How to Write a Character Falling Asleep (First Person)? | Writing Dialogue

ChatGPT's answer:

Describing the act of falling asleep in creative writing can be a beautiful and evocative experience, as it allows you to convey the transition from wakefulness to slumber in a way that engages the reader's senses and emotions. Here's a step-by-step guide on how to do it effectively:

1. Set the Scene:
Begin by setting the scene and creating a sense of place. Describe the surroundings, whether it's a cozy bedroom, a moonlit forest, or a starry night on a magical ferris wheel. Use sensory details to immerse your readers in the environment.

2. Emphasize Comfort:
Highlight the comfort and coziness of the sleeping space. Mention soft blankets, plush pillows, or the gentle rustling of leaves in the breeze. Convey a feeling of safety and relaxation.

3. Sensory Details:
Engage the senses. Describe the scent of lavender from a nearby sachet, the feel of cool sheets against the skin, the muffled sounds of a distant lullaby, or the taste of warm, soothing tea before bedtime.

4. Internal Thoughts and Emotions:
Offer insight into the character's thoughts and emotions as they prepare to sleep. Are they feeling content, anxious, or reflective? Share their internal monologue or contemplations about the day.

5. Physical Sensations:
Explore the physical sensations of drowsiness. Mention the heaviness of eyelids, the gentle slowing of breath, or the way muscles relax. Connect these sensations to the character's emotional state.

6. Dreamlike Imagery:
Transition into dreamlike imagery as the character drifts off. Use metaphors and similes to describe the feeling of falling into slumber. For example, "She felt like a leaf floating on a tranquil stream," or "His thoughts scattered like stardust in the night."

7. Symbolism:
Consider incorporating symbolism or foreshadowing into the description of falling asleep. This can hint at future events or themes in your story.

8. Transition:
Signal the transition from wakefulness to sleep with a key moment or phrase. This could be the closing of the character's eyes, the last coherent thought before drifting away, or the arrival of a recurring dream.

9. Final Emotion:
Conclude with the emotional state of the character as they fall asleep. Are they finding peace, escaping from their worries, or embracing a sense of wonder? This final emotional note can leave a lasting impression on the reader.

10. Leave Room for Interpretation:
Remember that the act of falling asleep can be deeply personal and subjective. Leave room for readers to connect with the experience on their own terms, allowing them to recall their own moments of drifting into slumber.

Here's an example of describing falling asleep:

She lay in her hammock, swaying gently under the canopy of stars. The night air was cool against her skin, carrying the scent of blooming jasmine. As her eyelids grew heavy, she watched as the stars blinked like distant fireflies, their light fading into the velvety sky. She felt like a paper boat drifting on a tranquil river, carried away by the gentle current of sleep. Her last coherent thought was a whispered wish for sweet dreams, and then the world dissolved into the soft embrace of night.

Remember that the style of your description can vary based on the tone and genre of your story. Whether you're aiming for a poetic, introspective, or whimsical depiction, make sure it aligns with the overall mood and themes of your narrative.

ChatGPT's answer:

Describing the act of falling asleep through a character's thoughts and emotions can be a powerful way to convey their mental and emotional state. Here are some tips and edits you can consider to improve your passage:

Original Passage:
"It was a stressful night, and she was lying awake worrying. Focusing on Elsie calms her down and allows her to fall asleep, and I'm keeping it flowing like this to show that she doesn't even really realize she's calmed down. It shows how worry for Elsie hurts her (keeping her awake), but that her love for Elsie is what calms her down. Basically, the nature and strength of the relationship."

Revised Passage:
"On this particularly stressful night, she lay there, her thoughts swirling in the darkness like restless ghosts. Worries danced on the edges of her mind, refusing to let her find solace in slumber. It was Elsie, her anchor amidst the tumultuous sea of anxieties, who ultimately whispered peace into her troubled heart. She didn't even notice the transition, how the storm of her thoughts gradually subsided into a gentle breeze. It was as though Elsie's name alone had the power to lull her into serenity. The weight of her love for Elsie became a soothing balm, mending the frayed edges of her restless soul. She drifted into dreams, cocooned in the warm embrace of their relationship, where worries held no dominion."

Tips for Improving the Description:

1. Use Vivid Imagery: Paint a picture with words by describing the thoughts as "swirling in the darkness" and worries "dancing on the edges of her mind." This creates a visual and emotional impact.

2. Show, Don't Tell: Instead of directly stating that focusing on Elsie calms her down, show this transformation through the calming imagery and emotions that follow.

3. Embrace Metaphors: Metaphors can be a powerful tool to convey complex emotions. In this case, you can use the metaphor of a storm gradually subsiding into a gentle breeze to represent the calming effect of Elsie's presence.

4. Highlight Contrast: Emphasize the contrast between the initial restlessness and the eventual serenity. This highlights the impact of Elsie's presence on the character's mental state.

5. Bring in the Senses: Incorporate sensory details to immerse the reader in the experience. Mention the "warm embrace" and "soothing balm" to evoke a tactile and emotional response.

6. Symbolism: You can use the act of falling asleep as a symbolic representation of finding peace and comfort within their relationship. This adds depth to the narrative.

Remember, the key is to engage the reader's senses and emotions, allowing them to connect with the character's experience of falling asleep on a deeper level.

ChatGPT's answer:

Certainly! Using vivid imagery to describe falling asleep in creative writing can immerse readers in the character's experience. Here's a short scene as an example:

---

The room was cloaked in the quiet of midnight, a tranquil canvas for the mind to paint its dreams. She lay there, her eyelids heavy with the weight of the day, each blink a slow descent into the realm of slumber. Thoughts, like fireflies in the twilight, flickered and waned, their once-keen edges softening into indistinct shadows.

Outside, the wind whispered secrets through the open window, and the curtains rustled like memories brushing against the glass. It was as if the night itself had reached out to cradle her in its tender embrace. The world beyond her senses grew distant, replaced by the ethereal landscape of her dreams.

Beneath the quilt, her body sank into the mattress, its warmth cocooning her as she journeyed deeper into the enigmatic labyrinth of sleep. Her breaths slowed, becoming gentle breezes that stirred the tranquil waters of her mind. It was as though the room had become a sanctuary, a sacred space where time flowed like a meandering river, winding its way into the realm of dreams.

The distant echo of a lullaby whispered in her thoughts, a melody of serenity that guided her into the embrace of Morpheus. The worries that had once held her captive now dissipated like mist in the morning sun, vanishing into the tapestry of her subconscious.

And there, in the hushed stillness of the night, she surrendered to the tender clasp of sleep, her consciousness becoming a ship adrift on the tranquil sea of dreams, carried away by the gentle currents of the night.

---

In this example, vivid imagery is used to convey the sensory and emotional experience of falling asleep. It creates a visual and emotional impact by describing the surroundings, sensations, and mental state of the character as they transition from wakefulness to slumber.

ChatGPT's answer:

Certainly! Using "Show, Don't Tell" is a powerful technique to describe falling asleep by allowing readers to infer the character's state through actions, emotions, and sensory details. Here's a short scene as an example:

---

The night stretched endlessly before her, a dark tapestry woven with threads of worry. As she lay there, restlessness gnawing at her thoughts, she reached out for Elsie. The soft warmth of her beloved's hand, intertwined with her own, sent ripples of comfort through her soul. In that simple touch, she found solace, a lifeline to tranquility.

Outside, the rain tapped gently on the windowpane, a soothing lullaby that spoke of nature's rhythms. With each drop, the weight of her concerns began to lift, carried away on the whispered cadence of the storm. Shadows played on the walls, their dance a gentle distraction from the troubles that had plagued her just moments before.

Elsie's breathing, steady and serene, mirrored the quietude of the room. It was a melody that invited her to join in, to let go of the world's troubles, if only for a while. The scent of lavender from their shared pillow wafted through the air, a fragrant promise of serenity.

She closed her eyes, embracing the sensation of sinking into the mattress, the softness cradling her like a mother's embrace. The room, once a battleground of thoughts, now transformed into a sanctuary of dreams. Her mind, still and peaceful, began to wander through the landscapes of slumber.

Images drifted by, as ethereal as clouds in the night sky, each one a fragment of a dream yet to be. The tension in her body eased, replaced by the gentle pull of drowsiness. It was a sensation as soft as a feather's touch, guiding her towards the realm of sleep.

And as the night held its breath, she let herself be carried away by the current of tranquility, her worries fading like distant echoes in the night.

---

In this example, "Show, Don't Tell" is used to depict the character's journey from restlessness to calmness, allowing readers to infer her state of falling asleep through sensory details, emotions, and actions. This technique engages the reader's imagination and creates a more immersive experience.

ChatGPT's answer:

Certainly! Metaphors can add depth and vividness to your descriptions. Here's a short scene using the metaphor of a storm to describe falling asleep:

---

The night had been a tempest, her thoughts a relentless downpour that pelted the windows of her mind. Restless, she tossed and turned, seeking refuge from the deluge of worries. But then, as if in response to her silent plea, Elsie's hand found hers.

It was a lifeline thrown into the midst of the storm. Elsie's presence was a lightning rod, drawing away the charged anxiety that crackled in the air. Their fingers intertwined, creating a circuit that sent soothing currents through her body.

Outside, the storm still raged, but in their cocoon of warmth and affection, it began to relent. The thunderous thoughts that had echoed in her mind now retreated, becoming distant rumbles. Lightning flashes of concern faded into a gentle, persistent drizzle of reassurance.

Elsie's breath, once an erratic gale, steadied into a calm breeze. It rustled the leaves of her consciousness, brushing away the debris of unease. The room, once a battleground of racing thoughts, transformed into a peaceful meadow, dew-kissed and serene.

She closed her eyes, feeling the storm within her subside. The torrent of worries turned into a gentle, meandering stream of consciousness. It wound its way through the landscape of her mind, carrying away the remnants of tension and doubt.

And so, in the quietude of that night, the storm gave way to a tranquil dawn. She let herself drift, carried by the gentle zephyrs of Elsie's love, toward the shores of sleep.

---

In this scene, the metaphor of a storm gradually subsiding into a gentle breeze is used to convey the narrator's journey from restlessness to falling asleep, with Elsie's presence serving as the calming force. Metaphors like this can evoke powerful emotions and imagery in your writing.

ChatGPT's answer:

Certainly! Highlighting contrasts can create a strong sense of transformation. Here's a short scene using this technique to describe falling asleep:

---

The night had been a restless tempest, a symphony of worries that played on the strings of her consciousness. Tossing and turning in the bed, she had been trapped in a whirlwind of anxious thoughts.

But then, there was a shift, subtle yet profound. It was as if a soft hand had reached into the turbulence of her mind, stilling the chaotic currents. Elsie's presence, like a lighthouse cutting through the fog, began to work its magic.

The initial disarray of her thoughts, like scattered puzzle pieces, slowly began to assemble. Worries that had danced on the edges of her mind now found their seats, and the cacophony of doubts transformed into a gentle hum of reassurance.

Outside, the world seemed to follow suit. The howling winds that had echoed her restlessness now sighed with resignation, as if acknowledging defeat. The harsh drumming of rain on the windowpane morphed into a soothing lullaby, each drop a note in the melody of her dreams.

The contrast was striking. From a nightmarish maelstrom, she had been guided into the tranquil waters of slumber. Her racing thoughts had been tamed into a serene river, carrying her toward the shores of rest.

With a contented sigh, she closed her eyes, embracing the quietude that enveloped her. The contrast between chaos and calm was a testament to Elsie's profound influence. In the stillness, she surrendered to the embrace of sleep.

---

In this scene, the contrast between the initial restlessness and the eventual serenity is emphasized, highlighting the impact of Elsie's presence on the character's mental state as she falls asleep. This technique can effectively convey the character's journey from turmoil to tranquility.

ChatGPT's answer:

Certainly! Incorporating the senses can create a vivid and immersive description of falling asleep. Here's a short scene using this technique:

---

The night had been a relentless cascade of thoughts, each drop heavier than the last, beating against the windows of her mind. Anxiety had clenched its grip, refusing to let go.

But then, there was a shift—a subtle, imperceptible change that stirred the senses. It was as if a warm embrace enveloped her, a gentle cocoon of serenity. Elsie's presence had always held this power.

The room, once filled with the harsh, buzzing neon of her worries, now bathed in a soft, moonlit glow. The curtains swayed like a lullaby, their fabric brushing against her skin, whispering secrets of tranquility.

The scent of lavender, Elsie's favorite, wafted from the bedside table. It was a soothing balm, calming the tempest of her thoughts. Each breath inhaled carried the promise of a peaceful night's sleep.

The rain outside had transformed. What was once a cacophony of chaos now became a gentle patter on the roof, a rhythmic serenade that lulled her into a tranquil dreamland.

As she closed her eyes, the taste of contentment lingered on her lips, like the sweet aftertaste of a cherished memory. The world outside faded into the background, and she surrendered to the sensory symphony that Elsie's presence had orchestrated.

In the embrace of these sensations, she drifted away, carried on the soothing currents of slumber.

---

In this scene, sensory details such as touch, sight, scent, sound, and taste are used to immerse the reader in the experience of falling asleep. These details evoke a tactile and emotional response, allowing the reader to feel the character's transition from restlessness to serenity as they drift into sleep.

ChatGPT's answer:

Certainly! Symbolism can add layers of meaning to your narrative. Here's a short scene using this technique:

---

The night was a tempest, a whirlwind of worries and fears that had raged within her. Each thought was a gust of wind, threatening to uproot the fragile framework of her composure.

But then, as if summoned by the magic of the moment, the room transformed. The soft glow of the bedside lamp became a beacon of hope, casting a warm, golden halo on the walls. Shadows danced in a slow, hypnotic waltz, as if orchestrating a lullaby.

Elsie's presence beside her was the anchor in this storm. Her fingers, entwined with hers, felt like the sturdy roots of an ancient tree, grounding her in the midst of chaos.

As the minutes passed, the turmoil within her began to ebb, like a receding tide. The waves of anxiety grew gentler, their crashing crescendos reduced to soothing whispers.

She closed her eyes, surrendering to the symbolism of the moment. The act of falling asleep became a metaphor for something deeper—a journey into the tranquil sea of their love. With each breath, she descended further into its depths.

In the quietude of that room, she found solace, a sanctuary within their shared dreamscape. It was a symbol of the peace and comfort their relationship offered, a haven from the storms of life.

As her breathing slowed, and her heart found its steady rhythm, she knew that within the realm of their love, she could always find the serenity she sought.

---

In this scene, the act of falling asleep is used as a symbol for finding peace and comfort within the narrator's relationship with Elsie. The symbolism adds depth to the narrative, conveying a deeper emotional connection between the characters as they find solace in each other's presence.

EVERYTHING We Are Allowed To Publicly Release About The FBI Investigation Can Be Found HERE

Do you know who this woman is?
If you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322

She is wanted for:

• -the 2013 murder of my son, Xavier-Octavian Allen-Wildes, whom she ripped out of my 8 month pregnant belly and then used a golf club to beat his brains in on the parking lot;
• 
  
• -for the attempted murder and crippling of me in 2013 (the golf club attack, after killing my son she used the same golfclub to severe my spine leaving me a quadrapalegic for 18 months)
• 
  
• - & 2nd attempted murder of me 2016 (the shopping cart attack - which re-injured my 2013 spine injury, and is why I am now in a wheelchair),
• 
  
• - and the murder of my dog Mickie in 2023 (poisoned the pizza I was eating which my Llasha Apso also ate) and a 3rd attempted murder of me the same day (the poisoned pizza attack).

She ALREADY has a life sentence for prison for the murder of my son, but she has not yet been identified and is still walking free.

As of 2025 she is believed to be between 70 to 80 years old now.

It is believed she was involved in the 2017 beheading of my 75 pet roosters who's headless bodies were hung from rope nooses in my rosebushed, and the May 12, 2015 beheading and vivisection of my cat Cleo who's head was nailed to my motorhome door and intestines braided to the motorhome awning.

She is suspected of being the one who is starting and spreading the UFO, alien abduction, cryptid, erotica, and other vile slanderous defamation gossip rumours about me.

She is suspected of being the one who illegally sold half of my land (now 144 Portland Ave) ILLEGALLY to Don Cooliagrd.

as she looked November 14, 2013 - drove away in a 4 door white pick up truck; from BugLight Lighthouse, at the art studio parking lot of Southern Maine Community College	as she looked June 24, 2016 - drove away in a mid-1990s gold Volvo 405 station wagon; from parking lot of Scarborough, walMart
as she looked June 2023- at PortConMaine'23 at the Round 1 bowling alley at the Maine Mall	as she looked June 2023- at PortConMaine'23 at the Round 1 bowling alley at the Maine Mall

On November 14, 2013, she used a golf club to bash out the brains of my 8-month-old baby Xavier-Octavian Allen. She called herself “Claire” as though she thought I knew her, but I know no one named Claire and had never seen her before. She was about 65 years old and would be around 75 years old today in 2025. The FBI believes the woman who murdered my son is the same woman who hired the backhoe to drive over my house on August 8, 2013, a few weeks before my son’s murder.

@eelkat #edometriosis #cancer #tumor #belly #womenshealth ♬ original sound - Wendy C Allen | 📚 Yaoi Author

If you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322

My house at 146 Portland Ave, Old Orchard Beach, Maine, on July 4, 2013 and on August 8, 2013 after vandals drove a backhoe over it. The backhoe is still running in this photo, I got home from work while they were doing it and the white haired man jumped out and ran away leaving the backhoe running, until it ran out of gas. It sat in my yard for 6 months until the police finally towed it away.

She is the same woman who severed my spine with the same golf club used to murder my baby. She had distinctive two-inch wide stripes in her hair all the way around her head, platinum blond and dark reddish brown, in a pageboy haircut.

If you have any information about the identity of this child murderer,please call FBI Agent Andy Drewer at 207–774–9322

Of the Portland, Maine FBI Office, 4th floor, Middle Street Portland.

FAQ: How Did the FBI get involved?

The FBI believes this woman who crippled me and murdered my baby on November 14, 2013, is connected to the backhoe that illegally drove over my house making me homeless on August 8, 2013.

Between June 2001 and continuing on into 2025, there have been over 200 violent attacks on 146 Portland Ave, Old orchard Beach, Maine, including the beheading of 75 pet roosters April 2007, whose headless bodies were hung in my rosebushes from rope nooses.

The FBI believes ALL of these events are being done in an attempt to drive me off my land. 

According to the FBI, in 2007, a developer went to the Old Orchard Beach Town Hall and filed an illegal building permit for a 27 unit condominium, on my land and CLAIMED to be the owner of my land. This land has been in my family since 1531, we are Native Americans of the Kickapoo tribe and there are more than 500 graves, most dating from the 1500s to 1600s on my land. 

This land has been in my family well over 500 years, and I inherited it from my grandmother Helen Ricker Allen in 1983.

The FBI believes, ALL of the slander/rumours that falsely accuse me of being transgender were ALSO started by this woman who murdered my son, in a further attempt to drive me from my land via working locals of Old Orchard Beach into a trans-hating frenzy.

If you are a real estate agent and ANY ONE contacts you interested in buying 146 Portland Ave, Old Orchard Beach, Maine, PLEASE report that "client" IMMEDIATLY to FBI Agent Andy Drewer, head of my son's murder investigation, and head of the investigation into the 200+ acts of vandalism and hate crimes which have occurred at 146 Portland Ave, Old Orchard Beach, Maine between 2001 to 2025.

If you have ANY information about ANY of the incidents, attacks, vandalisms, and hate crimes that took place between 2001 and 2025, on 146 Portland Ave, Old Orchard Beach, Maine, please give that information to FBI agent Andy Drewer as well.

My land is not for sale and ANY ONE offering to buy it is likely connected to this woman who murdered my son.

ANYONE interested in buying my land has a HIGH PROBABILITY of being hired BY MY SON'S MURDERER, and you MUST send their information to the FBI.

If you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322

She shows up at my yard (both in Old Orchard and in Biddeford), at my college classes, at my workplace... always violent and smashing things, always yelling "transvestite freak" and similar hate slurs about transgender people (she seems to believe I am transgender even though I am I cis woman, and her hatred of transgender people seems to be her primary motive.).

At one point the man who was with her called her "Vallerie". But she herself talked of herself (in a bizarre, not how normal people talk "3rd person") Claire. She kept saying things like "I'm Claire, bitch!" and "I'm Claire you fucking transvestite freak!"

She really, really, really, really was going overboard in emphasizing that her name was Claire - to the point that I am led to believe that her name is NOT Claire, and that she was in fact pretending to be someone else, who's name was Claire.

The fact that the man with her (who was later discovered to be a Biddeford police officer - he was identified in February 2025 when he was killed in a car accident in New Hampshire.) called her "Vallerie" and not "Claire" when he talked to her, indicates, that her name is more likely to be Valerie, then Claire.

But I know no one named either Vallerie or Claire, and outside of these events where she shows up and attacks, I've never seen this woman before and have no clue who she is.

She has attacked more then a dozen times, IN ADDITION to the golf club attack when she murdered my son and crippled me.

She frequently dies her hair and wears wigs. And has looked quite different in the over TWELVE YEARS of her stalking and harassment

I have 3 broken vertebrae, 3 ruptured discs, a broken sariliac, hip dysplasia (broken hip and broken pelvic bone, with hip bone pushed back into pelvic bone and fused together), in addition to rheumatism in both hips, both knees, and both wrists, as well as MS.

Rheumatism I've had since I was 8.

MS I've had since I was 16.

All the rest was done by the crazy blonde woman with the golf club, November 14, 2013, at Southern Maine Community College. I was also 8 months pregnant and she murdered my son as well. I was paralyzed for 18 months and had to relearn to walk. Her hair was wild extreme unnatural rave style 2 to 3 inch wide platinum blond and dark blonde-brown stripes.

I found a pin that shows a similar hairstyle:

In May 2015 I returned to work, walking minimally with a cane.

On June 24, 2016, the same mystery blond woman with her hair now dyed rusted reddish blond, woman, this time driving a late 1990s vintage gold Volvo station wagon, drove up beside my car, while I was putting groceries in my car at Scarborough Walmart, jumped out, grabbed an empty shopping cart from the shopping cart corral, and attacked again, same as she did with golf club three years earlier. This attack is the one which caused worse damage, and I have still not yet recovered from now in 2025.

In the 2016 attack, her hair was dyed an unnatural burgundy red, with slight grey roots growing out, the same unnatrually straitened pageboy style, and she was wearing a burgundy sweater that time.

In the 2016 attack, her hair was dyed an unnatural burgundy red, with slight grey roots growing out, the same unnatrually straitened pageboy style, and she was wearing a burgundy sweater that time.

She most often looks like this, with the red hair... and it was what she looked like on the December 24, 2016 Christmas Eve attack at my dad's apartment building. And THIS attack we have on camera, and so we have actual video footage of her... including, we have audio files of her yelling and chanting "transvestite freak!" while shooting a gun, during the Christmas Eve attack at 27 High Street, Biddeford, Maine.

Her hair has been a different colour each time she has shown up. In 2021 it was a neon dayglow purple, but still the same pageboy. The 2021 attack she was wearing a black poly satin dress with neon lime green trim

Her hair has been a different colour each time she has shown up. In 2021 it was a neon dayglow purple, but still the same pageboy. The 2021 attack she was wearing a black poly satin dress with neon lime green trim

When she showed up at PortCon 2023 and the Round 1 at the Maine Mall the same day, she was again wearing the black dressed, but this time her hair was died black, but she was wearing a neon dayglow lime green "clown wig".

Her face is covered in deep "smokers wrinkles" and her skin is very, very abnormally dry and flakey.

She had a somewhat large nose, (kind of more like a man's nose then a woman's nose) and very thin lips (almost none existant, again, more like a man's lips, then a womans)... she is a LOT bigger then me... a LOT - I am 5'6" and she's maybe 5'11" to 6'2"... she's like really, really, really big.

When she showed up at PortCon 2023 and the Round 1 at the Maine Mall the same day, she was again wearing the black dressed, but this time her hair was died black, but she was wearing a neon dayglow lime green "clown wig".

at one point at the Round One in the Maine Mall attack, she pulled off the green clown wig while she was yelling and her hair was a black-black super fake dyed black pageboy.

The 2016 attack is the one that did the most damage and. That is why I have the cane, walker, rollator, and wheelchair. And which one I use is determined by how much pain I am in at the time I try to stand and move.

She is the one the FBI is looking for. He said he thinks Bruce’s family knows who she is. He said they become alarmigly, agitated, evasive, and violently hostile whenever questioned about her.

If you have any information about my son’s murderer, please call FBI Agent Andy Drewer at 207–774–9322

• Everything we are allowed to publicly release about The FBI Investigation Can Be Found Here

She is the same woman who severed my spine with the same golf club used to murder my baby. She had distinctive two-inch wide stripes in her hair all the way around her head, platinum blond and dark reddish brown, in a pageboy haircut.

If you have any information about the identity of this child murderer,please call FBI Agent Andy Drewer at 207–774–9322