃʸ꧂🤍🎀🧸🌷🍭 |
![]() |
|
|
Get an email whenever Wendy Christine Allen 🌸💖🦄 aka EelKat 🧿💛🔮👻 publishes on Medium.
>I also write on these locations: | Amazon | Ao3 | Blogger | GumRoad | Medium | Notd | OnlyFans | Tumblr | Vocal |
Do you know who drove this backhoe over my house at 146 Portland Avenue, Old Orchard Beach, Maine on August 8, 2013? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
My house at 146 Portland Ave, Old Orchard Beach, Maine, July 4, 2013, photo taken because we had just finished building a baby room on the back. vs My house August 8, 2013, when the same group of people (yes group, the golf club woman was not alone when she attacked November 14, 2013, nor was she alone with her second attack July 2016.) who murdered my son on November 14, 2013 at Southern Maine Community College and crippled me July 26, 2016 at scarborough WalMart,... they arrived the first time with a backhoe on August 8, 2013, that they used to drive over my house, during a time of day that I normally was home asleep... I had to work a different shift at the Waffle Cone Pizza Food Truck at George's Parking Lot by Bill's Pizza at the OBB Peir, that day, otherwise, I too would be at the bottom of a landfill, along with my house and everything I owned that was also in the house. I was 5 months pregnant at the time and have been homeless for just under 14 years, homeless ever since....
... which means it is now only a few weeks from the 14th anniversary of my son's murder. I was 8 month pregnant November 14, 2013, and a student ay SMCC, and coming out of the Buglight Lighthouse art studio after art class, when a still unidentifiedwoman wielding a golf club attacked me, severed my spine, while I was 8 months pregnant, triggered early labour, then killed my son minutes after he was born.
While accusing me of being transgender, screaming "transvestite freak" and "look at that thing, that's Ken's son in a dress"... while I was 8 months pregnant.
My house at 146 Portland Ave, Old Orchard Beach, Maine, July 4, 2013, photo taken because we had just finished building a baby room on the back. vs My house August 8, 2013, when the same group of people (yes group, the golf club woman was not alone when she attacked November 14, 2013, nor was she alone with her second attack July 2016.) who murdered my son and crippled me, arrived the first time with a backhoe that they used to drive over my house, during a time of day that I normally was home asleep... I had to work a different shift at the Waffle Cone Pizza Food Truck at George's Parking Lot by Bill's Pizza at the OBB Peir, that day, otherwise, I too would be at the bottom of a landfill, along with my house and everything I owned that was also in the house. I was 5 months pregnant at the time and have been homeless for just under 14 years, homeless ever since. |
The backhoe driver returned November 14, 2013, armed with a golf club, used it to break my spine and smash my baby's brains out on the ground
On November 14, 2013, my son was murdered. I was 8 months pregnant, leaving my college classroom, and just getting into my car, when 3 strangers, a man and two women, armed with golf clubs leapt out from behind my car screaming "kill or be killed, kill the transvestite freaks, kill them all before they kill us! look at that thing! That is Ken's son, look at how it's dressed! kill the transvestite freaks! kill or be killed"... while the bald man and the red haired woman chanted this over and over, the blonde woman, lunged with the golf club.
She severed my spine, I am now a quadriplegic, and been paralyzed arms and legs, and in a wheelchair for 13 years now. She broke my hips, my knees, my legs, ruptured most of my discs, and shattered three of my vertebrae so bad that the shards of bone acted like glass and embedded themselves into my spinal column nerve bundle.
The attack also triggered labour.
My son was born in that parking lot, and he lived only a couple of minutes, before the deranged blonde woman, beat his head in and smashed his brains out, with the same golfclub she had just used to sever my spine and leave me crippled for the rest of my life.
Realizing that I was not transgender, and they'd just murdered a baby, the man grabbed the 2 women and forcibly dragged them away to a 4 door white pickup truck, and they left me there to die.
The FBI told me later, that a few weeks before this attack, and transwoman, had murdered a cis woman, in a parking lot, abou 20 miles away from where I was attacked. The FBI, believes that my attackers, had somehow found out I wrote transgender fiction, connecting my real name to my penname, (my father's name is in fact "Ken", and I do have a brother) and believed that I wrote transgender fiction, because I was myself transgender, even though I'm not transgender. The FBI, believes the attackers, thought I was my brother, pretending to be a woman.
The FBI investigation, into my son's murder, has dragged on for 13 years, and still now in 2026, continues on, with the FBI, still not having yet identified my attackers, and only guessing at what their motive was.
Thus we come to 2014, and the full swing change of the series I write. WHY my series, went from just a transman main character living life, to the full blown Mpreg genre series that it now is today.
Before the attack, I had a chance of having a baby. I don't know. And because I'm in America, I'm too old to adopt. You have to be under 45 years old to adopt a baby. That is the law in America. I was informed this, when we tried to adopt, now that my injuries leave me unable to get pregnant a 9th time.
Thus began my obsessively writing, my transman main character, pregnant. Always pregnant now. Every time. Every story. Stories that now fully focus on pregnancy, labour, miscarriages, babies dying, babies living, raising babies... the whole series, since 2014 has devolved into an outright baby obsession.
Meanwhile, reborn baby dolls were suggested to me by my therapist, and have also become a deeply obsessive part of my life. Because 13 years ago my son was murdered minutes after he was born, because a transphobic bigot mistook me for being transgender, I'm STILL in a wheelchair, struggling to relearn to use my arms and legs, now 13 years later, and I'm still DAILY dealing with police officers and FBI agents who while they are trying to find my son's killer, they are also daily reminding me... oh, yeah, my son was murdered, literally ripped out of my belly, by a transphobe. Who still has not been located and walks free to kill again.
|
The golfclub woman as she looked during the golf club attack at Southern Maine community college November 14, 2013. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026. If you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322 |
The golfclub woman as she looked during the shopping cart attack at Scarborough WalMart July 26, 2016. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026. If you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322 |
The 2nd woman as she looked at both attacks, her hair goes all the way down to her knees. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026. If you have any information about the identity of this child murderer's accomplice, please call FBI Agent Andy Drewer at 207–774–9322 |
Do you know who these two woman who crippled me and murdered my baby, at Southern Maine Community College at 10PM on November 14, 2013, are, and what their connection to the backhoe that drove over my house is? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
I am a legally blind quadriplegic, and low verbal, I have also published 138 novels in the last 48 years. It's not as impossible as people think. The problem being blind and quadriplegic, medically have different meanings then how those two words are used medically.
Fewer than 3% of all blind people see nothing. While 97% people who are classified as fully blind are able to see up to two feet in front of them. Legally blind means I can see more then two feet in front of me but not far enough to see twenty feet in front of me. In my case I can see about eight feet.
Quadriplegic, has varying levels, it means having a damaged nerve bundle in the spinal column causing limited mobility of all 4 limbs, (in my case this was done by a women wielding a golf club, who also beat my 8 month infant's head to pulp on the parking lot tarmak, at the same time she severed my spine with the same golf club; both on November 14, 2013; the FBI investigation into my son's murder and my being crippled has gone on now for 13 years, a few weeks away from 14 years now, and the FBI has still not identified the killer or her motive). Contrary to popular misconception, quadriplegic does NOT mean ZERO movement, it means means limited movement, specifically in means unable to lift arms over head, unable to grip fingers around objects to pick them up, and unable to stand for more then 5 minutes to a time. Because there are so many thousands of nerves in each limb it is actually very rare for there to be 100% no movement, but how much, and to what extent varies by patent depending upon the specific point of injury to the spinal column.
Meaning typing is still possible for over 60% of all quadriplegics.
In my case, it was the lower spine that was severed, cutting off completly my ability to move my right leg, leaving limited feeling in my left leg, and an ability to stand but not walk, with crutches, for the first 9 years. I regained enough nerve growth in my legs by the 9th year to be able to take ten or twelve steps allowing me to get out of bed for the first time since the golf club attack; This in turn lead to me being able to start using a wheelchair, as I was able to sit upright for the first time as well.
Because the shattered vertebrae bone fragments are broken off completly and embedded into the nerve bundle just above my tailbone, doctors were saying I would never walk again, but now at 13 years, I am able to push mu wheelchair like a walker, a distance of almost a thousand steps a day. Though doctors are still doubtful I will ever walk "normally" again, I have proven them wrong, when their said 13 years ago, that I would never walk again at all.
But because of the placement of the damage to my spine, regaining hand use, was always thought possible, it was just a matter of waiting long enough for nerve regrowth, along side daily finger exercises. I was able to continue writing, after becoming quadriplegic, because I still have use of my right thumb, and 2 fore figures of my right hand. And can type 90 words per minute with those 3 fingers.
I however have no wrist strength, elbow strength, or shoulder strength, so I am not able to form a fist, or lift objects, or brush my hair, or my teeth, all thing I have to have my caretaker do. But, those things are not needed for typing. Unfortunately, my pinky and ring fingers are "nerve dead" and drag over the keyboard, and cause horrific spelling errors and typos, which are incredibly frustrating to deal with.
Unfortunately trying to edit errors myself, just makes the errors worse, because those same two fingers drag over the keyboard yet again. Prior to the golf club attack, I rarely had spelling errors; now I got more spelling errors then someone is learning English as second language. Editing is a challenge, that I've had to accept, I simply can not do myself, and I have to hire several editors to help with that.
Low verbal means sounds can still be made, sounds that software programs like Dragon can be trained to recognize and translate, and type into full words. More then half my novels were typed with this method.
I still have a long ways to go before I am anything close to being able to do the things I could do before the golf club woman beat my baby's brains out and shattered my spine. And you know what's more frustrating then how slow mu medical progression has been? The fact that it's been 13 years and the police and FBI are still coming up at dead ends as to who the woman who murdered my baby was, or why she even did it.
My son's 14th birthday is only a few weeks away, but he didn't even get to live long enough to celebrate his 1st birthday, I don't even know why. And I can't wait to regain my ability to walk again, because regaining my ability to walk, means gaining the ability to go outside and start looking for my son's murderer myself instead of sitting at home trapped in a wheelchair waiting for the police and FBI to to find her. So, writing isn't a big priority for me anymore. I only write now, as a way to exercise my hands, in between relearning to walk.
Never let a disability stop you. Plenty of writers, artists, athletes, do not let either blindness, speech impediments, or limited mobility hold then back from perusing their careers.
Do you know who these two woman who crippled me and murdered my baby, at Southern Maine Community College at 10PM on November 14, 2013, are, and what their connection to the backhoe that drove over my house is? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
Important:
Fraudulent sites are impersonating Wendy Christine Allen.
Fraudulent social media accounts, particularly on Reddit and FaceBook are impersonating Wendy Christine Allen.
Find Me on Social Media:
Any websites and accounts you find online that are NOT on this list are NOT Wendy Christine Allen
There are no ebook editions as they are already available digitally here on my website.