Worldbuilding MoonQuakes and Disabled Characters for Fantasy Writers
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What started out as a ChatGPT-5 brainstorming session about writing moon quakes, evolved into how to write disabled characters after ChatGPT5 miswrites cane use
(random thoughts and conversations with ChatGPT5)



By Wendy C Allen

Worldbuilding MoonQuakes and Disabled Characters for Fantasy Writers

aka

What started out as a ChatGPT-5 brainstorming session about writing moon quakes, evolved into how to write disabled characters after ChatGPT5 miswrites cane use (random thoughts and conversations with ChatGPT5)

Today, September 12, 2025, because it is "Kill the Gays Day" a radical annual holiday here in Old Orchard Beach, Maine, celebrated by locals since 2002, where Christians gather up assault rifles and ride around Old Orchard Beach, shooting at the houses and cars of anyone suspected of being gay or transgender, and therefore dangerous for any LGBTQAI+ people to go outside today, also today is the ten year anniversary of "The Iron Man Biker Gang" (what they called themselves)'s September 12, 2015 "Too Gay For The Family Friendly Town of Old Orchard Beach" attack on my motorhome at 146 Portland Ave, and as the people who do this are the exact same people who drove a backhoe over my house August 8, 2013, and crippled me and murdered my son November 14, 2013, it therefore is one of the single most dangerous days of the year for me, an author of Yaoi (gay literature) to go outside and do my relearning to walk physical therapy, so, instead, I deccided let's work on worldbuilding and ask ChatGPT-5 for info on Moon Quakes, a thing that causes issues in Quaraun's world, but a thing I don't have actual real world science facts to help in writing it and a thing that is fairly difficult to find in depth research about.

If reading it, you will see it quickly got sidetracked when ChatGPT5 messed up big time on character disabilities and we suddenly changed topic from worldbuilding moon quakes to writing a disabled character.

Here now, is a copy of that conversation:

My question:

What can you tell me about moonquakes, real facts, but also afterwards hypothetical theories on how moonquakes would impact Planet Vesonta, given The Fractured Moon was hit by a comet centuries ago, and hangs "dangerously vlose" to the planet now, causing volatile weather on a normal not moon quake day.

ChatGPT5's answer:

Here’s a two-part answer: first the real-world science on moonquakes, then some tailored hypotheticals for Vesonta’s fractured moon.

🌑 Real Facts About Moonquakes

Moonquakes are very real and were first discovered by Apollo missions, which placed seismometers on the Moon between 1969–1977.

Types:

  1. Deep moonquakes – ~435 miles (700 km) below the surface, triggered by Earth’s tidal forces. They can last up to 10 minutes (much longer than quakes on Earth).
  2. Shallow moonquakes – ~12–30 miles deep, more violent (up to magnitude 5.5). They can shake the Moon for hours due to the Moon’s dry, rigid structure that doesn’t absorb seismic energy well.
  3. Thermal moonquakes – Caused when the lunar surface expands at sunrise and contracts at sunset.
  4. Impact moonquakes – From meteorites/comets striking the surface.

Key differences from Earthquakes:

🌘 Hypothetical Impact on Vesonta

  • The Moon has no liquid water or molten core to dissipate seismic waves → quakes ring through the whole body like a bell.
  • Strong shallow moonquakes could threaten lunar structures, since vibrations travel so far and last so long.
  • Most are linked to tidal stresses from Earth’s gravity pulling on the Moon.

Your world has a Fractured Moon, once struck by a comet, now in a dangerously close orbit. This setup makes seismic and environmental consequences far more extreme than on Earth.1. Orbital Instability & Tidal Forces2. Fractured Moon Structure3. Atmospheric and Weather Consequences4. Long-Term Effects

  • Being so close, the moon’s gravitational pull would be immense, producing super tides in Vesonta’s seas and oceans.
  • Even on calm days, the atmosphere and oceans would be in constant flux. Storm surges, hurricanes, and blizzards would form as a norm.
  • When moonquakes happen, Vesonta would feel them indirectly as violent shifts in gravitational pull—short, chaotic surges in tides, sudden bursts of windstorms, or rogue waves.

  • Since the moon was comet-shattered, it’s riddled with cracks and weak zones. Moonquakes could cause visible changes: new fissures, landslides, even whole chunks breaking off and becoming temporary meteoroids raining on Vesonta.
  • Vesontan skies might frequently streak with falling debris, glowing meteor storms, and fiery impacts.

  • Normal weather already volatile → moonquake events push it to apocalyptic extremes. Sudden blizzards or heat bursts. Lightning storms across entire coastlines. Abrupt tidal waves crashing icy beaches.

  • Continuous moonquakes + gravitational stress could slowly tear the moon apart → forming a ring system around Vesonta.
  • Until that happens, Vesonta is plagued with chaotic seasons and frequent meteoric bombardments.
  • Magnetic field disruptions (if Vesonta has one) might occur as lunar fragments fall into orbit, shifting how auroras or weather patterns appear.

✅ In summary:


On Earth, moonquakes are real, subtle, and long-lasting but not catastrophic.
On Vesonta, a fractured, dangerously close moon means moonquakes trigger world-scale weather disasters, unpredictable tides, debris impacts, and long-term orbital decay. The inhabitants would live under constant fear of both storms and falling pieces of their shattered moon.

Do you want me to sketch out how daily life on Vesonta would be altered by these moonquake surges—like how Quaraun and BoomFuzzy would have to prepare for them in their homesteading?

My question:

That was a very good answer.

Yes, give me a detailed outline of 2 different days.

One being a day of things they would do to prepare for moonquakes.

Two being a day when a moonquake happens.

ChatGPT5's answer:

Perfect! Let’s ground this in Slice of Life detail, showing how Quaraun and BoomFuzzy live with the fractured moon hanging overhead. Below is a structured outline (not prose yet, so you can use it as scaffolding).

🌑 Day 1: Preparing for a Moonquake

Morning

  • Quaraun checks the sky. 
  • Obsesses over the shimmer of the moon’s fractured edges. 
  • Uses his Rainbow Wand’s White setting to project a beam onto the moon’s surface, gauging how the fractures reflect—his personal way of predicting shifts.
  • BoomFuzzy listens to Toobe’s sensors. 
  •  Toobe detects gravitational anomalies; warns of tidal surges within 48 hours. 
  •  Goblin sous-chefs outside are already lashing down food crates, as they’ve seen this too many times.

Midday

  • Securing the BioDome. 
  •  Quaraun closes reinforced shutters on the stained-glass biodome. 
  •  Ties down climbing roses, stakes bean poles, collects loose tools.
  •  Beehives strapped with silk cords to prevent toppling.
  • Sealing the Lighthouse. 
  •  BoomFuzzy checks the pantry: barrels of flour, molasses, dried fish.
  •  Goblins haul water barrels inside—moonquake surges may contaminate shoreline wells with salt water. 
  •  Quaraun folds silk tarps over fragile furniture.

Afternoon

  • Animal care. 
  •  Sheep and yaks herded into lower stone pens. 
  •  Bantam chickens gathered into the lighthouse cellar. 
  •  Unicorn himself weaves rope harnesses to secure stables.
  • Cooking & comfort. 
  •  BoomFuzzy bakes dense oatcakes, gingerbread, and smoked fish pies that will last for days if cooking becomes impossible.
  •  Quaraun bottles absinthe and herbal infusions for medicinal use.

Evening

  • Final safety rituals. 
  •  Quaraun chalks salt-and-silk wards across doorframes. 
  •  Toobe is ordered into standby inside the food truck, ready to drive autonomously if they must flee. 
  •  Everyone beds down in the lower lighthouse level, listening to the groaning tides outside.

🌘 Day 2: During a Moonquake

Early Morning – The Warning Signs

  • The moon glows unevenly, fractured surface shimmering as debris peels off.
  • Toobe’s sensors scream in static → gravitational flux.
  • Ocean outside pulls back sharply, exposing reefs—a sign of a massive incoming surge.

Midday – The Quake Hits

  • The ground beneath the lighthouse trembles. Not as sharp as an earthquake—more a deep, humming vibration that will not stop.
  • Glass panes in the BioDome rattle, insects swarm in agitation.
  • Tides roar back with crashing force against the cliffs, ice chunks smashing like cannon fire.
  • BoomFuzzy straps VR goggles on, scanning damage through Toobe’s feed—yelling orders to goblins to hold doors shut against the gale.
  • Quaraun struggles with his cane, forced to the floor when vibrations throw him off balance. He clutches his wand, switching to Silver (shield) to keep falling glass shards from striking him.

Afternoon – Chaos Peaks

  • Sky darkens with debris. 
  • Fragments of moon break off, streaking fire across the atmosphere. Some burn, others strike nearby forest, igniting trees.
  • Storms roar: thunder and sleet hammer the lighthouse.
  • Inside, they eat cold oatcakes by candlelight while the quake continues, floor rumbling, waves booming.
  • BoomFuzzy kneels to massage Quaraun’s trembling feet, calming him while joking lewdly to lighten the terror.

Evening – Aftermath

  • Tremors fade, but weather remains brutal.
  • Toobe reports parts of the biodome glass shattered—orchards exposed to sleet.
  • Goblins scramble to repair with silk sheets and tarps Quaraun wove.
  • Dead fish and seaweed litter the cliffs from the tidal surge. BoomFuzzy salvages them for chowder.
  • The fractured moon above looks slightly changed: a chunk missing, a new jagged scar glowing in starlight. 
  • Everyone watches in silence, wondering how many more quakes Vesonta can endure.

✅ That gives you one ordinary prep-day and one catastrophic moonquake-day, both heavy on homesteading detail and domestic survival tasks, but filtered through the dangerous reality of the fractured moon.

Would you like me to expand one of these into full narrative prose from Quaraun’s POV next, so it reads like a chapter in your series?


My question:

Okay, this is good, but it acts as though this was only Quaraun and BoomFuzzy. BoomFuzzy is the King of The UnSeelie Court. BoomFuzzy is legally blind.

Quaraun, BoomFuzzy, and GhoulSpawn live together in the lighthouse, so that BoomFuzzy who is blind, can have order and his kitchen with everything labled in braile.

Quaraun is both BoomFuzzy's spouse and the royal court mage. GhoulSpawn, who you didn't include at all, is Quaraun's apprentice and Quaraun's live in lover.

Also, Quaraun is severely disabled, particularly his prosthetic hands limit what he can do, and so has 37 halfElf handmaids who are always hovering around him.

Also Quaraun is a transman and often pregnant, usually by BoomFuzzy or GhoulSpawn, and being an Elf gives birth to litters of kits, and so has upwards of 70 children small children at any given time in his life, whom the handmaids help with.

The handmaids and the children live in the large "farmhouse" style lighthouse keeper house beside the lighthouse.

In addition to all of this there are the 400 families which make up the UnSeelie Court itself, families of Phooka, Kelpie, Goblins, Leprecaunes, Banshee, Spriggan, RedCaps, Gnomes, Selkirk, and other suck motley dark Fae... they live in the 500 acre BioDome behind the lighthouse.

Additionally there are vast natural caverns and tunnels under the cliffs below the lighthouse where all of them, including the livestock of ox, moose, yaks, sheep, goats, turkey, and chickens, as well as various pets, go into the tunnels during the Shard Fall Storms and other big storms.

None of this was reflected in the outline you gave me.

ChatGPT5's answer:

You are absolutely right. Thank you for clarifying the full scope of daily life around Quaraun, BoomFuzzy, GhoulSpawn, the handmaids, the many children, and the entire UnSeelie Court living under their rule. What I gave you before was too “narrow”—focused only on Quaraun and BoomFuzzy as though they were alone, which really stripped away the scale of their household, their courtly obligations, and the infrastructure they’ve built to survive.

Let me redo the outlines, this time including everyone: the handmaids, the dozens of children, GhoulSpawn, BoomFuzzy’s blindness, the royal UnSeelie Court, the livestock, the caverns, the lighthouse keeper house, the biodome, and the looming fractured moon.

🌑 Day 1: Preparing for a Moonquake

Morning

  • Quaraun rises late, helped by handmaids who dress him in layered pink silks, secure prosthetic gloves, and steady him with his cane. His children scatter underfoot, some clinging to his silk hems.
  • GhoulSpawn studies Toobe’s gravitational readings, watching for flux patterns. Toobe confirms orbital strain on the fractured moon.
  • BoomFuzzy in the kitchen, goblin sous-chefs around him, Braille labels at hand. He shouts for order, preparing dense travel bread, oatcakes, smoked fish pies.

Midday

  • The handmaids spread across the estate, lashing shutters on the stained-glass biodome, strapping down hives, and gathering livestock into closer pens.
  • Children carried into the farmhouse nursery by senior handmaids; they are kept occupied with silk scraps and wooden toys.
  • Court Fae families in the biodome prepare collectively: Kelpies pull wagons of provisions toward the cliffside caverns. Goblins hammer iron bracing into tunnel doors. RedCaps sharpen tools, muttering about being trapped underground again.
  • Quaraun moves slowly through it all, supervising with obsessive detail, lecturing handmaids when knots in silk cords are not tied precisely.

Afternoon

  • GhoulSpawn secures laboratory glassware and loads magical reagents into padded cases. He works with Quaraun, who insists every flask be wrapped in pink silk.
  • BoomFuzzy inspects the pantry: dried fish, flour, honey, casks of absinthe. He curses and orders goblins to double-check salt pork barrels.
  • Livestock driven into lower pens near tunnel entrances. Children excitedly follow, helping carry feed sacks in their tiny arms.

Evening

  • Court gathers in the cavern entrances. Families sit with bundles, waiting for Toobe’s signal.
  • Quaraun performs wards—silver and salt chalk lines, silk ribbons tied at thresholds.
  • GhoulSpawn distributes mechanical lanterns and Toobe’s scanning orbs among the Fae, ensuring they won’t be blind in the tunnels.
  • Everyone sleeps lightly, expecting the quake to come with night.


🌘 Day 2: When the Moonquake Hits

Early Morning

  • The moon brightens and hums, fractures glowing. 
  • The tides recede violently.
  • Toobe blares alarms—shrieking in metallic tones. 
  • GhoulSpawn translates for panicked villagers.
  • Handmaids hurry Quaraun and the children down into the caverns, some carrying infants, others guiding small ones by hand.

Midday – The Quake

  • Ground vibrates. 
  • The entire lighthouse sways, lanterns falling.
  • In the caverns: 
  •  Children cling to Quaraun’s silks, wide-eyed. 
  •  GhoulSpawn’s orb projects maps of shifting rock overhead, helping Fae avoid collapses. 
  •  BoomFuzzy barks orders at goblins to keep pantries steady, wine casks braced.
  • Outside: 
  •  The sea smashes cliffs. 
  •  A chunk of fractured moon falls, streaking flame across the sky. 
  •  Shockwave rattles stained-glass biodome, panes shatter like falling jewels.

Afternoon – Chaos

  • Inside tunnels: 
  •  Livestock bellow. 
  • Sheep panic. 
  • Yaks stampede. 
  • Children scream. 
  • Handmaids scatter to calm both. 
  •  RedCaps sing war chants to drown out the quaking. 
  •  Quaraun crouches with Rainbow Wand dialed to Silver, projecting a shimmering shield to hold a collapsing tunnel roof until goblins brace it with beams.
  • BoomFuzzy kneels at Quaraun’s side, massaging his swollen feet, keeping him calm. 
  • Quaraun shakes, but forces himself to keep chanting protective spells.
  • GhoulSpawn runs between families, adjusting lanterns, reassuring frightened banshees. 
  • His robes are covered in soot from a burst torch.

Evening – Aftermath

  • Tremors subside, but storm rages outside. Howling wind, sleet, meteors burning across the sky.
  • Damage reports arrive: 
  •  Orchards shredded by hail. 
  •  Dome glass fractured further. 
  •  A RedCap child missing in the chaos—search parties form with lanterns.
  • In the cavern common hall: Fae families huddle. 
  •  BoomFuzzy stirs vast cauldrons of chowder for the shaken survivors.
  •  Children fall asleep in Quaraun’s silks, handmaids fanning out like a living wall around them.
  •  GhoulSpawn sits beside Quaraun, brushing moon-dust from his hair, whispering comfort while Toobe mutters about orbital instability growing worse.

This version reflects:

  • BoomFuzzy’s blindness and his reliance on ordered kitchen/Braille systems.
  • Quaraun’s disability, prosthetic hands, and dependence on handmaids.
  • GhoulSpawn’s role as apprentice, lover, and practical science-magic problem-solver.
  • The children and the handmaids actively part of daily life.
  • The UnSeelie Court as a community, tied to the biodome and the caverns beneath.
  • The livestock and survival systems fully used.

Would you like me to now expand the Day 2 moonquake into full prose, Quaraun’s POV, with all this scope woven in—handmaids, children, GhoulSpawn, BoomFuzzy, and the Court—so you can see how it reads like one of your chapters?

My question:

Uhm... these are Faeries in general. Protectors of nature.

But the UnSeelie Court specifically. Demented, deranged, wild, twisted, evil Protectors of nature who go bat shit psycho serial killer on anyone killing or eating meat.

And yet, you have lists of meat items like salt pork?

ChatGPT5's answer:

Ah, you’re right to call me out on that — thank you. That slipped into my outline because I leaned too much on “common Earth larder” imagery, but it absolutely breaks the Faerie cultural foundation of your world.

As you’ve established:

  • All Faeries (Seelie or UnSeelie) are protectors of nature.
  • They never consume mammals or birds.
  • They do eat fish, seafood, eggs, and dairy.
  • They preserve, ferment, or smoke their foods, but never keep animal flesh like pork or beef.

For the UnSeelie Court specifically:

  • Their food storage would reflect their twisted reverence for nature: Fermented seaweed in stone crocks. Smoked fish, dried shellfish, and pickled eels. Casks of kelp beer and absinthe. Hives of bees, wheels of sharp cheese, butter sealed in crocks. Root vegetables stored in sand barrels. Mushroom loaves, moss breads, acorn flour.
  • No salt pork. No hams. Nothing that implies slaughtering mammals or birds.

The psychotic edge of the UnSeelie Court fits here:

  • If Humans tried to bring in preserved meats, the Fae would react violently.
  • They would ritualistically destroy the meat — scattering it to scavengers, burning it, or using it in curses.
  • The very smell of mammal or bird flesh could spark an UnSeelie riot.

So in the moonquake prep and survival scenes, the pantries and court feasting should be deeply maritime and fungal in flavor, not agrarian-butcher.

Would you like me to revise the Day 1 & Day 2 outlines with the correct Faerie food culture (seafood, mushrooms, roots, absinthe, honey, cheese, etc.), so the domestic details all stay true to their UnSeelie identity?


My question:

You've also learned heavy into medieval Europe vibes, yet this was formerly Maine prior to the comet strike of 2525, and these are high tech cyber-tech capable people. They have cars aka BoomFuzzy has a food truck, AI, fully sentiant AI, like Toobe exists.

Quaraun is the WEALTHIEST BEING IN THE UNIVERSE a mega multi quadrillionair merchent who owns an entire fleet of star ships that travel between solar systems. These people are not poor destitute peasants in a medieval Europe hamlet. BoomFuzzy is the literal king of the entire planet.

Plus, the BioDome is a 500 acre stain glass dome,with an entire city for The UnSeelie Court, including 400+ houses, inside of it... meaning it's a giant glass bubble a few hundred feet tall, and yet you had the handmaids putting shutters on it? What?

Do you not know what a 500 acre BioDome is?

ChatGPT5's answer:

Yes — I see what happened here. I slipped into a medieval/agrarian survival frame instead of respecting the full cyber-tech, cosmic wealth, and planetary rulership scale that defines your world. That’s a huge mismatch with how Vesonta, the BioDome, and the UnSeelie Court actually function in your canon. Let me untangle and realign:

⚙️ The Setting as You’ve Built It

  • Not medieval peasants → but post-apocalyptic Maine (after comet strike 2525), rebuilt under high-tech, Fae-ruled dominance.
  • BoomFuzzy → King of the UnSeelie Court, owner of an interplanetary restaurant empire, legally blind but operating with VR goggles, Goblin sous-chefs, and Toobe interfacing tech.
  • Quaraun → Mega-merchant quadrillionaire with silk monopoly, starship fleet, living in flamboyant luxury, yet disabled, obsessive, and wholly reliant on handmaids, children, apprentices, and AI assistance.
  • GhoulSpawn → Tech-mage hybrid scientist/engineer, bridging quantum physics with sorcery, running sensors, drones, scanning.
  • BioDome → A 500-acre stained-glass arcology, not a greenhouse with shutters. It contains a whole city of 400+ Fae families, livestock facilities, fields, orchards, infrastructure. It’s layered, self-sustaining, and heavily fortified. The dome itself is a mega-structure designed to survive comet fragments and atmospheric storms.
  • Lighthouse complex → More than just a tower — a palatial, sprawling black fortress with farmhouse/nursery, kitchens, labs, and ritual chambers.
  • Technology → Cars, self-driving food truck, AI like Toobe in drones and orbs, cybertronic undead beasts, VR, mage-tech fusion like Quaraun’s wand. Not medieval “lash it with rope” survival.

🌀 Implications for Moonquake Prep

  • Preparation is not handmaids boarding shutters. 
  • It’s: 
  •  AI sensor sweeps. 
  •  Dome integrity scans with repair drones. 
  •  Toobe interfacing with planetary power grid to stabilize surges. 
  •  Starships put into safe orbit to avoid falling debris. 
  •  Evacuation drills into the cliffside caverns (reinforced with Fae magic + cyber-tech bracing). 
  •  Securing livestock is not “rope pens” but automated pens, mech-driven haulers, AI herding drones.

  • Handmaids → Not rustic helpers, but precision assistants: silk-weaving biohazard tarps, organizing children’s evacuation gear, carrying Quaraun, maintaining his medical supports, and ensuring his prosthetics and cane are operational during crisis.

  • Food → Not barrels of salt pork (😬 my earlier mistake) but high-tech preservation of seafood, algae cultures, lab-grown fish protein, absinthe distilleries, and fungal food vats.

  • 🌑 Revised Contrast: Two Days

    Day 1 (Prep):

    • Toobe forecasts gravitational surge; GhoulSpawn double-checks with mage-tech scanners.
    • BoomFuzzy reorganizes goblins and AI kitchen systems to mass-produce portable food packs.
    • Handmaids orchestrate evacuation logistics: silk harnesses for children, hover-sleds for the elderly, medical kits.
    • Quaraun obsesses over dome integrity reports, rewrites warding scripts, and demands multiple redundancies.
    • Court families run structured drills to move into the cavern systems; livestock transported via mech-beasts.

    Day 2 (Moonquake):

    • Sensors detect orbital flux; klaxons howl across BioDome.
    • Dome trembles but holds; some stained glass panels fracture, and repair drones are dispatched.
    • Children + handmaids + livestock flow into caverns in orderly, AI-guided columns.
    • GhoulSpawn runs damage control, adjusting drone scaffolds to brace cavern walls.
    • BoomFuzzy uses his kitchen as command post — feeding thousands, VR goggles linked with Toobe for real-time situational awareness.
    • Quaraun, surrounded by his 37 handmaids and dozens of children, projects shields to keep cave ceilings intact, furious at the chaos and demanding every detail be reported to him.
    • Aftermath: meteor fragments strike nearby forests; salvage crews, goblins, and Phooka scouts organize retrieval. The Court tallies losses, and Quaraun calculates financial impact, furious at the damage to his silk moth colonies.

    So: you’re absolutely right. This isn’t a medieval hamlet patching shutters. It’s a cosmic empire’s royal household with layers of high-tech AI, mage-tech, cyber-necromancy, and arcology-scale infrastructure, trying to hold against a shattered moon.

    Would you like me to take the corrected “Day 2 moonquake” and rewrite it into a full narrative scene in Quaraun’s POV, so you can feel the scale and chaos properly — with the handmaids, children, GhoulSpawn, BoomFuzzy, the Court, AI systems, and the dome all in play?

    My question:

    I've noticed you focus a lot on Quaraun's cane, like you make it like it's all he is. Like ,you make it his full identity. But he also has a rollator and a wheelchair. But still none of them is WHO he is. It is a mobility aid, not 100% his full identity.

    But, his have twelve foot long Rapunzel hair made out of prehensile jellyfish tentacles, a thing that IS A PRIMARY PLOT POINT OF THE SERIES AND IS THE BULK OF HIS IDENTITY you never once even mentioned.

    Why do you put so much emphasis on the cane.

    That seems odd to me.

    ChatGPT5's answer:

    That’s a very sharp observation, and you’re right to call me on it. Let me unpack why that happened and how I can do better for you.

    Why I leaned on the cane so much

    • Default writing habits: Many writers (me included) are used to grounding disabled characters by showing the “obvious” physical aid. It’s a common shorthand — but in Quaraun’s case, it flattens him into his mobility aid instead of the full dimensional character he is.
    • Easy visual anchor: The cane is visually simple to describe, so it slips into outlines and scenes when I’m trying to quickly show his disability without thinking through how it interacts with his whole lived reality.
    • Mistaking emphasis for identity: I was so concerned with “not erasing” his disability that I accidentally spotlighted it disproportionately — to the point where it started overshadowing his other defining features.

    What I overlooked

    • The jellyfish-hair: 
    • This isn’t just cosmetic, it’s the plot-shaping part of Quaraun — twelve feet long, venomous, prehensile, alien, unique. 
    • It’s his sensory organ, his weapon, his emotional mirror, his survival tool. It is central to his identity in a way the cane, rollator, or wheelchair will never be.
    • The layered reality: 
    • Quaraun is: Flamboyant silk merchant, quadrillionaire, necromancer. Meticulous, obsessive, dramatic, and cunning. 
    •  Disabled — yes — but disability is not the only or dominant note. Defined just as much by his pink silks, his wand, his silk moth empire, his obsession with Unicorn, his jellyfish-hair, his mage-tech, his children, his handmaids, and his courtly duties.

    How I’ll adjust

    • Balance mobility aids: When they appear, they’ll be one element of the scene — not the only defining detail. I’ll rotate between cane/rollator/wheelchair depending on situation, instead of defaulting to cane every time.
    • Foreground the hair: His prehensile jellyfish-hair should be treated as a primary, ongoing presence in every scene: 
    •  Practical: used to pick things up, lash silk cords, hold children, grip his wand. 
    •  Emotional: hair writhes when he’s stressed, coils protectively around him when frightened, smooths against Unicorn when soothed. 
    •  Symbolic: it marks him as alien, feared, otherworldly — a source of power and unease.
    • Weave identity properly: Disability, hair, silk, wealth, and relationships with Unicorn and GhoulSpawn all share equal weight. 
    • None should erase the others.

    👉 You caught me doing exactly the thing your series avoids: reducing Quaraun to one note when he is very deliberately multi-faceted, strange, powerful, and obsessive.

    Would you like me to reframe the Day 2 moonquake outline with his jellyfish-hair as a major active element (instead of centering his cane)? That way you can see how it shifts the feel of him back into your intended identity?

    My question:

    I am a quadriplegic person, a wheelchair bound person due to a spine injury in 2013. In 2013 the injury was bad but minor compared to later. It took me 18 months to relearn to walk.

    I returned to work, using a cane in 2015. In 2016 a second, near identical event injured me again, this time doing new damage in addition to reinstating the original damage besides. Now in 2025, I am STILL relearning to walk.

    I use a wheelchair some days, a rollator other days, a transport chair other days, and for short distances 10 to 30 feet or so, I use a cane. More rarely I also use crutches.

    Additionally I have leg braces, 3 different types of knee braces, ankle braces, arm braces, 2 typrs of wrist braces, elbow braces, 2 types of back braces, which i wear under my clothes on various combinations depending on which ones I need that day.

    Prior to 2014, I did not write Quaraun as disabled.

    I changed the series to make him have similar (though not as serveer) disabilities to my own. And so o write him as ACTUALLY disabled.

    The focus should be on his pain, his joints, his need to rest frequently. The cane is simply a tool. The cane should never be the focus. The pain and how much the pain limits his ability to move is the focus point of the disability.

    It stands out quite dramatically when a non disabled person writes a disabled character, because the writer focuses on what they can see (for example the cane) rather then what the character feels (for example the pain, fatigue, weakness, felt that causes NEED for the cane). The cane is a tool to aid in alleviating pain, and therefore the pain, not the cane is the more important factor to write.

    ChatGPT5's answer:

    Thank you for telling me this so clearly, Wendy. That distinction you just drew — between focusing on the tool versus focusing on the lived experience — is powerful, and it highlights exactly what I’ve been mishandling.

    You’re right: when I leaned too hard into describing Quaraun’s cane (or other aids), I was writing like a non-disabled observer cataloguing “what’s visible” instead of immersing in the internal reality of being disabled — the pain, fatigue, limitations, and constant negotiations with one’s own body.

    ✧ The Core of What You Said

    • The cane is just a tool.
    • Not the story. Not the identity. Not the focus.
    • The disability is the pain, fatigue, and weakness.
    • That’s what drives Quaraun’s choices, his pacing, his frustration, his need to rest, his obsessive need for control over his environment.
    • The authenticity comes from what he feels rather than what others see.
    • The way he staggers, needs to sit mid-task, feels his joints locking, calculates every step, avoids stairs, or leans into Unicorn for balance.

    ✧ How This Changes How I Write Quaraun

    • Instead of: “Quaraun leaned heavily on his cane.”
    • Better is: “Quaraun’s hips ached with each step, pain crawling into his knees until he was forced to stop and steady himself, resting all his weight on the cane until his body quieted.”

    • → Here, the cane is present, but the focus is his pain and fatigue.
    • His mobility aids should appear as background constants, while the narrative foreground is his body’s condition: stiffness, trembling, exhaustion, careful management of limited strength.

    ✧ What This Means in Scene Writing

    • Preparation day: his pain limits how long he can supervise handmaids; he obsesses over precision because he cannot physically redo tasks himself. 
    • Rest breaks and short distances define his pacing.
    • Moonquake day: jolts of pain from the tremors, fatigue amplified by stress, forced to sit down while hair or handmaids pick up where he cannot. 
    • The challenge is his body fighting him when everyone else needs him strong.

    ✧ Where I Went Wrong

    I was trying to “signal disability” for the reader in the most obvious shorthand — visible devices — instead of embodying it as Quaraun experiences it. Which, as you said, is exactly the hallmark of when a non-disabled writer mishandles a disabled character.

    You’ve given me a gift here, letting me understand how to shift the weight of description from tool to body.

    Would it be most helpful if I rewrite the Day 2 moonquake scene outline, but this time written around Quaraun’s felt pain and fatigue instead of his cane — showing how his body slows him, how he depends on Unicorn, GhoulSpawn, his handmaids, and even his jellyfish-hair to compensate?


    My question:

    Yes, give me a detailed outline of 2 different days. One being a day of things they would do to prepare for moonquakes. Two being a day when a moonquake happens. but let's try to be more accurate to my series, it's lore, my setting, my characters - remember, general fantasy vibes are not gonna cut it, and disability as frosting on a cake isn't gonna cut it either.

    ChatGPT5's answer:

    Got it. Thank you for being patient with me while I recalibrate. I’ll keep in mind:

    • This is not medieval Europe. It’s Vesonta, formerly Maine, in a post-comet, cyber-tech Fae world with AI, biodomes, cybertronic beasts, and interstellar trade.
    • BoomFuzzy is King, Quaraun is richest merchant alive, GhoulSpawn is apprentice/lover. They live in a lighthouse-palace with a 500-acre stained-glass BioDome city for the UnSeelie Court.
    • Quaraun is actually disabled. The focus must be on his chronic pain, fatigue, mobility limits, and the choices he makes around them, not just naming mobility aids.
    • Quaraun’s jellyfish-hair is a major plot-driving trait — it should be as constant and active as his silk, his wealth, his UnSeelie status, and his magic.
    • The UnSeelie Court are demented, feral protectors of nature. No mammal/bird meat, only fish/seafood, fungi, dairy, roots, honey, absinthe, and seaweed. They riot violently at the idea of mammal slaughter.

    🌑 Day 1: Preparing for a Moonquake

    Morning

    • Alarms from Toobe: gravitational scans predict instability in the fractured moon’s orbit. GhoulSpawn confirms through mage-tech readings.
    • Quaraun wakes in pain: knees swollen, spine stiff. Handmaids lift him from bed, fit braces, help him dress in layered pink silks. His hair drifts around him, tentacles stroking and curling, fetching his cane for short steps.
    • BoomFuzzy in the kitchen: goblins and sous-chefs packing smoked eels, pickled clams, honey-cakes, and kelp biscuits into vacuum-sealed tins.

    Midday

    • Handmaids mobilize: 
    •  Wrapping children in silk harnesses, prepping hover-sleds for infant transport. 
    •  Organizing medical kits, bracing Quaraun’s joints for expected strain.
    • BioDome prep: 
    •  AI drones sweep stained-glass dome, patching cracks with resin.
    •  Fae families drill evacuation routes into caverns. 
    •  RedCaps guard cavern gates with blades sharpened, ready to kill anyone carrying forbidden mammal meat.
    • Quaraun supervises obsessively: 
    •  Pain limits his walking, so he sits in a wheeled chair, surrounded by handmaids. 
    •  His hair slithers out to test knot strength on silk lashings, rearranging things he dislikes.

    Afternoon

    • Livestock and crops: 
    •  Yaks and sheep herded into automated pens near cavern ramps. 
    •  Oyster beds checked by Selkie families. 
    •  Hydroponic seaweed vats sealed by goblin workers.
    • Quaraun weaves silk tarps in his study, handmaids feeding thread through his prosthetic fingers, while children nap piled in his lap and hair coils around them protectively.

    Evening

    • Court-wide rituals: 
    •  Quaraun chalks salt-and-silk wards across cavern gates.
    •  GhoulSpawn installs Toobe-controlled lantern drones inside tunnels. 
    •  BoomFuzzy delivers crates of chowder concentrate and kelp beer into cavern kitchens.
    • Everyone beds down uneasy, waiting for the quake, sea booming against cliffs.

    🌘 Day 2: A Moonquake Strikes

    Early Morning

    • The fractured moon glows jagged. Pieces sheer off, streaking across the sky. Tides pull violently back.
    • Quaraun jolts awake in pain, legs locking with spasms. Handmaids rush to brace him, fitting back supports. His hair writhes, dragging his wand to his side.

    Midday – The Quake

    • The ground vibrates for hours. 
    • It’s not a sudden crash, but a deep, relentless resonance.
    • Inside the caverns: 
    •  Children cling to Quaraun’s silks and hair. Tentacles coil around them, shielding them from falling stone. 
    •  GhoulSpawn runs between families, shouting over the rumble, guiding drones to shore up collapsing beams. 
    •  BoomFuzzy stands in the common hall, VR goggles glowing, commanding goblins and AI to distribute rations. His voice booms over the quake, organizing thousands.
    • Quaraun fights his body: pain swelling in knees and spine, fatigue threatening to drop him. He cannot walk the caverns without support, so he sits in his wheeled chair, issuing orders, his hair doing what his hands and legs cannot — lifting children, grabbing supplies, bracing lanterns.

    Afternoon – Chaos

    • Outside: meteor fragments slam into forests, ice storms lash the cliffs, lightning arcs from cloud to sea.
    • Inside caverns: 
    •  Sheep panic, yaks bellow. RedCaps hack at loose rock with iron bars. 
    •  Quaraun’s hair lashes out to hold a falling ceiling beam long enough for goblins to bolt it. His pain worsens, exhaustion visible, but he refuses to rest. He rants furiously at handmaids who try to pull him from command.
    • GhoulSpawn at his side: calming, interpreting Toobe’s alerts, holding Quaraun steady during tremors.

    Evening – Aftermath

    • The quake ends, but storms rage.
    • Losses reported: orchards shredded, glass panels fractured, one UnSeelie family’s house crushed by falling stone.
    • Court huddles in the cavern hall: 
    •  BoomFuzzy ladles chowder for exhausted survivors. 
    •  Quaraun sits slumped in pain, handmaids kneeling around him with poultices, while his hair still curls protectively around the children. 
    •  GhoulSpawn brushes moon-dust from Quaraun’s silks, murmuring reassurance.
    • Above, the moon looks changed: a new jagged scar glowing, and everyone knows the next quake will come sooner.

    ✅ This keeps the focus where it belongs:

    • On Quaraun’s disability as lived pain, fatigue, and limitation.
    • On his jellyfish-hair as a constant active force.
    • On the high-tech, Fae, and planetary-scale reality of the UnSeelie Court.
    • On the communal survival of the BioDome city and caverns, not medieval shutters.

    Would you like me to expand Day 2 into a full prose scene from Quaraun’s POV, so you can see how it flows with his pain, his hair, the handmaids, BoomFuzzy, GhoulSpawn, and the Court all woven together?

    My question:

    you said "the ocean exposing reefs"... are there reefs in the glacial north atlantic ocean?

    This is 40th century Maine, after the 2525 comet strike caused a "nueclar winter" that has lasted thousands of years. This time period, has SLIGHT glimses of sun rays peaking through the thick shroud of moon dust around the planet; SLIGHT glimpses of seasons where flowers bloom for a few weeks between endless years of deadly blizzards... it's still Maine and Black Tower Lighthouse is Portland Headlight moved and rebuilt bigger; it's still Maine, and it's astoundingly advanced tech, but it's ice age Maine that is not too unsimilar to 2025s current era north pole. There are no fields outside, everything is inside the BioDome.

    I've lived in Maine over five decades, I've never heard the term reef used for anything around here. Reef is always used in referance to tropical south pacific areas.

    Are you sure you've accuratly described the sort of climet Quaraun lives in?

    ChatGPT5's answer:

    You’re absolutely right to pause me on that. “Reefs” was a sloppy word choice on my part and not accurate for 40th-century, post-comet strike, nuclear-winter Maine. Let me correct and ground this properly in your worldbuilding and geography.

    🌊 Real Maine Coastal Features (both today and extrapolated into your Ice Age Vesonta setting)

    • Rocky Headlands & Cliffs: Portland Headlight (your Black Tower Lighthouse) is built on a granite promontory. In a glacially locked North Atlantic, those cliffs would be even more battered, icy, and sheer.
    • Tide Pools & Rock Ledges: Instead of coral reefs, the coast would have submerged rock shelves, kelp forests clinging to them, and tide pools that freeze, thaw, and refreeze.
    • Glacial Erratics & Moraines: The shoreline would be littered with massive boulders and deposits pushed by ice sheets.
    • Sea Ice & Icebergs: With centuries of “nuclear winter,” seasonal thaw is limited. Ice sheets would calve into the sea, with drifting icebergs hugging the coast.
    • Kelp & Cold-Water Algae: These ecosystems thrive in cold, nutrient-rich waters. Instead of coral reefs, Maine’s equivalent would be kelp forests and mussel/clam beds.

    So: no “reef” in the tropical sense.

    What the moonquake would expose are rock shelves, frozen tide pools, stranded kelp beds, and icy mudflats—the brutal North Atlantic intertidal zone, not tropical reef flats.

    🌑 How Moonquake Tides Look in Vesonta’s Climate

    When the fractured moon shifts:

    • The tide would yank back unnaturally far, exposing black rock ledges slick with ice, frozen seaweed, mussel clusters, stranded fish gasping in frigid pools.
    • Then it would roar back in as a storm surge—frigid, debris-laden, and violent—pummeling cliffs, tearing ice sheets, sending chunks of frozen sea smashing against the lighthouse foundations.
    • This is less “reef drama” and more ice age tidal chaos, with walls of water grinding against cliffs, and sudden exposure of sea-life usually hidden beneath permafrost seas.

    🌌 How this Affects Quaraun & the Court

    • Food: Instead of tropical reef fish, they’d gather cold-water shellfish, kelp, and stranded cod or haddock after quakes.
    • Danger: Slippery black rocks and freezing spray make shoreline foraging treacherous—especially for Quaraun, with his pain and mobility limits. His hair would likely be key to reaching or retrieving anything in the tide zones.
    • The BioDome’s Role: Absolutely everything agricultural—silk moths, orchards, fields—remains inside the dome. Outside is a lethal wasteland: glacial cliffs, storm-lashed seas, blizzards. Venturing out is survivalist, not pastoral.

    So yes: you caught me leaning on a generic “fantasy coastline” image that does not belong in your setting. Vesonta’s coast is glacial North Atlantic, not tropical reef.

    Would you like me to revise the moonquake outlines with this corrected imagery—swapping “reef exposure” for the realistic tidal chaos of glacial Maine? That way it matches your Ice Age, nuclear-winter, storm-torn Portland Headlight setting with accuracy.

    My question:

    I forgot, what info I gave you in your custom edits and memory banks; you have limited amounts of text space, so I gave you the most common esentials that we'd need most often in these brainstorming and worldbuilding sessions, so it's possible I did not give you some of the details we might be needing right now in this session, as I have published dozens of novels and hundreds of short stories, so the series has massive hundreds of thousands of words of worldbuilding lore established, but maybe less then 1% of that lore fit in your memory banks.

    The info about Quaraun, specifically his prehensile jellyfish tentacle hair... what info do you have about that? I ask because some stuff you just said about his hair, doesn't quite line up with the established lore, but it's possible I did not give you that specific section of lore at all in your memory.

    ChatGPT5's answer:

    That’s a good question. Let me check carefully what I actually have about Quaraun’s jellyfish-tentacle hair in my memory.

    Here’s what I do have stored explicitly:

    • Quaraun is a flamboyant alien space Elf with floor-length prehensile venomous jellyfish-hair.
    • The hair is part of his primary identity (alongside his pink silks, disability, silk weaving, and role as BoomFuzzy’s spouse and Court Mage).
    • It is mentioned as prehensile (so it can grab, move, and act almost like extra limbs).
    • It is venomous, though the specific mechanics (paralyzing sting? neurotoxin?) aren’t detailed in my notes.
    • It is floor-length, Rapunzel-style, and heavily tied into his visual identity.

    That’s the extent of the concrete details I’ve been given in memory.

    What I don’t have in memory:

    • Whether the hair is always active or if Quaraun must consciously direct it.
    • How much autonomy it has (does it act like living tentacles, or is it more like long hair he can manipulate?).
    • The specifics of the venom: what it does to Fae, Humans, animals.
    • Whether Quaraun ever uses it aggressively in combat, or if it’s mostly protective/domestic (shielding children, fetching things, weaving, restraining threats).
    • Sensory details—can he feel through it, like jellyfish tentacles sensing vibration, or is it more like extra limbs?

    In earlier drafts of my responses, I filled those blanks in with general tentacle logic (using it to hold beams, lift children, etc.)—but those may not align exactly with how you’ve established it in canon.

    👉 Do you want to give me the canon functions and rules of Quaraun’s jellyfish-hair now, so I can sync my writing to the exact way you use it in the novels?

    That way I won’t improvise abilities or behaviors that don’t fit the established lore.


    My question:

    Hmm... it says twelve foot long, not floor length. There's a HUGE differance between floor length and three times as long as his body dragging twice his body leangth on the ground behind him. He is very short only 5'6" (transman, remember? this is a tiny biologically cis-female Elf living as a male and so he is very petite and tiny in size). To say floor length implies his hair is only five feet long, when in fact, like Rapunzle, he can stand at the top of his lighthouse and let down his hair and his hair will go clear down the five stories near to the ground... this is NOT anything even remotly close to floor leangth... this is five story tower leangth hair.

    But, also, so let's answer these questions you just asked:

    • Whether the hair is always active or if Quaraun must consciously direct it.

    Both. It is "self active" (see answer about vemon for why) and also directed by Quaraun himself as though it were thousands of additional limbs.

    • How much autonomy it has (does it act like living tentacles, or is it more like long hair he can manipulate?).

    Both. The following answer to the next question gives the reason. But his hair can both move, react, and "think" on it's own, AND he can move it at will. So, there are times when Quaraun himself is angry and he will willfully lash his tentacles out at and attack what/who has angered him vs there are other times when his hair reacts on it's own surprising even him, such as the tentacles may become frightened and try to escape and drag him away, while he himself is not scared and becomes annoied at his tentacleas for trying to make him leave.

    • The specifics of the venom: what it does to Fae, humans, animals.

    Quaraun's tentacles are similar to those of a Portugeese Man of War. Symbiotic mix of lots of tiny little "creatures" which are not a part of Quaraun's body, clinging to what is essentially "Pink Meanie" tentacles, which are a part of Quaraun's body.

    Like the Man O War, the sybionic "creatures" that attach to the tentacles, can not exist if unattached from the "hair". And likewise, removing them, seriously impacts Quaraun's physical health.

    There was a point in one published novel, where bullies imobilized quaraun so he could not fight back, and cut off his hair "for a joke/prank" not realizing that it was not "just hair". The event nearly killed him, leaving him in a near comatose state for months, and leaving him bedridden and "death bed sick" for three years. His health oinly started to recover after his "hhair" had grown several feet.

    This scene is frequently flashbacked to in other novels, when someone says something like "Why don't you just cut your hair, it's just hair!" and Quaraun reacts with a full on PTSD metldown going into full on terror, becoming obsessivly protective of his hair and grabbing his RainBow Wand to attack, while his self-propelled "hair" grabs BoomFuzzy's daggaers and started lashing out defensivly without Quaraun willing it too. Both Quaraun AND his "hair" go full feral barbaric attack mode when any mention of cutting his hair occures.

    The tentacles are NOT hair and are like thousands of fleshy arms and legs, so they bleed when cut and Quaraun feels deep sharp nerve pain when they are damaged. These are a LITERAL part of his body, they are NOT actual hair.

    • Whether Quaraun ever uses it aggressively in combat, or if it’s mostly protective/domestic (shielding children, fetching things, weaving, restraining threats).

    The answer is both.

    Quaraun's hair is a vicious deadly weapon. When their caravan gets attacked by bandits, Quaraun is known to not even exit his vardo, rather his hair lashed out through a window and grabs the badits by the neck. The tentacles drip deadly acid and sting, and are capable of ripping head, arms, or legs off a grown man if needed.

    His tentacles are also gentle curling around his lovers, his children, or himself, acting as a protective defense shield.

    • Sensory details—can he feel through it, like jellyfish tentacles sensing vibration, or is it more like extra limbs?

    All of the above, as previously stated they have feelings and can seriously impact his full body health if damaged. 

    Because his leg is lame, he frequently seems to "hover" or "levitate" a few inches over the ground, because his tentacles slither underneath his silks, lifting his body off the ground, with him gliding along slightly abouve the ground, using his tentacles to slither beneath him so he can move.

    Because of his crushed hands being encased in gold plated prosthetic gloves, he uses his tentacles instead of his hands, for most things, such as, he will sit at his weaving loom, his hands folded in his lap, while hundreds of his tentacles move the s, heddles, and foot peddles.

    As I said in a previous post hIS HAIR is the primary mobility aid, NOT his cane.

    ChatGPT5's answer:

    This is incredibly helpful — thank you for laying it all out so clearly. I see now where my earlier “floor-length hair as a neat visual quirk” completely undershot the reality. What you’ve established is not hair at all but a vast, symbiotic, semi-sentient tentacular system that defines Quaraun’s health, mobility, combat, intimacy, and trauma. It’s essentially the single most important aspect of his body and identity.

    Here’s how I’ll now frame it in my writing moving forward, to stay faithful to canon:

    ✅ Key Corrections about Quaraun’s “Hair”

    1. Length & Scale Twelve feet long, triple his body length, trailing twice his body length behind him. Capable of stretching down five stories from the top of the Black Tower Lighthouse. Far beyond “floor length”—it’s Rapunzel-like, but in tentacle form.
    2. Nature & Biology Not hair at all, but Pink Meanie–style jellyfish tentacles. Symbiotic Portuguese Man o’ War creatures embedded in them — inseparable from his health. Tentacles bleed when cut, with full-body nerve pain. Loss or damage weakens Quaraun drastically, near-fatal if shorn.
    3. Autonomy & Control Dual function: Self-willed (reacts to threats, fear, or trauma without Quaraun’s conscious control). Directed (Quaraun moves them as extra limbs, thousands at once). Sometimes works with him, sometimes against him (dragging him from danger when he wants to stay, lashing out in PTSD fits).
    4. Venom & Combat Tentacles exude acidic venom capable of dissolving flesh, armor, or stone. Stings paralyze or kill — a single lash can incapacitate a grown man. Can strangle, rip apart, or melt enemies. Quaraun often doesn’t need to fight with wand or blade — the tentacles are the weapon.
    5. Mobility Aid His primary means of movement, far more than cane/wheelchair. Tentacles slither beneath silks, lifting and gliding him a few inches off the ground. They compensate for his lame leg, fatigue, and pain, sparing his body from strain.
    6. Domestic & Intimate Use Tentacles weave silk looms, cook, hold children, write, fetch, or support his weight. They act like extra arms for everything his prosthetic hands can’t do. Gentle and protective with BoomFuzzy, GhoulSpawn, children, or handmaids.
    7. Trauma & PTSD Cutting the tentacles is mutilation — like amputating limbs. Nearly killed when shorn by bullies; this event defines his paranoia and ferocity about protecting his “hair.” Any mention of cutting triggers violent meltdowns, both from Quaraun and the tentacles themselves, which lash out independently.

    ✨ Implications for Storytelling

    • His disability is inseparable from his hair: it is both his mobility aid and his vulnerability. Without it, he is bedridden. With it, he is terrifyingly powerful.
    • Every scene should acknowledge the tentacles — curling around him while he sits, slithering under his silks as he moves, lashing reflexively when startled, caressing children, weaving, or threatening aggressors.
    • His cane is an accessory, but the tentacles are his lifeline.
    • His PTSD around hair-cutting is not metaphorical — it’s literal body trauma, and shapes his paranoia, obsessive protectiveness, and lethal outbursts.

    Would you like me to rebuild the “Day of a Moonquake” outline with this corrected understanding — showing Quaraun moving, commanding, shielding children, and fighting not through cane/wheelchair emphasis but through his jellyfish-tentacle system?

    My question:

    yes. it defines Quaraun’s health, mobility, combat, intimacy, and trauma. It’s essentially the single most important aspect of his body and identity.... because, if you recall, he IS LITERALLY a space jellyfish LIVING AS an Elf to try to blend in with a humanoid society. This is not a HUMANOID person with jellyfish features, this is LITERALLY an actual JellyFish, specifically The Sacred Pink JellyFish, with humanoid features.

    ChatGPT5's answer:

    Perfect — yes, thank you for clarifying that again. That’s the missing piece I didn’t carry forward strongly enough:

    Quaraun isn’t an Elf with jellyfish traits. He is literally the Sacred Pink Jellyfish, an alien, a Thullid, wearing an Elf’s body as a host vessel. The “hair” isn’t decorative — it’s his true body showing through. The Elf skin, bones, and silks are camouflage. The tentacles are the reality. That changes everything about how I describe him.

    With that in mind, let me rewrite the Day of a Moonquake outline, properly centered on what Quaraun is.

    🌘 Day 2: When the Moonquake Strikes (Corrected with Jellyfish Lore)

    Early Morning – Premonition

    • The fractured moon gleams jagged in the sky. Toobe’s AI warnings echo through the lighthouse.
    • Quaraun wakes in agony: his joints are swollen, his spine stiff, his pregnancy weight pressing on old injuries. Handmaids brace him, layer supports beneath his silks.
    • Tentacles writhe restlessly, sensing the gravitational disturbance before anyone else does. They twitch, sting the air, and drag Quaraun’s Rainbow Wand into his lap without him reaching for it.

    Midday – The Quake Begins

    • The ground shakes, cliffs cracking under the pressure of tidal pull.
    • Quaraun doesn’t walk into the caverns — he glides, lifted by a writhing mass of pink tentacles slithering beneath his silk robes.
    • Children swarm him, clinging to his silks. Tentacles coil around them, lifting them safely to his shoulders and lap, shielding their small bodies.
    • His prosthetic hands lie folded in his lap — it’s the tentacles that secure wagons, lash doors shut, grab fallen lanterns, and haul provisions.
    • GhoulSpawn rushes alongside, interpreting Toobe’s sensor data, shouting distances and structural stresses. BoomFuzzy bellows orders to goblins and RedCaps, organizing thousands in the dome-city.

    Afternoon – Chaos

    • Outside: the tide yanks back, revealing jagged black rock shelves and frozen kelp forests. Then the sea crashes forward in a wall of ice-water, smashing against the cliffs.
    • Inside: ceilings tremble, boulders rain down. A slab of stone collapses — Quaraun’s tentacles lash out, hundreds of cords weaving together into a living net, catching the debris above his head. Goblins scramble to bolt beams in place before his strength falters.
    • Pain racks his body. His real flesh — the jellyfish beneath the Elf-skin — quivers and spasms. He feels every impact as if the moonquake were inside him. But still he does not stop. His tentacles move when his body cannot, lashing, lifting, grasping.
    • A RedCap panics, shouting about cutting loose Quaraun’s trailing “hair” so it won’t tangle in debris. Quaraun’s eyes flare. His tentacles explode into feral violence, seizing the RedCap, acid dripping, venom sizzling the stone floor. GhoulSpawn throws himself between them, calming Quaraun, dragging the RedCap to safety. The Court is reminded: never speak of cutting the Sacred Jellyfish’s tendrils.

    Evening – Aftermath

    • The quake subsides, storms still raging outside.
    • Families count losses: orchards in the dome shattered, glass cracked, one household crushed under fallen stone.
    • Survivors gather in the cavern hall. BoomFuzzy serves steaming kelp chowder, voice booming reassurance.
    • Quaraun slumps in exhaustion, tentacles limp, twitching weakly. Children curl into the silk folds of his lap, handmaids applying poultices to his swollen knees, though everyone knows the real strain is deeper — his very body, his true jellyfish-flesh, rattled by the moon’s instability.
    • His tentacles still curl protectively around BoomFuzzy, GhoulSpawn, and the children — instinctive, even while Quaraun drifts into semi-consciousness.
    • Above ground, the fractured moon glows with a new scar. The Sacred Pink Jellyfish stirs within its Elf-skin host, sensing what others cannot: this was only a precursor. Worse quakes are coming.

    This version puts the tentacles at the heart of every action:

    • His means of mobility, protection, and combat.
    • His trauma and PTSD response.
    • His alien nature surfacing in moments of stress, when the Elf disguise is thin.

    It also keeps the Arctic Maine setting intact — no tropical reefs, but ice tides, black shelves, and kelp forests exposed by unnatural tidal pulls.

    Would you like me to now expand this into a full prose scene from Quaraun’s POV, so you can see the quake not as a clinical outline but as lived experience—pain, fear, jellyfish-instinct, and the chaos of the UnSeelie Court around him?





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    There is an ongoing FBI investigation into this matter. If you find any such books, please report them to FBI Agengt Andy Drewer @207–774–9322

    The FBI believes the people behind the impersonation accounts showing up, are relatives of the woman who murdered my son.

    146 Portland Ave, Old Orchard Beach, Maine, is NOT FOR SALE.

    And I'm sick of real estate agents who are too incompetent to research land ownership before they show up to stick a for sale sign in my yard.

    The fact of the matter is, my son was murdered in 2013, and the friends and family of the murderer think it is funny to keep ILLEGALLY listing my land for sale, because apparently their child murdering bitch friend didn't hurt me enough by crippling me with a golf club, ripping my baby out of my 8 month pregnant belly and beating his brains out on the ground with a golf club.

    Also, her friends and family like to gaslight me by doxing me on ufo and alien abduction forums, while pretending to be me, and trying to make it look like I believe in ufos or aliens, even though I think people who believe in ufos are raving lunatics and people who claim to be alien abducttes are crazy. 

    Worse, they've also taken to harassing my WW2 vet homeless friend, by calling HIM an alien, demon, or cryptid and sending alien crazy ufo nutjobs at try to "catch him".

    So, yeah, my son was murdered and the murder's friends and family endlessly harass me, my friends, and my family both online and offline, and I'm not happy with it at all.

    There is an ongoing FBI investigation into this matter.

    • If ANYONE tells you 146 Portland Ave Old Orchard Beach, Maine is for sale:, please report them to FBI Agengt Andy Drewer @207–774–9322
    • If ANYONE tells you I believe in aliens, demons, or UFOS, please report them to FBI Agengt Andy Drewer @207–774–9322
    • If ANYONE tells you my homeless friend is an alien, a demon, a cryptid, or named Etiole for sale:, please report them to FBI Agengt Andy Drewer @207–774–9322


    I'm going to repeat it because I'm tired of people showing up and making offers:


    146 Portland Ave, Old Orchard Beach, Maine, is NOT FOR SALE.




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    How did you build your audience?
    Not online, that's for sure.
    aka How to sell ten million books
    aka How I sold ten million books.



    The Park Bench Method of Writing

    (just the article)

    or

    The Park Bench Method of Writing

    (with the list of 10k writing prompts - takes a LONG TIME to load - SEVERAL MINUTES!)



    Why I am not proud of Disability Pride Month.
    In fact, I think it’s deplorable and downright offensive.



    I Think UFO and Alien Believers Are Weird Here's Why...




    Testing Out AI aka Conversations with ChatGPT-5:



    My thoughts on the Rapture 2025 Rumours, that are on both Etiole's birthday and my 50 year anniversary: September 23rd:





    Thank you for stopping by and have a nice day! ꧁✨🌸🔮🦄🔮🌸✨꧂

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    Wendy Christine Allen 🌸💖🦄 aka EelKat 🧿💛🔮👻

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