Writing Literary Slice of Life Fantasy Novels:
Knowing what to include when describing the surroundings of a scene.



By Wendy C Allen

eelkat_red_scarf.jpgWendy Christine Allen, 2019, able to sit up in a chair for the first time in years, and able to raise up my arm and wiggle fingers. This was when I started playing Witcher 3 on Twitch as part of my physical therapy to regain finger movement. Playing Witcher 3 daily from 2016 to 2019, is how I regained the use of my thumb and two for fingers on my right hand... it is also why I stopped playing Witcher 3 in 2019, once I had strengthen my two forefingers enough to start typing again.

Wendy Christine Allen, Old Orchard Beach's Autistic Author, Artist, Illustrator, & Art Car Designer

Counting Down to the September 23, 2028 50th Anniversary of my first published book (September 23, 1978)

If you are here looking for The Twighlight Manor series, The Crystonite Wars series, The Wild Years series, The White Rock Asylum for the Criminally Insane series, The Twisted Tales series, the Captured By a MerMan series, The Space Dock 13 series, The Kats of Planet Ptarmagin series, the stories about Miss Citten the Eel-Kat, or the stories about Etiole... ALL of those series were combined and consolidated into The Adventures of Quaraun the Insane Pink Necromancer series in 2014, so ALL the different series, are now under one series title.

List of the published titles still in print:

The Index of over three thousand stories in The Pink Necromancer series

What the series is about, for those new here:

The introduction to The Pink Necromancer Series. 

If you want some stories to get you started in The Pink Necromancer series, reading these first will give you a good introduction to the 3 main characters:

My Elves Are JellyFish...and I asked Google AI and ChatGPT 5.6 what they thought of this.

As requested, my daily writing prompt series is now available print paperback editions on Amazon.

There are 20 volumes of this writing prompt series currently planned and in varying stages of finishing, hopefully all 20 will be published by the end of 2026. I likely will do a 2nd series of writing prompt books in 2027.

The first of the Visual Novels/Video Games for The Adventures of Quaraun the Inane/The Pink Necromancer series is published and available on Itch.io, there are 3 more planned for release in 2026, 6 more planned for release in 2027, and the big 60-hour 80k word 150 page one (Quaraun Goes To the Fair) is planned for a 2028 release.

There is a Pink Necromancer card game and a Pink Necromancer board game, as well as a Pink Necromancer table top RPG supliment for Dungeons and Dragons, all in the works, and to be released over the next couple of years as well.

Health update: August 4, 2026 - in recovery for 6 months+ (at least until mid-January 2027...all book and video game releases are pushed back at least 6 months) see video below for why...

@eelkat

health update #maine #disabilityawareness #wheelchairlife #wheelchairvlogger #multiplesclerosis

♬ original sound - Wendy C Allen | 📚 Author
@eelkat Health update: #chickenpox #bellspalsy #RamsayHuntsyndrome #paralysis #recovery ♬ original sound - Wendy C Allen | 📚 Author
@eelkat

I seem to have had another stroke (during the night while I was asleep?) #stroke #paralysis

♬ original sound - Wendy C Allen | 📚 Author

Update Sept 3, 2026:

I am able to get around enough to take Koko to dog park... today is 29 days since getting out of hospital. My diet is still mostly liquid, but im eating some solid food again, but its like rice or soft mushy baby food type stuff because I still can not chew yet, though I can swallow again. My jaw is still not functioning good so im having trouble talking still. So there's been slight improvement to my mouth, throat, and jaw, but, zero improvement to my eye, which is a major concern, be Im almost fully blind right now. im legally blind since birth in my left eye, so I have no ability to fall back on using my left eye. My right eye is the one injured and my vision in it is "40% decreased" according to my doctor, but it wasn't good vision to begin with, and right now my right eye is not much different from my legally blind left eye. Which I why I have to have someone drive my car for me instead of me driving my car myself right now, which is very frustrating, because, being a female, I had to fight for over twenty years to be allowed to drive. I started sneaking out at age 31 and dressing as a man to go to Old Orchard Beach high school to get a ged, because us females are not allowed to go to school. And i was 37 years old when snuck out to the DMV and got a driver's permit and started going to college. I was 42 and 8 months pregnant when my family found out I was going to college and thats when I was punished by the backhoe driving over my house and my spine broken with a golf club and my baby born right then and killed with same golf club. So it's very frustrating now, so soon after finally being able to drive , to now not be able to drive because of an eye injury, especially after 14 years of being paralyzed from the golf club and not being allowed to have a wheelchair, again, because i am female and we females are simply not allowed to do anything. I hate the culture I was born into. I wish I had the freedom to go to school and drive a car the way American women do. I wish having my spine broken with a golf club and my baby killed with a golf club and a backhoe driven over my house was not how men in my family punishment women in my family for learning to read and write. Its so frustrating not being able to to drive again, so soon after 14 years being paralyzed, and being paralyzed by the golf club was the punishment for getting a driver's license back in 2013 after 30 years of men not letting me have one. I hate my family's culture and how they treat us women.

I get so sick of Americans telling me how they wish they could be a Gypsy… they are either misogynist woman hating pigs, or delusional idiots who haven't got a clue how shittily we Gypsy women are treated by Gypsy men, because no one in their righ mind who knows anything about Gypsy culture would ever want to be part of it. I hate that I was born a Gypsy. 

update sept 7, 2026

"You would not make a good teacher"... what does that mean, and why are there so many people on Railroad Ave and Western Ave and Cutts St why walk up to me and say that to me?

I find it very confusing. I have low functioning Autism (the Rain Man type) and so i have very little understanding of words beyond the basic ones, and i never went to to school, so I never learned maths or sciences, and I only had remedial classes at Southern Maine Community College, because I did not have an education to enroll with regular, I was there taking every reading and writing class they had to learn how to read and write, and also took speaking classes to learn how to talk (i spoke Shetland Scottish language because that was language my grandmother spoke but she died when I was 8 so I only knew that language to speak and write, and I was 37 when I went to college and 42 when I learned English speaking and I still cant speak English good yet), all the other classes I took were art painting and cooking.

So the phrase "You would not make a good teacher" makes no sense to me because it seems to imply that I am trying to be a teacher, but I don't have anything close to the education ti be a teacher, and im not trying to be a teacher. So I don't know why people keep saying this phrase to me and I assume it must have some sort of a slang meaning, but I can't figure out what it could be of why do these people keep saying it to me.

see video below for more information: 


@eelkat "You would not make a good teacher"... what does that mean, and why are there so many people on Railroad Ave and Western Ave and Cutts St why walk up to me and say that to me? I find it very confusing. I have low functioning Autism (the Rain Man type) and so i have very little understanding of words beyond the basic ones, and i never went to to school, so I never learned maths or sciences, and I only had remedial classes at Southern Maine Community College, because I did not have an education to enroll with regular, I was there taking every reading and writing class they had to learn how to read and write, and also took speaking classes to learn how to talk (i spoke Shetland Scottish language because that was language my grandmother spoke but she died when I was 8 so I only knew that language to speak and write, and I was 37 when I went to college and 42 when I learned English speaking and I still cant speak English good yet), all the other classes I took were art painting and cooking. So the phrase "You would not make a good teacher" makes no sense to me because it seems to imply that I am trying to be a teacher, but I don't have anything close to the education ti be a teacher, and im not trying to be a teacher. So I don't know why people keep saying this phrase to me and I assume it must have some sort of a slang meaning, but I can't figure out what it could be of why do these people keep saying it to me. #mainelife #biddefordmaine #maine #disabilitytiktok #Biddeford ♬ original sound Wendy C Allen | 📚 Author

update Sept 15, 2026:

I have some slight movement in some my fingers again again after over a decade being paralyzed

you remember how I used to be a professional doll making, pattern designer, and embroiderer, back before I became paralized and before my son was murdered and being the backhoe drove over my house?

all my equipment, sewing machines, ect were all destroyed by the backhoe driving over my house, and I have been quardepelegic for over a decade because of it so could not use my hands to sew or draw or embroider, and so only continued to do my writing of novels since then because I could do that with dragon dictation software,

well, since 2016, I been playing Witcher 3 and don't starve video games on twitch livestream, one hand two fingers, as part of my therapy to regain nerve and muscle use of my fingers, and now after 10 years of that, I have somewhat more movement in my fingers and im thinking maybe I can try to do embroidery and doll making again, but not sure, anyways, now im rebuying all of my sewing and embroidery equipment that the backhoe destroyed when it drove over my house, and hopefully I can use my hand enough to embroider again.

waiting for stuff to arrive in mail, so soon I should find out if ten years of twitch gaming has given me enough muscle strength to use my fingers to embroider again.

update to the previous video, answering viewer question about lack of hospital vs broken spine

Wheelchair Fundraiser... I need to upgrade to a power wheelchair, the manual one just isn't enough anymore. But the power wheelchair is $25k. Yes, twenty five thousand dollars. Wtf? I can get a car for a quarter that price, why are wheelchairs so damned expensive? That's more money then I make in five years, so I need to start a fundraiser for it.

Knowing what to include when describing the surroundings of a scene

Knowing what to include when describing the surroundings of a scene from r/writing

Knowing what to include when describing the surroundings of a scene


>>I know it's a broad question, but are there any general guidelines you guys follow when describing surroundings, features, and how detailed do you go when describing something?

It's different for each author, as each will have their own preferences and writing style. Than it's different within each genre as different genres have different reader expectations about it. For example on one extreme you have the Slice of Life genre which tends to be similar to a playscript style and has 70% to 90% dialogue with little to no description at all. But then on the other extreme you have the Epic Fantasy genre which tends to be only 20% to 30% dialogue and the bulk of the story being sweeping descriptions of vast world building landscapes and battle scenes.

There are dozens of genres in between those extremes, each with lots of variables. Then even within a genre, you have sub-genres that break away from the norm, so you will also see Slice of Life that is description heavy and Fantasy that is dialogue heavy.

A lot depends on the type of story the author desired to tell and their prefered writing style. So, lots of variables, means in the end there is no one correct, right or wrong answer.

You can literally include as much or as little description as you feel best suits your story and no matter which you choose, it's going to be the right answer, because ultimately you are the one in control of the story.

>>I know it's a broad question, but are there any general guidelines you guys follow when describing surroundings, features, and how detailed do you go when describing something?

What do I personally do?

I write Literary Fantasy, that follows the life of an elderly Elf wizard, once the world's most feared and most powerful necromancer, a former wizard-for-hire whom was in high demand and called upon by royals and governments the world over to solve their problems, defeat enemies, and get rid of monsters, he's now in the final years of his life and just wants to retire from wizarding and live a "normal" life for a change. The series (which currently has 130 novels and 2,000 short stories already published, 2018 being it's 40th anniversary and no plans to stop writing new stories for it) is on one hand Epic Fantasy that spans a HUGE world, and encompases time travel and portal magic, resulting in stories set anywhere from 938 to 2525, not only on Earth, but on planets in 3 solar systems as well, and alternate dimensions of Earth.

The whole thing is mapped out with many 3-ring binders full of charts and graphs and maps for every planet, every continent, every prividance, every town, that has ever appeared in the series.

The wizard himself lives in the 1400s, is a wandering vagabond, and travels on foot, walking 10 or 12 miles a day across a wide variety of landscapes as he treks across the entire planet. Meaning there are stories in deserts, forests, tundras, arctics, savanas, jungles, inland, on coasts, you name it. He's looking for a place to settle down, but his fame precedes him and people either fear and loath him, thus chase him away, or want to hire him for some quest or mission, thus he flees because he doesn't do that sort of thing anymore and just wants peace and quiet. He's forced to live on the road, traveling constantly to get any peace or quiet away from haters and adorerers.

The series follows his every day life as he travels. Sometimes he travels alone, and sometimes he travels with random strangers he met on the road, sometimes he joins a caravan and travels with them, but usually it's him and 2 other wizards (one a Faerie and the other a half-Elf/half-Demon) who are his best friends, just traveling aimlessly, with no end goal of where they want to go, them just following a road to see where it leads them.

A lot of the series reads like a travelogue road-trip/camping-trip as a result. If they find a town, they look for a inn or tavern or hay loft or some place they can sleep inside. So what of the series is not n the road, is usually in an inn or a tavern.

Now, logic would say that because of this set-up, I should be writing massive, sweeping descriptions of these vast myriads of locations, right?

But do I?

No.

Why?

Because even though the series is Epic Fantasy, genre wise, very High Fantasy with Elves and Dragons and magic, (the Elf wizard also has a pet Unicorn and a pet Dragon travelling with him); style wise it is Slice of Life Literary Fiction, following his very mundane everyday habits.

He could use magic to do everything. He can wave his wand and have a meal cook itself, but he's also actively refusing to use magic at all. He's used magic for everything his whole life and he doesn't want to rely on magic anymore. But having relied on magic for everything, means he has no clue how to cook, how to find food, how to grow food, how to build a fire, how to build a shelter, how to defend himself in a fight. Though he is an insanely overpowered wish granting, Di'Jinn wizard who can snap his fingers and make anything happen, he also desires to live a "normal" life like "common folk". He wants to live as though he didn't know magic existed.

Quaraun is continually frustrated with the simplest, most mundane of activities, because he was never taught how to do them and he sees other people do them with ease. He's used to grabbing his wand and poof he doesn't have to do a damned thing, so the series becomes a survival story of him just trying to figure out how to do common, ordinary things that everyone just knows how to do, but he's never done before. A large part of the plot is his struggle to survive without using magic.

In other words there is no action, no questing, no adventuring, no battles, no fights, no political intrigue, no wars, no wizard duels, or any of the typical stuff one would expect in the Fantasy genre. It's a very slow moving story that is pretty much like a video camera is just following him around every day as he hunts for food, cooks his meals, tends to his injuries, searches for a place to sleep for the night, then repeats it all the next day.

It's more or less an everyday look into the life of a common person who is not a hero and not on a quest and is just trying to live his life.

Shortly into the series, he meets up with the Faerie and they become lovers, but he's also sleeping with prostitutes in every town they visit which triggers a lot of arguing between him and his lover, bringing into the stories a very Soap Opera/Family Drama style to it.

Think of it as Little House on the Prairie meets Lord of the Rings and tossed into Days of Our Lives, and that'd just about describe it. Extremely NOT what you normally see in Fantasy, but very typical of what you see in Slice of Life Literary.

What this means is the stories are heavy in dialogue (as much as 90% dialogue in some of them) and VERY minimal in descriptions and narratives. It's 3rd person, told from the point of view of the wizard, and 9 times out of 10, if something is described, it's because he is talking about and or using that object.

So, what I do is this: The characters will be talking, while they are walking to wherever. One character will point out something. The other two will comment on it. The reader has now seen a limited glimpse of their surroundings and is left to fill in the blanks with their own imagination. For example:

"Dair be waterfall over dair," Unicorn interrupted Quaraun.

"What?"

"Waterfall," Unicorn pointed towards the nearby stream.

"I heard what you said. I was talking. You interrupted me."

"Dis morning ya did said ya wanted take bath. Now ya can. Iffy I had no interrupted ya, ya would have kept on talking un walk right by it."


Nothing describes the waterfall itself. Previously one character has stated "I love the smell of pine," cluing the reader that the forest is a pine forest. At other points a character said "This hill is too steep, I need to stop and rest a bit," telling the reader it's a hilly area. Another character saying "I told you these cliffs were too rocky for you" alerts the reader to it being a rocky hill, on a cliff. One character saying: "I hear seagulls" and one saying "I smell crabs and seaweed on the fog" is added to tell the reader this is a rocky, hilly, foggy, coastal, pine forest, on the edge of the ocean, without ever writing any description to say as much.

It's all very subtle clues that are mixed into character conversation, and moves the story forward, without stopping to describe paragraphs of scenery.

I tend to focus heavily on what characters are thinking and feeling. So, instead of describing the temperature of the water, I just have a character jump into the ocean, then run out screaming: "It's freezing cold! Look at me! I'm covered in goose pimples!"

I just feel like that is a more effective way of describing the fact that the ocean water is cold. This shows me the water is ice cold, without the narrator telling me how cold the water is. The dialogue is immersive and full of action and draws me in to his vivid response.

A lot of books will have scenes of characters bathing/swimming in nature and the scene will ramble on for 2 or 3 pages describing the water and the character. These scenes bore me. I think, for me, it feels less vivid, less immersive, less interactive. I'll be sitting there slogging through the description of how the clouds hid the sun and the wind blew and chilled the water. Often actual temperatures, how many degrees F or C the water is, blah, blah, blah.

Yawn.

I'll be thinking, yeah it's great that this book was written by a meteorologist who know how to describe how the weather caused the water temperature to drop, but I just don't care. I want to read a STORY not a TEXTBOOK. I want the characters to come to life and show me the action, I'm bored with listening to the author tell me about water temperature.

I'm very much a reader who prefers to be shown the action, rather then told it. Show don't tell is a very big pet peeve for me. The less dialogue the book has, the more telling the narrator is doing, and the less action there is being shown.

A book that is 75% description, is a book that is 75% telling. It's dull. It's boring.

A book that is 75% dialogue is a book that is 75% showing. It's lively. It's full of action.

Take a tavern scene for example. Everybody knows what a tavern looks like. Wooden building, thatch roof, dirt floor, maybe with hay or sawdust to soak up the goat pee, chicken poop, and drunkards' vomit. Wooden tables. Drunks with beer mugs. You can describe a typical tavern in one or two sentences. I just did. As I said, almost every scene that's not outside in nature is in a tavern, in this series, so I end up needing to describe taverns frequently. Often, that is the extent of the description. Just one or two lines, said by the narrator as the characters walk in the door. It quickly tells the reader what a tavern is: a medieval barroom/pub, that housed farm animals alongside drunks, and was a place travellers sought to rest between towns. (Most taverns in real life, were not in towns, but rather were at a crossroads halfway between towns, and were comparable to today's truck stops along the turnpike.)

As with anything else in the series, tavern scenes, get largely described in bits and pieces, throughout the dialogue of the characters. For example, you can tell the economy of the region by the type of drinks and food served. A character orders wine, fruit, and cheese and gets laughed at, you know it's a poor region that drinks ale and beer and eats dried jerky and bread. But if the barmaid just brings out the wine, fruit, and cheese, well, now the reader knows this is an upscale place that has expensive food in their larders.

Likewise a character will say: "It's hot and sweaty in here", telling the reader about the comfort level of the environment, without any need for the narrator to describe how hot it is in the building. So, once again, you see the descriptions being minimal, and dripped inside of dialogue.

By putting it in the dialogue, the descriptions are VERY short. In real life, people talk in banter, no one ever getting more then a few words out before the next person interrupted. I write the character dialogue this same way. Thus you never see full blown description. The character doesn't spend a paragraph describing things. He just says one quick line, usually fewer than 10 words long, before he's interrupted. This means, that me as the author, I have to drop snippets of descriptions in quick and fast, and do so without interrupting the flow of the conversation. A character says what he has to say, then ends it with "Damn this beer tastes like piss" and the next character moves in and says his piece, and probably will add a comment about the beer as well.

Thus you have the story going forward, AND a sub-dialogue about the shitty quality of the beer, which acts to describe the quality of the tavern itself as well.

Now, I could have instead, stopped the conversation, to let the narrator jump in and describe the beer and how poor quality it was, but, by having the narrator describing the beer, I will have now, stopped the story in it's tracks, forcing the reader to push the story aside to listen to the narrator yak away.

Whereas, by mixing snippets of mentions of the beer, into the dialogue, the story never stops, and the reader is not forced to sit their waiting for the info dump to end so they can get back into the flow of the story once again. THIS, is why I prefer to write almost no descriptions, and instead weave these tiny snippets into the conversations instead.

Also, these snippets help tell the reader about the character.

Remember that waterfall scene back there?

Not only does it show the reader the scenery around them, but it also alerts them to the fact that Quaraun was very self absorbed in his conversation just then, as he did not notice the waterfall. This tells the reader he's very concerned about the issue he was talking about, possibly very upset by it.

The fact that Unicorn did notice the waterfall, also alerts the reader to the fact that he was bored with what Quaraun was saying and was not paying attention to him and was instead looking around at the scenery, thus he spotted the waterfall.

Unicorn was not interested in what Quaraun was saying so saw nothing wrong with completely derailing his thought process to change the subject to bathing and waterfalls.

The reader now not only knows where they are, but also knows the emotional state of the characters nd knows that one is upset by something but the other doesn't care. And the readers knows all this, just from the dialogue without any need to have a narrator telling them these things in a descriptive info dump.

Even when writing sex scenes I do this. I know a lot of writers ache and worry and fret and stress out over writing sex scenes, because they think they have to describe body parts in detail, but I love writing sex scenes and find them very easy to write. I'm often baffled over why so many people fret so much over writing sex, but then they'll show me a sample of they attempts to write sex and then I understand the trouble. You see, in sex scenes I write, my characters do a LOT of talking. And it's not always sex talk either. It's just random everyday stuff about their day. What they thought about their lunch or whatever, intermingled with stuff like "Does that feel good?" "Do you like that?" "Oh, it feels so wonderful being inside you." Sex is happening during the conversation, but you are not seeing body parts on parade.

Most sex scenes I write last 10 pages, but one went on for 33 pages. And then people (other writers) look at that and say "OMG! I can't even write enough description to fill in a full paragraph, how did you make a sex scene last for 33 pages?" How? By NOT focusing on description, and instead letting the characters talk about what they were feeling.

When you start telling about sex/describing body parts, you run into a very limited amount of things you can say. He put this in there. Tab A was inserted into tab B, then they both jumped around until juice came out. Great. Everyone knows that's how sex works. It provides nothing for the story. And it's difficult to get the scene more than a few sentences long. However, when you start showing the action instead, letting the characters talk, they draw the reader into the sex scene, it becomes vivid and immersive, as the reader hangs on their every word.

When I do describe things, I tend to focus heavily on the senses. So, rather than just the narrator dead end describing in mid air, a character will hear, smell, feel, or see something. Again these will be quick and usually one-liners like:

  • He heard a shrill shriek that sent shivers down his spine.
  • Looking down over the edge of the bridge at the water so far below, made his toes want to curl up and hide at the backs of his shoes.
  • The rank smell of wet, moldy, sour hay filled his nostrils and made him nauseous.

>>Do you only describe relevant things to the character(s) or scene, or do you like to give as many visuals as you can, whether it's interacted with or not?

Generally, yes, I only describe what is directly connected to the character in the scene, and then only if it somehow applies to what he's doing. If he's not going to interact with it, it probably won't be described at all. As a reader, I prefer character driven stories and get very annoyed anytime the dialogue stops and the author starts describing clouds and grass and mountains for page after page of none-stop scenery info dumping. Now, some readers like that sort of lengthy descriptions, so knowing what your audience wants to read is going to help you decide to go minimal, info-dump, or something in between. But, me, I'm the type of reader who likes the fast flow of dialogue and stops reading when the slow slog of descriptions appear, thus, when I write, I write the style I like to read. It's just a personal preference thing. Basically I write what I want to read, and since I like reading quick snappy dialogue that isn't being invaded by the narrator describing things, I end up writing quick snappy dialogue that isn't being invaded by the narrator describing things.

So, in the end, I think it boils down to a preference thing. Some readers like lots of descriptions. Some readers like lots of dialogue. Some readers want a balanced mix of both. I don't think any way is right or wrong, and that each method is just a personal preference thing. Thus I say, just write as much or as little description feels right to you. Then after you're done writing it, if you feel you've written too much or not enough descriptions, well, that's what editing is for. Add, delete, arrange and move, until it feels right to you.

Normally, I'd tell a person to look at what they enjoy reading, and write that same style, because chances are if you enjoy reading a certain style, you'll also enjoy writing that style as well. You say you don't read. That could make it difficult for you to know what style you like, but not impossible. It just means you'll need to do more experimenting with writing different styles until you find one you like best. Perhaps, try this: look around for novels the same genre/theme as your story you want to write. Buy 5 or 6 books, each by a different author and read them, paying attention to differences and similarities in each. See if you notice any trends of writing style showing up in your chosen genre, then try to mimic writing those styles and see if you like writing that way or not.





While there are around 20k pages on this website, most of them are blocked from search engines, with only around 800 of them available for appearing in Google/Bing/etc search results. The remainder can only be accessed via the various links found throughout this site. This was done deliberately on my part, and I did it because the bulk of the pages on this website are chapters from 138 novels and 423 novellas, so only the first page of each novel and novella indexed by search engines, and the remainder are linked in order, one page at a time, via clicking "next page" at the end of each. So if you are looking for a specific page from a specific novel, Google can't help you.



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Wendy Christine Allen 🌸💖🦄 aka EelKat 🧿💛🔮👻

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Wheelchair Fundraiser

@eelkat

i just found out there is yet another bizarre rumour going around. where are these wild rumours coming from? who is starting them? and why?

♬ original sound - Wendy C Allen | 📚 Author
@eelkat

since I've been flooded with hundreds of messages the past two weeks asking if I still own "the world's most haunted car", yes, and here it is, filmed today May 18, 2026… but my son Xavier is dead, i am crippled and given that people are AGAIN showing up calling my Dodge "haunted", calling my friend "an alien", calling me "transgender", and spreading wild defamation slander connecting me to Stephen King, I think I need to start taking down the contact information of every blogger, podcaster, youtuber, and social media account spreading these rumors, and sue every single one of them for CAUSING my car to be cut in half May 10, 2010, for CAUSING the backhoe that drove over my house August 8, 2013, for CAUSING my son's murder November 14, 2013, for CAUSING me to be crippled and in a wheelchair November 14, 2013, and for CONTINUING to CAUSE harassers to show up in person to harass me near daily, STILL now in 2026. EVERYONE telling you my car is haunted, telling you my friend is an alien, calling my car "the goldeneagle", calling my friend "Etiole", or trying to connect me or my car to Stephen King, is lying to you. They crippled me when I was 8 months pregnant, and a woman with a golf club, severed my spine and bashed my baby's head in, I spent 9 years relearning to walk, and the FBI is 13 years into the murder investigation and not yet identified the attacker who crippled me and killed my baby, both violently with a golf club and the FBI believes that it is friends and family of the woman who did it, are the ones who started and spread the rumors saying my car is haunted, saying I'm an alien abductee, saying all kinds of similar bs about aliens, ufos, ghosts, witchcraft, demons, and Stephen King connections, even though I don't believe in ghosts, aliens, ufos, demons, and had never heard of Stephen King before 30k of his fans showed up in my yard trying to find my car! FBI believes the backhoe driver and the murderer are the same person and it is a developer who wanted my land and so started the Stephen King, ghost, and alien rumors all in an attempt to drive me off my land, and when it didn't work they drove a backhoe over my house, and when that didn't work they crippled me and killed my son. Why are they doing this? How do I get them to stop?

♬ original sound - Wendy C Allen | 📚 Author






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Get an email whenever Wendy Christine Allen 🌸💖🦄 aka EelKat 🧿💛🔮👻 publishes on Medium.

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Do you know who drove this backhoe over my house at 146 Portland Avenue, Old Orchard Beach, Maine on August 8, 2013? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.

My house at 146 Portland Ave, Old Orchard Beach, Maine, July 4, 2013, photo taken because we had just finished building a baby room on the back. vs My house August 8, 2013, when the same group of people (yes group, the golf club woman was not alone when she attacked November 14, 2013, nor was she alone with her second attack July 2016.) who murdered my son on November 14, 2013 at Southern Maine Community College and crippled me July 26, 2016 at scarborough WalMart,... they arrived the first time with a backhoe on August 8, 2013, that they used to drive over my house, during a time of day that I normally was home asleep... I had to work a different shift at the Waffle Cone Pizza Food Truck at George's Parking Lot by Bill's Pizza at the OBB Peir, that day, otherwise, I too would be at the bottom of a landfill, along with my house and everything I owned that was also in the house. I was 5 months pregnant at the time and have been homeless for just under 14 years, homeless ever since....

... which means it is now only a few weeks from the 14th anniversary of my son's murder. I was 8 month pregnant November 14, 2013, and a student ay SMCC, and coming out of the Buglight Lighthouse art studio after art class, when a still unidentifiedwoman wielding a golf club attacked me, severed my spine, while I was 8 months pregnant, triggered early labour, then killed my son minutes after he was born.

While accusing me of being transgender, screaming "transvestite freak" and "look at that thing, that's Ken's son in a dress"... while I was 8 months pregnant.

eelkats_house_before_after.jpgMy house at 146 Portland Ave, Old Orchard Beach, Maine, July 4, 2013, photo taken because we had just finished building a baby room on the back. vs My house August 8, 2013, when the same group of people (yes group, the golf club woman was not alone when she attacked November 14, 2013, nor was she alone with her second attack July 2016.) who murdered my son and crippled me, arrived the first time with a backhoe that they used to drive over my house, during a time of day that I normally was home asleep... I had to work a different shift at the Waffle Cone Pizza Food Truck at George's Parking Lot by Bill's Pizza at the OBB Peir, that day, otherwise, I too would be at the bottom of a landfill, along with my house and everything I owned that was also in the house. I was 5 months pregnant at the time and have been homeless for just under 14 years, homeless ever since.

The backhoe driver returned November 14, 2013, armed with a golf club, used it to break my spine and smash my baby's brains out on the ground

On November 14, 2013, my son was murdered. I was 8 months pregnant, leaving my college classroom, and just getting into my car, when 3 strangers, a man and two women, armed with golf clubs leapt out from behind my car screaming "kill or be killed, kill the transvestite freaks, kill them all before they kill us! look at that thing! That is Ken's son, look at how it's dressed! kill the transvestite freaks! kill or be killed"... while the bald man and the red haired woman chanted this over and over, the blonde woman, lunged with the golf club.

She severed my spine, I am now a quadriplegic, and been paralyzed arms and legs, and in a wheelchair for 13 years now. She broke my hips, my knees, my legs, ruptured most of my discs, and shattered three of my vertebrae so bad that the shards of bone acted like glass and embedded themselves into my spinal column nerve bundle.

The attack also triggered labour.

My son was born in that parking lot, and he lived only a couple of minutes, before the deranged blonde woman, beat his head in and smashed his brains out, with the same golfclub she had just used to sever my spine and leave me crippled for the rest of my life.

Realizing that I was not transgender, and they'd just murdered a baby, the man grabbed the 2 women and forcibly dragged them away to a 4 door white pickup truck, and they left me there to die.

The FBI told me later, that a few weeks before this attack, and transwoman, had murdered a cis woman, in a parking lot, abou 20 miles away from where I was attacked. The FBI, believes that my attackers, had somehow found out I wrote transgender fiction, connecting my real name to my penname, (my father's name is in fact "Ken", and I do have a brother) and believed that I wrote transgender fiction, because I was myself transgender, even though I'm not transgender. The FBI, believes the attackers, thought I was my brother, pretending to be a woman.

The FBI investigation, into my son's murder, has dragged on for 13 years, and still now in 2026, continues on, with the FBI, still not having yet identified my attackers, and only guessing at what their motive was.

Thus we come to 2014, and the full swing change of the series I write. WHY my series, went from just a transman main character living life, to the full blown Mpreg genre series that it now is today.

Before the attack, I had a chance of having a baby. I don't know. And because I'm in America, I'm too old to adopt. You have to be under 45 years old to adopt a baby. That is the law in America. I was informed this, when we tried to adopt, now that my injuries leave me unable to get pregnant a 9th time.

Thus began my obsessively writing, my transman main character, pregnant. Always pregnant now. Every time. Every story. Stories that now fully focus on pregnancy, labour, miscarriages, babies dying, babies living, raising babies... the whole series, since 2014 has devolved into an outright baby obsession.

Meanwhile, reborn baby dolls were suggested to me by my therapist, and have also become a deeply obsessive part of my life. Because 13 years ago my son was murdered minutes after he was born, because a transphobic bigot mistook me for being transgender, I'm STILL in a wheelchair, struggling to relearn to use my arms and legs, now 13 years later, and I'm still DAILY dealing with police officers and FBI agents who while they are trying to find my son's killer, they are also daily reminding me... oh, yeah, my son was murdered, literally ripped out of my belly, by a transphobe. Who still has not been located and walks free to kill again.

The golfclub woman as she looked during the golf club attack at Southern Maine community college November 14, 2013. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026.

Clairescreenshot.pngIf you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322

The golfclub woman as she looked during the shopping cart attack at Scarborough WalMart July 26, 2016. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026.

zzzz999ClaireRed2016-screenshotIf you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322

The 2nd woman as she looked at both attacks, her hair goes all the way down to her knees. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026.

Kendrascreenshot.pngIf you have any information about the identity of this child murderer's accomplice, please call FBI Agent Andy Drewer at 207–774–9322

Do you know who these two woman who crippled me and murdered my baby, at Southern Maine Community College at 10PM on November 14, 2013, are, and what their connection to the backhoe that drove over my house is? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.

I am a legally blind quadriplegic, and low verbal, I have also published 138 novels in the last 48 years. It's not as impossible as people think. The problem being blind and quadriplegic, medically have different meanings then how those two words are used medically.

Fewer than 3% of all blind people see nothing. While 97% people who are classified as fully blind are able to see up to two feet in front of them. Legally blind means I can see more then two feet in front of me but not far enough to see twenty feet in front of me. In my case I can see about eight feet.

Quadriplegic, has varying levels, it means having a damaged nerve bundle in the spinal column causing limited mobility of all 4 limbs, (in my case this was done by a women wielding a golf club, who also beat my 8 month infant's head to pulp on the parking lot tarmak, at the same time she severed my spine with the same golf club; both on November 14, 2013; the FBI investigation into my son's murder and my being crippled has gone on now for 13 years, a few weeks away from 14 years now, and the FBI has still not identified the killer or her motive). Contrary to popular misconception, quadriplegic does NOT mean ZERO movement, it means means limited movement, specifically in means unable to lift arms over head, unable to grip fingers around objects to pick them up, and unable to stand for more then 5 minutes to a time. Because there are so many thousands of nerves in each limb it is actually very rare for there to be 100% no movement, but how much, and to what extent varies by patent depending upon the specific point of injury to the spinal column.

Meaning typing is still possible for over 60% of all quadriplegics.

In my case, it was the lower spine that was severed, cutting off completly my ability to move my right leg, leaving limited feeling in my left leg, and an ability to stand but not walk, with crutches, for the first 9 years. I regained enough nerve growth in my legs by the 9th year to be able to take ten or twelve steps allowing me to get out of bed for the first time since the golf club attack; This in turn lead to me being able to start using a wheelchair, as I was able to sit upright for the first time as well.

Because the shattered vertebrae bone fragments are broken off completly and embedded into the nerve bundle just above my tailbone, doctors were saying I would never walk again, but now at 13 years, I am able to push mu wheelchair like a walker, a distance of almost a thousand steps a day. Though doctors are still doubtful I will ever walk "normally" again, I have proven them wrong, when their said 13 years ago, that I would never walk again at all.

But because of the placement of the damage to my spine, regaining hand use, was always thought possible, it was just a matter of waiting long enough for nerve regrowth, along side daily finger exercises. I was able to continue writing, after becoming quadriplegic, because I still have use of my right thumb, and 2 fore figures of my right hand. And can type 90 words per minute with those 3 fingers.

I however have no wrist strength, elbow strength, or shoulder strength, so I am not able to form a fist, or lift objects, or brush my hair, or my teeth, all thing I have to have my caretaker do. But, those things are not needed for typing. Unfortunately, my pinky and ring fingers are "nerve dead" and drag over the keyboard, and cause horrific spelling errors and typos, which are incredibly frustrating to deal with.

Unfortunately trying to edit errors myself, just makes the errors worse, because those same two fingers drag over the keyboard yet again. Prior to the golf club attack, I rarely had spelling errors; now I got more spelling errors then someone is learning English as second language. Editing is a challenge, that I've had to accept, I simply can not do myself, and I have to hire several editors to help with that.

Low verbal means sounds can still be made, sounds that software programs like Dragon can be trained to recognize and translate, and type into full words. More then half my novels were typed with this method.

I still have a long ways to go before I am anything close to being able to do the things I could do before the golf club woman beat my baby's brains out and shattered my spine. And you know what's more frustrating then how slow mu medical progression has been? The fact that it's been 13 years and the police and FBI are still coming up at dead ends as to who the woman who murdered my baby was, or why she even did it.

My son's 14th birthday is only a few weeks away, but he didn't even get to live long enough to celebrate his 1st birthday, I don't even know why. And I can't wait to regain my ability to walk again, because regaining my ability to walk, means gaining the ability to go outside and start looking for my son's murderer myself instead of sitting at home trapped in a wheelchair waiting for the police and FBI to to find her. So, writing isn't a big priority for me anymore. I only write now, as a way to exercise my hands, in between relearning to walk.

Never let a disability stop you. Plenty of writers, artists, athletes, do not let either blindness, speech impediments, or limited mobility hold then back from perusing their careers.

Do you know who these two woman who crippled me and murdered my baby, at Southern Maine Community College at 10PM on November 14, 2013, are, and what their connection to the backhoe that drove over my house is? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.

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