Writing Character Driven Flash Fiction 
for NaNoWriMo & NovNov 2025
-with 90 Cozy Fantasy Slice of Life Writing Prompts

(random thoughts and conversations with ChatGPT5)



By Wendy C Allen

eelkat_red_scarf.jpgWendy Christine Allen, 2019, able to sit up in a chair for the first time in years, and able to raise up my arm and wiggle fingers. This was when I started playing Witcher 3 on Twitch as part of my physical therapy to regain finger movement. Playing Witcher 3 daily from 2016 to 2019, is how I regained the use of my thumb and two for fingers on my right hand... it is also why I stopped playing Witcher 3 in 2019, once I had strengthen my two forefingers enough to start typing again.

Wendy Christine Allen, Old Orchard Beach's Autistic Author, Artist, Illustrator, & Art Car Designer

Counting Down to the September 23, 2028 50th Anniversary of my first published book (September 23, 1978)

If you are here looking for The Twighlight Manor series, The Crystonite Wars series, The Wild Years series, The White Rock Asylum for the Criminally Insane series, The Twisted Tales series, the Captured By a MerMan series, The Space Dock 13 series, The Kats of Planet Ptarmagin series, the stories about Miss Citten the Eel-Kat, or the stories about Etiole... ALL of those series were combined and consolidated into The Adventures of Quaraun the Insane Pink Necromancer series in 2014, so ALL the different series, are now under one series title.

List of the published titles still in print:

The Index of over three thousand stories in The Pink Necromancer series

What the series is about, for those new here:

The introduction to The Pink Necromancer Series. 

If you want some stories to get you started in The Pink Necromancer series, reading these first will give you a good introduction to the 3 main characters:

My Elves Are JellyFish...and I asked Google AI and ChatGPT 5.6 what they thought of this.

As requested, my daily writing prompt series is now available print paperback editions on Amazon.

There are 20 volumes of this writing prompt series currently planned and in varying stages of finishing, hopefully all 20 will be published by the end of 2026. I likely will do a 2nd series of writing prompt books in 2027.

The first of the Visual Novels/Video Games for The Adventures of Quaraun the Inane/The Pink Necromancer series is published and available on Itch.io, there are 3 more planned for release in 2026, 6 more planned for release in 2027, and the big 60-hour 80k word 150 page one (Quaraun Goes To the Fair) is planned for a 2028 release.

There is a Pink Necromancer card game and a Pink Necromancer board game, as well as a Pink Necromancer table top RPG supliment for Dungeons and Dragons, all in the works, and to be released over the next couple of years as well.

Health update: August 4, 2026 - in recovery for 6 months+ (at least until mid-January 2027...all book and video game releases are pushed back at least 6 months) see video below for why...

@eelkat

health update #maine #disabilityawareness #wheelchairlife #wheelchairvlogger #multiplesclerosis

♬ original sound - Wendy C Allen | 📚 Author
@eelkat Health update: #chickenpox #bellspalsy #RamsayHuntsyndrome #paralysis #recovery ♬ original sound - Wendy C Allen | 📚 Author
@eelkat

I seem to have had another stroke (during the night while I was asleep?) #stroke #paralysis

♬ original sound - Wendy C Allen | 📚 Author

Update Sept 3, 2026:

I am able to get around enough to take Koko to dog park... today is 29 days since getting out of hospital. My diet is still mostly liquid, but im eating some solid food again, but its like rice or soft mushy baby food type stuff because I still can not chew yet, though I can swallow again. My jaw is still not functioning good so im having trouble talking still. So there's been slight improvement to my mouth, throat, and jaw, but, zero improvement to my eye, which is a major concern, be Im almost fully blind right now. im legally blind since birth in my left eye, so I have no ability to fall back on using my left eye. My right eye is the one injured and my vision in it is "40% decreased" according to my doctor, but it wasn't good vision to begin with, and right now my right eye is not much different from my legally blind left eye. Which I why I have to have someone drive my car for me instead of me driving my car myself right now, which is very frustrating, because, being a female, I had to fight for over twenty years to be allowed to drive. I started sneaking out at age 31 and dressing as a man to go to Old Orchard Beach high school to get a ged, because us females are not allowed to go to school. And i was 37 years old when snuck out to the DMV and got a driver's permit and started going to college. I was 42 and 8 months pregnant when my family found out I was going to college and thats when I was punished by the backhoe driving over my house and my spine broken with a golf club and my baby born right then and killed with same golf club. So it's very frustrating now, so soon after finally being able to drive , to now not be able to drive because of an eye injury, especially after 14 years of being paralyzed from the golf club and not being allowed to have a wheelchair, again, because i am female and we females are simply not allowed to do anything. I hate the culture I was born into. I wish I had the freedom to go to school and drive a car the way American women do. I wish having my spine broken with a golf club and my baby killed with a golf club and a backhoe driven over my house was not how men in my family punishment women in my family for learning to read and write. Its so frustrating not being able to to drive again, so soon after 14 years being paralyzed, and being paralyzed by the golf club was the punishment for getting a driver's license back in 2013 after 30 years of men not letting me have one. I hate my family's culture and how they treat us women.

I get so sick of Americans telling me how they wish they could be a Gypsy… they are either misogynist woman hating pigs, or delusional idiots who haven't got a clue how shittily we Gypsy women are treated by Gypsy men, because no one in their righ mind who knows anything about Gypsy culture would ever want to be part of it. I hate that I was born a Gypsy. 

update sept 7, 2026

"You would not make a good teacher"... what does that mean, and why are there so many people on Railroad Ave and Western Ave and Cutts St why walk up to me and say that to me?

I find it very confusing. I have low functioning Autism (the Rain Man type) and so i have very little understanding of words beyond the basic ones, and i never went to to school, so I never learned maths or sciences, and I only had remedial classes at Southern Maine Community College, because I did not have an education to enroll with regular, I was there taking every reading and writing class they had to learn how to read and write, and also took speaking classes to learn how to talk (i spoke Shetland Scottish language because that was language my grandmother spoke but she died when I was 8 so I only knew that language to speak and write, and I was 37 when I went to college and 42 when I learned English speaking and I still cant speak English good yet), all the other classes I took were art painting and cooking.

So the phrase "You would not make a good teacher" makes no sense to me because it seems to imply that I am trying to be a teacher, but I don't have anything close to the education ti be a teacher, and im not trying to be a teacher. So I don't know why people keep saying this phrase to me and I assume it must have some sort of a slang meaning, but I can't figure out what it could be of why do these people keep saying it to me.

see video below for more information: 


@eelkat "You would not make a good teacher"... what does that mean, and why are there so many people on Railroad Ave and Western Ave and Cutts St why walk up to me and say that to me? I find it very confusing. I have low functioning Autism (the Rain Man type) and so i have very little understanding of words beyond the basic ones, and i never went to to school, so I never learned maths or sciences, and I only had remedial classes at Southern Maine Community College, because I did not have an education to enroll with regular, I was there taking every reading and writing class they had to learn how to read and write, and also took speaking classes to learn how to talk (i spoke Shetland Scottish language because that was language my grandmother spoke but she died when I was 8 so I only knew that language to speak and write, and I was 37 when I went to college and 42 when I learned English speaking and I still cant speak English good yet), all the other classes I took were art painting and cooking. So the phrase "You would not make a good teacher" makes no sense to me because it seems to imply that I am trying to be a teacher, but I don't have anything close to the education ti be a teacher, and im not trying to be a teacher. So I don't know why people keep saying this phrase to me and I assume it must have some sort of a slang meaning, but I can't figure out what it could be of why do these people keep saying it to me. #mainelife #biddefordmaine #maine #disabilitytiktok #Biddeford ♬ original sound Wendy C Allen | 📚 Author

update Sept 15, 2026:

I have some slight movement in some my fingers again again after over a decade being paralyzed

you remember how I used to be a professional doll making, pattern designer, and embroiderer, back before I became paralized and before my son was murdered and being the backhoe drove over my house?

all my equipment, sewing machines, ect were all destroyed by the backhoe driving over my house, and I have been quardepelegic for over a decade because of it so could not use my hands to sew or draw or embroider, and so only continued to do my writing of novels since then because I could do that with dragon dictation software,

well, since 2016, I been playing Witcher 3 and don't starve video games on twitch livestream, one hand two fingers, as part of my therapy to regain nerve and muscle use of my fingers, and now after 10 years of that, I have somewhat more movement in my fingers and im thinking maybe I can try to do embroidery and doll making again, but not sure, anyways, now im rebuying all of my sewing and embroidery equipment that the backhoe destroyed when it drove over my house, and hopefully I can use my hand enough to embroider again.

waiting for stuff to arrive in mail, so soon I should find out if ten years of twitch gaming has given me enough muscle strength to use my fingers to embroider again.

update to the previous video, answering viewer question about lack of hospital vs broken spine

Wheelchair Fundraiser... I need to upgrade to a power wheelchair, the manual one just isn't enough anymore. But the power wheelchair is $25k. Yes, twenty five thousand dollars. Wtf? I can get a car for a quarter that price, why are wheelchairs so damned expensive? That's more money then I make in five years, so I need to start a fundraiser for it.

Today I am asking ChatGPT5 questions and seeing what it has to say.

My question:

We are now 4 days to National Novel Writing Month and as usual I’m working on my character driven series, The Adventures of The Pink Necromancer. I write most of it as 1k word flash fiction, that are glimpses into the main character’s life; literally a story of him boiling tea water; another story of him embroidering a scarf; another story of him pruning his roses, etc. So there is never a plot in any story. I know character driven stories are unusual and most people say they are boring because they don’t have a plot, but I love both reading and writing them.

For NaNoWriMo 2025 (via ProWritingAid's NovNov), I plan to write "30 stories in 30 days" instead of a novel, as usual, as I do every year. Or likely more then 30. It'll likely be a mix of flash fiction, poems, and drabbles, as their needs to be 1,667 words a day total, but I rarely have stories over 900 words.

What advice, thoughts, ect do you have for writing character driven flash fiction, especially in terms of pacing for 1,667 words daily.


ChatGPT5's answer:

That’s an excellent and well-grounded NaNo plan, Wendy — and a perfect fit for The Adventures of The Pink Necromancer style. Character-driven flash fiction can make NaNo not only achievable but deeply satisfying, because you’re producing polished, complete vignettes rather than a rough, sprawling draft.

You already have a strong grasp of tone and structure, so let’s look at craft and pacing strategy — how to make thirty character-centric pieces flow naturally, hit your daily goals, and maintain depth without plot scaffolding.

✳ 1. Think in “moments,” not “stories”

For character-driven flash fiction, plot isn’t your propulsion — change in awareness or texture is. Each piece can center on:

  • a sensation (cold air on Quaraun’s hands as he weaves)
  • a decision (whether to forgive BoomFuzzy for tracking snow into the kitchen)
  • a routine (mending silk curtains, feeding yaks, measuring herbs)

Each moment starts static and ends with a tiny emotional tilt — irritation softens, fear tightens, tenderness surfaces. That’s the arc. It’s enough.

Think of it as “micro motion.” If readers feel one small shift in Quaraun’s emotional weather, you’ve done your work.

✳ 2. Use the “600 / 600 / 400” rhythm

For NaNo pacing (≈1,667 words daily):

  • 600 words: your main flash piece — a single self-contained moment
  • 600 words: a second shorter vignette or drabble cluster (e.g. “Quaraun boils water” + “BoomFuzzy teases him for over-sanitizing the cup”)
  • 400 words: a poem, reflection, or half-finished snippet

That structure keeps your day fresh. You’ll have variety, and you’re never trapped in one scene too long. Most days you’ll hit 1,800+ words naturally.

✳ 3. Treat each flash like a painting study

Think of your 30 stories as thirty portrait sketches of the same subject — Quaraun under different light:

  • “Quaraun and Firelight” (night warmth)
  • “Quaraun and Frost” (cold dread)
  • “Quaraun and Silence” (his paranoia)
  • “Quaraun and Touch” (BoomFuzzy’s physical care)

When you think visually, pacing becomes intuitive. Each piece explores one emotional palette, one sensory focus. No need for resolution.

✳ 4. Pacing inside the flash

In a story that’s all character, rhythm matters more than event. Use breath-like pacing:

  1. Opening beat: sensory anchor (“Steam hissed from the kettle.”)
  2. Middle stretch: interior action — thought, hesitation, memory
  3. Closing beat: a shift — either emotional clarity or subtle disturbance

Short sentences pull tension tight; longer ones slow and deepen immersion. Alternate consciously to keep the reader’s heartbeat aligned with Quaraun’s.

✳ 5. Set thematic “weeks”

To keep the month cohesive and your mind from fatigue, pick weekly focuses:

  • Week 1: Domestic rituals — cooking, weaving, cleaning
  • Week 2: Weather and environment — frost, sea, fog
  • Week 3: Relationships — BoomFuzzy’s protection, GhoulSpawn’s logic
  • Week 4: Memory and loss — reflections on immortality

This creates organic variation while keeping the emotional thread consistent.

✳ 6. Allow recurrence

Character-driven flash thrives on repetition with variation. Readers adore pattern recognition.

Let motifs recur — the kettle, silk thread, frost on windows, BoomFuzzy’s scent of cloves — but shift their meaning slightly each time.

That evolving symbolism is your plot substitute. It becomes a quiet through-line across 30 days.

✳ 7. Efficiency and energy management

You’ll be writing daily for a month. Treat the work like a ritual:

  • Morning: jot 3 sentences of sensory notes (smells, textures, weather)
  • Afternoon: expand one note into a 600–900 word scene
  • Evening: add a second mini piece or poem

If fatigue hits, you can substitute:

  • a 100-word drabble + two short poems
  • or a single 1,000-word story and a 600-word brainstorming dump

Remember, NaNoWriMo counts words, not polish. You can refine later.

✳ 8. Maintain emotional continuity

When there’s no external plot, emotional pacing is narrative pacing. Think in contrasts:

✳ 9. Use BoomFuzzy and GhoulSpawn as lenses

  • Day 1: anxious → Day 2: tender → Day 3: obsessive → Day 4: serene
    That ebb and flow keeps your month dynamic, even if every story takes place in the lighthouse kitchen.

To prevent stillness, let their personalities refract Quaraun’s mood.
For example:

  • GhoulSpawn’s quiet precision amplifies Quaraun’s paranoia.
  • BoomFuzzy’s sensuality destabilizes Quaraun’s control.

The energy between them replaces traditional conflict — it’s the movement that keeps the scene alive.

✳ 10. End each session with a “next seed”

Before closing your writing day, type one line that hints tomorrow’s story:

“He would clean the bones tomorrow, once the storm had passed.”

This keeps momentum. You wake up already knowing what to explore.

✳ 11. Optional daily structure template

If you like a bit of scaffolding:

  • Title: (a sensory noun or verb) 
  • Setting: (what room or weather) 
  • Focus Object: (kettle, silk thread, moth, rose) 
  • Mood: (anxious / gentle / irritated / melancholic) 
  • Action: (what is Quaraun doing?) 
  • Change: (what tiny emotional shift occurs?) 
  • Length: (word count target)

That five-minute prep will save an hour of staring at the page.

✳ 12. Remember: small stakes, big intimacy

Your readers come for texture, precision, and presence, not explosion.
Let the prose linger on:

  • frost melting on silk
  • the sound of GhoulSpawn sharpening knives
  • BoomFuzzy’s hands kneading dough beside Quaraun’s trembling ones

Your mastery lies in stillness rendered vivid — that’s the rarest craft of all.

Would you like me to draft a 30-day prompt grid tailored for this year’s NaNo — each day a domestic or sensory moment from Quaraun’s daily life (no plots, just moods and actions)? It’d give you a scaffold to build your word count from without losing that soft, character-driven focus.


My question:

yes, give me 30 daily prompts, using the template you just gave, also using the weekly themes you just mentioned. Let's see what prompts like these would look like.


ChatGPT5's answer:

Perfect — we’ll build your 30-day NaNoWriMo plan around the structure you’re already using: one flash per day, themed by week for mood and sensory cohesion. Each entry follows the same compact template:

Title / Setting / Focus Object / Mood / Action / Change

All from Quaraun’s point of view, minimal plot, high sensory focus, emotional micro-shift.

🌿 Week 1 — Domestic Rituals (Days 1–7)

Theme: Habit, control, comfort in repetition.

Day 1 — “Boiling Water”

  • Setting: Lighthouse kitchen, dawn.
  • Focus Object: Copper kettle.
  • Mood: Orderly.
  • Action: Quaraun sterilizes the kettle before brewing tea.
  • Change: Steam fogs his glasses; he allows imperfection to stand.

Day 2 — “Sweeping Ashes”

  • Setting: Hearth after breakfast.
  • Focus Object: Straw broom.
  • Mood: Irritable.
  • Action: Cleans up BoomFuzzy’s soot footprints.
  • Change: Notices warmth in the hearth’s glow; forgives the mess.

Day 3 — “Folding Silks”

  • Setting: Workroom draped in pink fabric.
  • Focus Object: Silk bolt.
  • Mood: Focused.
  • Action: Measures and folds cloth for market sale.
  • Change: Touch recalls the first robe BoomFuzzy ever tailored for him.

Day 4 — “Sharpening Needles”

  • Setting: Sewing table, night.
  • Focus Object: Needle whetstone.
  • Mood: Paranoid.
  • Action: Polishes each needle to perfection.
  • Change: Realizes his reflection in the steel looks older.

Day 5 — “Counting Jars”

  • Setting: Pantry shelves.
  • Focus Object: Glass jars of herbs.
  • Mood: Compulsive.
  • Action: Labels and re-orders every jar alphabetically.
  • Change: Allows one label to remain crooked.

Day 6 — “Lighting the Lamps”

  • Setting: Hallway at dusk.
  • Focus Object: Oil lamp.
  • Mood: Reverent.
  • Action: Lights each lamp in precise sequence.
  • Change: Misses one intentionally to test if he can bear the dark.

Day 7 — “Washing Hands”

  • Setting: Washbasin before bed.
  • Focus Object: Soap bar carved like a seashell.
  • Mood: Anxious.
  • Action: Scrubs hands until raw.
  • Change: BoomFuzzy interrupts and dries them himself.

❄ Week 2 — Weather and Environment (Days 8–14)

Theme: External cold reflecting inner restraint.

Day 8 — “Snow on Glass”

  • Setting: Lighthouse window.
  • Focus Object: Frost pattern.
  • Mood: Meditative.
  • Action: Traces the frost with gloved fingertips.
  • Change: Wonders if beauty exists without warmth.

Day 9 — “The Frozen Path”

  • Setting: Cliffside trail.
  • Focus Object: Walking cane.
  • Mood: Wary.
  • Action: Tests ice before every step.
  • Change: Trusts BoomFuzzy’s offered hand once.

Day 10 — “Salt Wind”

  • Setting: Icy beach.
  • Focus Object: Seashell.
  • Mood: Reflective.
  • Action: Collects shells for dye pigment.
  • Change: Admits he misses sunlight.

Day 11 — “Drifting Fog”

  • Setting: Lighthouse balcony.
  • Focus Object: Foghorn.
  • Mood: Lonely.
  • Action: Times the horn’s call against heartbeat.
  • Change: Hears another answering note far off.

Day 12 — “Icicles”

  • Setting: Roof eaves.
  • Focus Object: Dripping icicle.
  • Mood: Curious.
  • Action: Examines refraction through ice.
  • Change: Sees BoomFuzzy’s silhouette distorted, beautiful.

Day 13 — “Storm Surge”

  • Setting: Shoreline at night.
  • Focus Object: Foam-covered boots.
  • Mood: Defiant.
  • Action: Walks into tide to collect kelp.
  • Change: Accepts the pull of the sea as cleansing, not threat.

Day 14 — “First Thaw”

  • Setting: Garden gate.
  • Focus Object: Mud under snow.
  • Mood: Hopeful.
  • Action: Checks soil for planting.
  • Change: Finds a sprout — proof life persists.

🕯 Week 3 — Relationships (Days 15–21)

Theme: Intimacy, friction, dependence.

Day 15 — “Shared Cup”

  • Setting: Breakfast table.
  • Focus Object: Porcelain teacup.
  • Mood: Guarded.
  • Action: BoomFuzzy drinks from Quaraun’s cup.
  • Change: Quaraun does not protest.

Day 16 — “Braiding Dreadlocks”

  • Setting: Sitting room.
  • Focus Object: Comb carved from bone.
  • Mood: Tender.
  • Action: Braids BoomFuzzy’s hair to tidy it.
  • Change: Notices his own hands trembling less.

Day 17 — “GhoulSpawn’s Notes”

  • Setting: Workshop.
  • Focus Object: GhoulSpawn’s notebook.
  • Mood: Suspicious.
  • Action: Reads scientific scribbles he cannot decipher.
  • Change: Realizes trust might mean not understanding.

Day 18 — “Tasting Fudge”

  • Setting: Kitchen.
  • Focus Object: Wooden spoon.
  • Mood: Playful.
  • Action: Samples BoomFuzzy’s fudge for texture.
  • Change: Laughs aloud without meaning to.

Day 19 — “Polishing the Goggles”

  • Setting: Workbench.
  • Focus Object: BoomFuzzy’s steampunk goggles.
  • Mood: Protective.
  • Action: Cleans the lenses he knows BoomFuzzy cannot see through.
  • Change: Understands love as pointless devotion.

Day 20 — “The Argument”

  • Setting: Dining hall, late night.
  • Focus Object: Broken wine glass.
  • Mood: Angry.
  • Action: Quaraun hurls accusation; BoomFuzzy remains calm.
  • Change: Silence becomes apology.

Day 21 — “Sleeping Warm”

  • Setting: Bedchamber during blizzard.
  • Focus Object: Shared blanket.
  • Mood: Content.
  • Action: Lies beside BoomFuzzy, listening to heartbeat.
  • Change: Stops counting breaths.

🕯 Week 4 — Memory and Loss (Days 22–28)

Theme: Time, immortality, ghosts of the past.

Day 22 — “Old Letters”

  • Setting: Trunk at foot of bed.
  • Focus Object: Silk ribbon around faded letters.
  • Mood: Nostalgic.
  • Action: Reads correspondence from centuries ago.
  • Change: Sees handwriting shake near the end.

Day 23 — “Graveyard Snow”

  • Setting: Family plot near lighthouse cliff.
  • Focus Object: Tombstone lichen.
  • Mood: Somber.
  • Action: Brushes snow from names.
  • Change: Realizes he no longer remembers one of them.

Day 24 — “Broken Comb”

  • Setting: Vanity table.
  • Focus Object: Cracked ivory comb.
  • Mood: Regretful.
  • Action: Repairs it with gold resin.
  • Change: Finds beauty in the flaw.

Day 25 — “The Mirror”

  • Setting: Hallway mirror, flickering light.
  • Focus Object: His reflection.
  • Mood: Detached.
  • Action: Studies the corpse his Thullid form animates.
  • Change: Accepts the alien calm.

Day 26 — “Rose Petals”

  • Setting: Garden at dusk.
  • Focus Object: Faded roses.
  • Mood: Melancholy.
  • Action: Prunes dead blooms.
  • Change: Keeps one dried blossom for remembrance.

Day 27 — “Empty Chair”

  • Setting: Dining room.
  • Focus Object: Chair where a friend once sat.
  • Mood: Resigned.
  • Action: Leaves it untouched during supper.
  • Change: Sets a plate anyway.

Day 28 — “Echo in the Hall”

  • Setting: Lighthouse stairwell.
  • Focus Object: Sound of footsteps.
  • Mood: Haunted.
  • Action: Follows echo upward.
  • Change: Finds no one, feels at peace.

🌙 Week 5 — Reflection and Renewal (Days 29–30)

Theme: Acceptance, stillness, quiet rebirth.

Day 29 — “The Clean Room”

  • Setting: Workroom newly scrubbed.
  • Focus Object: Bucket of clear water.
  • Mood: Cleansed.
  • Action: Finishes disinfecting every surface.
  • Change: Smells soap, not death.

Day 30 — “First Light”

  • Setting: Lighthouse balcony, sunrise.
  • Focus Object: Horizon.
  • Mood: Peaceful.
  • Action: Watches sun rise through frost.
  • Change: Thinks, simply, still here.

Would you like me to build a second version of this grid that mirrors these same 30 days but switches each focus object or setting (for example, “Boiling Water” becomes “Pouring Tea”), giving you 60 flexible prompts to rotate or double up on for higher word counts?



My question:

yes, let's have a second version of this grid that mirrors these same 30 days but switches each focus object or setting (for example, “Boiling Water” becomes “Pouring Tea”), giving me 60 flexible prompts to rotate or double up on for higher word counts.


ChatGPT5's answer:

Excellent — this “mirrored” version of your 30-day grid keeps the same emotional through-line and daily pacing but subtly changes the focus object, setting, or action to give you a new angle on the same moment.

Each prompt pairs naturally with its twin from the first list — they can be written as companion pieces, alternate perspectives, or even the same event revisited later in time.

🌿 Week 1 — Domestic Rituals (Days 1–7)

Theme: Habit, control, comfort in repetition.

Day 1b — “Pouring Tea”

  • Setting: Kitchen table, morning light.
  • Focus Object: Porcelain teapot.
  • Mood: Careful.
  • Action: Pours tea without spilling a drop.
  • Change: Notices BoomFuzzy watching and hands him the first cup.

Day 2b — “Polishing the Hearthstone”

  • Setting: Fireplace, afternoon.
  • Focus Object: Iron poker.
  • Mood: Determined.
  • Action: Scrubs soot until the stone gleams.
  • Change: Realizes warmth remains even when fire dies.

Day 3b — “Mending a Seam”

  • Setting: Sewing nook.
  • Focus Object: Silver thimble.
  • Mood: Focused.
  • Action: Repairs a tear in his pink robe.
  • Change: Thread glints gold where it should not — a touch of beauty.

Day 4b — “Sorting Pins”

  • Setting: Sewing table.
  • Focus Object: Pin cushion shaped like a moth.
  • Mood: Precise.
  • Action: Arranges pins by length and color.
  • Change: A single bent one he cannot throw away.

Day 5b — “Labeling Vials”

  • Setting: Pantry.
  • Focus Object: Ink pen and parchment tags.
  • Mood: Controlled.
  • Action: Writes the same word five times to perfect the lettering.
  • Change: Ink blot blooms like a flower; he leaves it.

Day 6b — “Snuffing Candles”

  • Setting: Hallway, midnight.
  • Focus Object: Brass candle snuffer.
  • Mood: Reverent.
  • Action: Extinguishes each flame before bed.
  • Change: One wick smolders; he lets it burn.

Day 7b — “Folding Towels”

  • Setting: Bath chamber.
  • Focus Object: Linen towel.
  • Mood: Anxious.
  • Action: Refolds the same towel four times.
  • Change: BoomFuzzy drapes it over his shoulders instead.

❄ Week 2 — Weather and Environment (Days 8–14)

Theme: External cold reflecting inner restraint.

Day 8b — “Opening the Window”

  • Setting: Lighthouse top floor.
  • Focus Object: Frosted latch.
  • Mood: Curious.
  • Action: Opens window to let snowflakes drift in.
  • Change: Breath fog mingles with the falling cold.

Day 9b — “Crossing the Bridge”

  • Setting: Frozen stream between cliffs.
  • Focus Object: Ice-crusted rope railing.
  • Mood: Uneasy.
  • Action: Tests the planks one by one.
  • Change: GhoulSpawn steadies him without being asked.

Day 10b — “Gathering Seaweed”

  • Setting: Tidepools.
  • Focus Object: Basket lined with cloth.
  • Mood: Methodical.
  • Action: Collects seaweed for dye.
  • Change: Finds a tiny living crab and returns it to the water.

Day 11b — “The Dimming Light”

  • Setting: Lighthouse lantern room.
  • Focus Object: Fog-dulled glass.
  • Mood: Watchful.
  • Action: Polishes the outer lens as fog thickens.
  • Change: Sees the beam pierce cloud again.

Day 12b — “Melting Drip”

  • Setting: Porch eaves.
  • Focus Object: Wooden bucket catching meltwater.
  • Mood: Attentive.
  • Action: Counts drops falling from icicles.
  • Change: Rhythm soothes his nerves.

Day 13b — “After the Storm”

  • Setting: Cliff’s edge.
  • Focus Object: Tangled kelp.
  • Mood: Reflective.
  • Action: Untangles the wreckage left by tide.
  • Change: Smells salt and thinks it like incense.

Day 14b — “Sun on Ice”

  • Setting: Garden path.
  • Focus Object: Water puddle turning mirror.
  • Mood: Gentle.
  • Action: Watches sunlight shimmer on thawing ice.
  • Change: Sees his own pink robe bright amid grey.

🕯 Week 3 — Relationships (Days 15–21)

Theme: Intimacy, friction, dependence.

Day 15b — “Two Spoons”

  • Setting: Breakfast table.
  • Focus Object: Silver spoon.
  • Mood: Softened.
  • Action: Stirs sugar into both cups.
  • Change: The spoons clink in unison.

Day 16b — “Trimming Beard”

  • Setting: Sitting room.
  • Focus Object: Small scissors.
  • Mood: Tender.
  • Action: Trims BoomFuzzy’s beard while he hums.
  • Change: Finds a strand of grey hair in his own lap.

Day 17b — “Repairing the Orb”

  • Setting: Workshop.
  • Focus Object: Toobe’s hovering orb.
  • Mood: Analytical.
  • Action: Watches GhoulSpawn solder circuits.
  • Change: Admits aloud that he admires him.

Day 18b — “Cooling the Pan”

  • Setting: Kitchen counter.
  • Focus Object: Pan of fudge.
  • Mood: Playful.
  • Action: Fans the chocolate to set faster.
  • Change: BoomFuzzy smears a taste on his lips; he lets him.

Day 19b — “Adjusting the Strap”

  • Setting: Workbench.
  • Focus Object: Goggles’ leather strap.
  • Mood: Careful.
  • Action: Mends frayed strap by hand.
  • Change: Leaves a stitch slightly uneven—signature of care.

Day 20b — “The Apology Meal”

  • Setting: Kitchen, pre-dawn.
  • Focus Object: Loaf of bread.
  • Mood: Contrite.
  • Action: Bakes for BoomFuzzy after their argument.
  • Change: The smell becomes his apology.

Day 21b — “Listening to Breathing”

  • Setting: Bedchamber, snowstorm outside.
  • Focus Object: Pillow.
  • Mood: Calm.
  • Action: Listens to BoomFuzzy’s breathing in rhythm with wind.
  • Change: Realizes silence no longer frightens him.

🕯 Week 4 — Memory and Loss (Days 22–28)

Theme: Time, immortality, ghosts of the past.

Day 22b — “Untying the Ribbon”

  • Setting: Desk by candlelight.
  • Focus Object: Ribbon from old letters.
  • Mood: Hesitant.
  • Action: Unties it, folds it smooth again.
  • Change: Smells BoomFuzzy’s spice scent on the silk.

Day 23b — “Names in Ice”

  • Setting: Graveyard at twilight.
  • Focus Object: Frozen tomb carvings.
  • Mood: Quiet.
  • Action: Traces names through ice crust.
  • Change: Finds one that melts under his touch.

Day 24b — “Gold Vein”

  • Setting: Vanity table.
  • Focus Object: Kintsugi resin jar.
  • Mood: Gentle.
  • Action: Repairs another broken trinket.
  • Change: Begins to like the golden scars.

Day 25b — “Mirror Fog”

  • Setting: Bath chamber.
  • Focus Object: Steamed mirror.
  • Mood: Detached.
  • Action: Wipes condensation away.
  • Change: His reflection smiles before he does.

Day 26b — “Gathering Seeds”

  • Setting: Garden.
  • Focus Object: Dried rose hips.
  • Mood: Resolute.
  • Action: Collects seeds for spring planting.
  • Change: Thinks life cycles, not ends.

Day 27b — “Setting the Table”

  • Setting: Dining hall.
  • Focus Object: Spare plate.
  • Mood: Peaceful.
  • Action: Places an extra setting again.
  • Change: Speaks a quiet toast.

Day 28b — “Climbing the Tower”

  • Setting: Lighthouse stairs.
  • Focus Object: Lantern.
  • Mood: Reflective.
  • Action: Carries light upward through echoing space.
  • Change: Light feels lighter in his hands.

🌙 Week 5 — Reflection and Renewal (Days 29–30)

Theme: Acceptance, stillness, quiet rebirth.

Day 29b — “Drying the Cloths”

  • Setting: Sunroom near boiler.
  • Focus Object: Line of drying rags.
  • Mood: Cleansed.
  • Action: Pins fresh-washed cloths to dry.
  • Change: Notices they smell of sea salt, not bleach.

Day 30b — “Last Ember”

  • Setting: Hearth at dawn.
  • Focus Object: Single glowing coal.
  • Mood: Peaceful.
  • Action: Watches the ember fade as sun rises.
  • Change: Feels warmth continue in his chest.

💡 How to Use Both Grids

  • Write both versions back-to-back (e.g. “Boiling Water” → “Pouring Tea”) to form natural diptychs — each pair expanding the same emotional thread.
  • Or alternate them daily for tonal variety.
  • Or combine both for 60 total prompts (≈ two months of flash fiction, if you keep going after NaNo).

Would you like me to prepare a printable tracker version — a two-column layout (Original / Mirror) with checkboxes and word-count lines, so you can mark daily progress or pair stories as you go through November?



My question:

yes, let's have a third version of this grid that mirrors these same 30 days but switches each focus object or setting (for example, “Boiling Water” becomes “Pouring Tea”), giving me 90 flexible prompts to rotate or double up on for higher word counts. But this time, add 3 additional variables: Weather, Colour, and Word of the Day


ChatGPT5's answer:

Here’s the third mirror grid — completing your “90 Days of The Pink Necromancer” cycle.
Each prompt corresponds to the same emotional or thematic day as before, but the focus object / setting / action shifts yet again to show Quaraun’s life from another intimate angle.

This version also introduces three new variables:

  • Weather: atmospheric texture to set tone or rhythm.
  • Colour: dominant visual hue to weave into descriptions or imagery.
  • Word of the Day: a single evocative word you can repeat, echo, or theme around in the prose.

These variables subtly guide sensory atmosphere and tone — ideal for your minimalist Hemingway style and for building texture across otherwise plotless vignettes.

🌿 Week 1 — Domestic Rituals (Days 1–7)

Theme: Habit, control, comfort in repetition.

Day 1c — “Steaming Cups”

  • Setting: Kitchen, dawn.
  • Focus Object: Teacup steam.
  • Mood: Calm.
  • Action: Watches steam curl into morning light.
  • Change: Notices shapes in the vapour—small ghosts.
  • Weather: Mist outside the windows.
  • Colour: Pale rose.
  • Word of the Day: Delicate.

Day 2c — “Stacking Firewood”

  • Setting: Beside hearth.
  • Focus Object: Birch logs.
  • Mood: Determined.
  • Action: Aligns logs by size and grain.
  • Change: Allows one crooked piece at the top.
  • Weather: Cold drizzle.
  • Colour: Umber.
  • Word of the Day: Balance.

Day 3c — “Winding Thread”

  • Setting: Sewing room.
  • Focus Object: Spool of pink silk.
  • Mood: Meditative.
  • Action: Winds fresh silk from loom onto spool.
  • Change: Thread catches, he smiles.
  • Weather: Gentle snow.
  • Colour: Shell pink.
  • Word of the Day: Continuity.

Day 4c — “Arranging Buttons”

  • Setting: Worktable, lamplight.
  • Focus Object: Box of mother-of-pearl buttons.
  • Mood: Precise.
  • Action: Sorts by sheen.
  • Change: Keeps one imperfect button for himself.
  • Weather: Still air.
  • Colour: Ivory.
  • Word of the Day: Flaw.

Day 5c — “Dusting Shelves”

  • Setting: Pantry.
  • Focus Object: Feather duster.
  • Mood: Compulsive.
  • Action: Cleans jars twice.
  • Change: BoomFuzzy sneezes; Quaraun laughs.
  • Weather: Overcast.
  • Colour: Soft grey.
  • Word of the Day: Mote.

Day 6c — “Lighting Incense”

  • Setting: Hallway shrine.
  • Focus Object: Incense stick.
  • Mood: Reverent.
  • Action: Lights incense with lamp flame.
  • Change: Scent reminds him of summer.
  • Weather: Calm evening.
  • Colour: Amber.
  • Word of the Day: Soothe.

Day 7c — “Filling the Basin”

  • Setting: Bath chamber.
  • Focus Object: Water basin.
  • Mood: Tense.
  • Action: Tests temperature with fingertip.
  • Change: Relaxes as steam rises.
  • Weather: Mild snow outside.
  • Colour: Silver.
  • Word of the Day: Purify.

❄ Week 2 — Weather and Environment (Days 8–14)

Theme: External cold reflecting inner restraint.

Day 8c — “Scraping Frost”

  • Setting: Lighthouse window.
  • Focus Object: Small knife.
  • Mood: Curious.
  • Action: Scrapes frost into a jar.
  • Change: Keeps the frost flakes like jewels.
  • Weather: Heavy frost.
  • Colour: Ice blue.
  • Word of the Day: Fragile.

Day 9c — “Walking the Ridge”

  • Setting: Cliff path.
  • Focus Object: Walking staff.
  • Mood: Wary.
  • Action: Balances on narrow trail.
  • Change: Looks down, feels alive.
  • Weather: Bitter wind.
  • Colour: Slate grey.
  • Word of the Day: Precarious.

Day 10c — “Collecting Shell Dust”

  • Setting: Beach, low tide.
  • Focus Object: Mortar and pestle.
  • Mood: Patient.
  • Action: Crushes shells for pigment.
  • Change: Sees beauty in broken things.
  • Weather: Sea fog.
  • Colour: Pearl.
  • Word of the Day: Resonance.

Day 11c — “Lantern in Fog”

  • Setting: Outer stairs of lighthouse.
  • Focus Object: Hand lantern.
  • Mood: Isolated.
  • Action: Raises lantern to test its reach.
  • Change: Light catches BoomFuzzy’s silhouette returning home.
  • Weather: Thick fog.
  • Colour: Pale gold.
  • Word of the Day: Beacon.

Day 12c — “Frozen Garden”

  • Setting: BioDome edge.
  • Focus Object: Wilted vine.
  • Mood: Sad.
  • Action: Clears frost from leaves.
  • Change: Sees new bud underneath.
  • Weather: Hard frost morning.
  • Colour: Viridian.
  • Word of the Day: Preserve.

Day 13c — “Foam and Tide”

  • Setting: Shoreline.
  • Focus Object: Driftwood.
  • Mood: Reflective.
  • Action: Writes symbols in wet sand.
  • Change: Watches tide erase them.
  • Weather: Choppy sea.
  • Colour: Sea green.
  • Word of the Day: Erosion.

Day 14c — “Spring Breath”

  • Setting: Orchard gate.
  • Focus Object: Budding branch.
  • Mood: Gentle.
  • Action: Breathes on a closed bud.
  • Change: Tiny drop of dew glimmers.
  • Weather: Mild thaw.
  • Colour: Lemon white.
  • Word of the Day: Awaken.

🕯 Week 3 — Relationships (Days 15–21)

Theme: Intimacy, friction, dependence.

Day 15c — “The Shared Plate”

  • Setting: Kitchen.
  • Focus Object: Ceramic plate of pastries.
  • Mood: Softened.
  • Action: Shares food without words.
  • Change: Realizes silence equals trust.
  • Weather: Indoor warmth vs snow outside.
  • Colour: Cream.
  • Word of the Day: Together.

Day 16c — “Brushing Hair”

  • Setting: Sitting room.
  • Focus Object: Boar-bristle brush.
  • Mood: Tender.
  • Action: Brushes BoomFuzzy’s hair slowly.
  • Change: His hand lingers longer than habit.
  • Weather: Wind howling outside.
  • Colour: Chestnut.
  • Word of the Day: Stroke.

Day 17c — “GhoulSpawn’s Repairs”

  • Setting: Workshop, candlelight.
  • Focus Object: Tiny wrench.
  • Mood: Distracted.
  • Action: Pretends to help, watches GhoulSpawn work.
  • Change: Admits admiration aloud.
  • Weather: Rain tapping glass.
  • Colour: Copper.
  • Word of the Day: Precision.

Day 18c — “Licking Sugar”

  • Setting: Kitchen.
  • Focus Object: Powdered sugar.
  • Mood: Playful.
  • Action: Tastes sugar off fingertip.
  • Change: Notices BoomFuzzy’s smile widen.
  • Weather: Calm evening.
  • Colour: White.
  • Word of the Day: Tempt.

Day 19c — “Tightening Buckles”

  • Setting: Workshop.
  • Focus Object: Leather strap.
  • Mood: Focused.
  • Action: Adjusts BoomFuzzy’s gear.
  • Change: Hands brush, pause longer than needed.
  • Weather: Windy.
  • Colour: Mahogany.
  • Word of the Day: Secure.

Day 20c — “Silent Breakfast”

  • Setting: Dining hall after argument.
  • Focus Object: Knife and bread.
  • Mood: Tense.
  • Action: Slices bread carefully.
  • Change: BoomFuzzy refills his cup; peace resumes.
  • Weather: Dull morning light.
  • Colour: Muted gold.
  • Word of the Day: Truce.

Day 21c — “Heartbeat”

  • Setting: Bedroom.
  • Focus Object: Shared quilt.
  • Mood: Peaceful.
  • Action: Feels BoomFuzzy’s heart under his palm.
  • Change: Matches breathing again.
  • Weather: Blizzard outside.
  • Colour: Deep plum.
  • Word of the Day: Stillness.

🕯 Week 4 — Memory and Loss (Days 22–28)

Theme: Time, immortality, ghosts of the past.

Day 22c — “Candle Wax”

  • Setting: Desk.
  • Focus Object: Melted candle.
  • Mood: Nostalgic.
  • Action: Scrapes wax from parchment.
  • Change: Remembers the night he sealed that letter.
  • Weather: Drizzling rain.
  • Colour: Cream.
  • Word of the Day: Trace.

Day 23c — “Footprints in Snow”

  • Setting: Graveyard path.
  • Focus Object: Fresh footprints.
  • Mood: Haunted.
  • Action: Follows prints until they fade.
  • Change: Understands he was following his own.
  • Weather: Falling snow.
  • Colour: Pale grey.
  • Word of the Day: Echo.

Day 24c — “Stringing Beads”

  • Setting: Worktable.
  • Focus Object: Beads from broken necklace.
  • Mood: Quiet.
  • Action: Re-strings beads one by one.
  • Change: Keeps the empty thread gap intact.
  • Weather: Overcast.
  • Colour: Sapphire.
  • Word of the Day: Memory.

Day 25c — “Frosted Glass”

  • Setting: Corridor mirror.
  • Focus Object: Frost edge creeping on glass.
  • Mood: Detached.
  • Action: Draws a circle in frost.
  • Change: Sees the jellyfish shimmer within reflection.
  • Weather: Cold morning.
  • Colour: Opal.
  • Word of the Day: Veil.

Day 26c — “Wilted Petals”

  • Setting: Conservatory.
  • Focus Object: Fallen rose petals.
  • Mood: Sad.
  • Action: Gathers petals into a jar.
  • Change: Adds honey to preserve scent.
  • Weather: Damp.
  • Colour: Wine red.
  • Word of the Day: Remnant.

Day 27c — “Unplayed Song”

  • Setting: Dining hall, empty.
  • Focus Object: String instrument.
  • Mood: Contemplative.
  • Action: Plucks one soft note.
  • Change: Lets echo fade without regret.
  • Weather: Calm night.
  • Colour: Indigo.
  • Word of the Day: Release.

Day 28c — “Upward Light”

  • Setting: Lighthouse spiral stair.
  • Focus Object: Lamp flame.
  • Mood: Restful.
  • Action: Carries lamp upward to relight beacon.
  • Change: Finds joy in routine.
  • Weather: Clear, starry.
  • Colour: Gold.
  • Word of the Day: Renew.

🌙 Week 5 — Reflection and Renewal (Days 29–30)

Theme: Acceptance, stillness, quiet rebirth.

Day 29c — “Hanging Curtains”

  • Setting: Cleaned room.
  • Focus Object: Fresh silk drapes.
  • Mood: Cleansed.
  • Action: Hangs pink silk at window.
  • Change: Sees sunlight turn it translucent.
  • Weather: Clear morning.
  • Colour: Blush.
  • Word of the Day: Illuminate.

Day 30c — “Dawn Bell”✳ How to Use the Triple Grid

  • Setting: Lighthouse balcony.
  • Focus Object: Bell rope.
  • Mood: Peaceful.
  • Action: Rings bell as sun rises.
  • Change: The echo carries out to sea.
  • Weather: Brilliant sunrise.
  • Colour: Pale gold.
  • Word of the Day: Begin.

You now have:

  • Original (A) — the foundational moment
  • Mirror (B) — same day, alternate detail or setting
  • Mirror (C) — same emotion, sensory shift with weather + colour + word cue

Ways to employ it:

  1. Daily Rotation: pick A one day, B the next, C the third — a full cycle every three days.
  2. Layered Writing: write all three on one day as 3 connected vignettes totalling ~1,800 words.
  3. Month Extension: 90 prompts = three months of character-driven writing if continued beyond NaNo.

Would you like me to format this triple-grid into a printable tracker layout — three aligned columns (A/B/C) per day with checkboxes, word count slots, and the colour + word-of-day highlighted for visual use during NaNo?



More Conversations with ChatGPT-5:

Wait, AI is real? What?

Interestingly, I have recently learned that there are people who read my site that were unaware AI was real, and actually thought I was the one typing up the replies on these! LOL!

LLM text generating AI has been a thing in the real world since at least 2019, because my earliest articles where I was testing out AI were published in 2019.

In 2019 I did an entire series of Quaraun short stories, fully written by Dreamily (https://dreamily.ai/) and AI Dungeon (https://aidungeon.com/) and wrote several articles throughout 2019 to 2021 on how to use those two AI programs specifically for worldbuilding and plotting Fantasy stories.

In 2021 I joined the beta test program for ChatGPT and was already using ChatGPT daily BEFORE it's public release in November 2022, and I had talked about it several times in several articles throughout 2021 and 2022.

When my 2016 Witcher 3 gaming rig died in 2023, I decided it upgrade from a gaming rig to a mini server rig that can run overkill level 8qwart+ self hosted offline AI’s via Ollama (https://ollama.com/). If you thought my 2016 gaming rig was a crazy overkill mega rig, it weren’t even a quarter the crazy overkill mega computer I’ve been running Ollama on since 2023.

With Ollama I now use over TWO HUNDRED different AI programs to write my Quaraun books, thanks to HuggingFace (https://huggingface.co/models?pipeline_tag=text-generation&apps=ollama&sort=trending) with Delirium being the primary novel writing AI program I use (https://huggingface.co/sam-paech/Delirium-v1)

I don't know how far before 2019 AI existed, but I know Deep Fake videos (https://en.wikipedia.org/wiki/Deepfake) of me were being published by friends and family of my son's murderer on YouTube as far back as 2014. So image, audio, and video AI is well over a decade old.

So, for those who were confused as to who I was talking to in these articles, here are some wikipedia pages that give you info on what this thing is that I am talking to in these conversations:

Why use AI to write?

Why use AI to write?

Because even though I am too paralized to type anymore, I can still think.

You got to remember: I became bedridden with a broken spine in 2013, and was quadriplegic until 2015; regained some use of my hands in 2015, and have been relearning to walk since.

So I was not online from November 14, 2013 until late in 2016, and then was only online a couple of days a month on my own website, and not on social media again until 2018, but then again, only checking in my accounts once every 3 months or so so only posting about 4 times a year anywhere, because I was just too crippled still, to sit up long enough to type. So it wasn't until 2022 that I returned to posting "regular" aka once a week, and so I lost track of everyone I used to know online because of being 9 full years offline.

You got to remember, I LOST THE ABILITY TO TYPE in 2013, and STILL IN 2025 have nearly no use of my left hand, while only have the ability to use TWO FINGERS of my right hand.

Meaning I AM STILL UNABLE TO TYPE WITHOUT ASSISTANCE.

The VERY REASON I looked into using AI to continue writing my series of novels, was BECAUSE I had become a quadriplegic with no use of either my arms or legs in 2013. and while I had regained some limited movement in my arms and legs now, it is not enough to either type for more then five to ten minutes a day, nor enough to walk for more then a few hundred feet a day, yes, even still now in 2025, twelve years later.

After the 2016 surgery gave me the ability to speak normally, I set out to use Dragon speech to text software. The novel "GhoulSpawn and the Lich Lord's Lover" was written this way.

However, in 2019 I found out about advances in AI, and because of my unique disability situation, was asked to join beta testing for various AI programs geared towards writing novels.

I am STILL severely disabled and STILL not able to type with more then the two first fingers of my right hand, still now in 2025. Without the help of ChatGPT, Ollama, and Delirium, I would not have been able to return to writing my Quaraun series.

Even though I am still mostly paralyzed in my left arm, and mostly paralyzed in my right arm save my two first fingers, I have been able to write and publish twenty-two additional novels, novellas, and short story collections between 2019 and 2025 with the help of ChatGPT, Ollama, and Delirium, something I could not have done, had AI not existed, because without AI I simply can not type, because the nerves have not yet recovered in my hands from the November 14, 2013 golf club attack that paralyzed me.

So what exactly is it that I am doing here?

In the pink bordered blocks titled "My question:" I am typing my thoughts, observations, questions, etc.

After each pink question block, is a black bordered answer box.

In the black bordered blocks titled "ChatGPT5's answer:" the AI program is typing it's thoughts, observations, answers, etc. in response to what I said to it.

While there are lots of AI programs out there, the one I use on these conversations is ChatGPT. I started doing these ChatGPT conversation articles in 2023, publishing them a few times a week the entire of 2023, at first with ChatGPT2, then ChatGPT3, then ChatGPT3.5, then ChatGPT4.o, each article states which version is being used, so you can actually see the changes in how ChatGPT talks and reacts over each edition.

In all I have made over one thousand of these "conversations with ChatGPT" articles since 2023.

Since August 2025, the articles are using ChatGPT5.

If you would like to try doing this yourself, here is the link to ChatGPT: https://chatgpt.com/

My thoughts on the Rapture 2025 Rumours, that are on both Etiole's birthday and my 50 year anniversary: September 23rd:





While there are around 20k pages on this website, most of them are blocked from search engines, with only around 800 of them available for appearing in Google/Bing/etc search results. The remainder can only be accessed via the various links found throughout this site. This was done deliberately on my part, and I did it because the bulk of the pages on this website are chapters from 138 novels and 423 novellas, so only the first page of each novel and novella indexed by search engines, and the remainder are linked in order, one page at a time, via clicking "next page" at the end of each. So if you are looking for a specific page from a specific novel, Google can't help you.



Thank you for stopping by and have a nice day! ꧁✨🌸🔮🦄🔮🌸✨꧂

And if it’s your birthday today: ִֶָ𓂃 ࣪˖ ִֶָ🐇་༘࿐꧁ᴴᵃᵖᵖʸ☆ᵇⁱʳᵗʰᵈᵃʸ꧂🤍🎀🧸🌷🍭

Wendy Christine Allen 🌸💖🦄 aka EelKat 🧿💛🔮👻

eelkat_red_scarf.jpg

Wheelchair Fundraiser

@eelkat

i just found out there is yet another bizarre rumour going around. where are these wild rumours coming from? who is starting them? and why?

♬ original sound - Wendy C Allen | 📚 Author
@eelkat

since I've been flooded with hundreds of messages the past two weeks asking if I still own "the world's most haunted car", yes, and here it is, filmed today May 18, 2026… but my son Xavier is dead, i am crippled and given that people are AGAIN showing up calling my Dodge "haunted", calling my friend "an alien", calling me "transgender", and spreading wild defamation slander connecting me to Stephen King, I think I need to start taking down the contact information of every blogger, podcaster, youtuber, and social media account spreading these rumors, and sue every single one of them for CAUSING my car to be cut in half May 10, 2010, for CAUSING the backhoe that drove over my house August 8, 2013, for CAUSING my son's murder November 14, 2013, for CAUSING me to be crippled and in a wheelchair November 14, 2013, and for CONTINUING to CAUSE harassers to show up in person to harass me near daily, STILL now in 2026. EVERYONE telling you my car is haunted, telling you my friend is an alien, calling my car "the goldeneagle", calling my friend "Etiole", or trying to connect me or my car to Stephen King, is lying to you. They crippled me when I was 8 months pregnant, and a woman with a golf club, severed my spine and bashed my baby's head in, I spent 9 years relearning to walk, and the FBI is 13 years into the murder investigation and not yet identified the attacker who crippled me and killed my baby, both violently with a golf club and the FBI believes that it is friends and family of the woman who did it, are the ones who started and spread the rumors saying my car is haunted, saying I'm an alien abductee, saying all kinds of similar bs about aliens, ufos, ghosts, witchcraft, demons, and Stephen King connections, even though I don't believe in ghosts, aliens, ufos, demons, and had never heard of Stephen King before 30k of his fans showed up in my yard trying to find my car! FBI believes the backhoe driver and the murderer are the same person and it is a developer who wanted my land and so started the Stephen King, ghost, and alien rumors all in an attempt to drive me off my land, and when it didn't work they drove a backhoe over my house, and when that didn't work they crippled me and killed my son. Why are they doing this? How do I get them to stop?

♬ original sound - Wendy C Allen | 📚 Author






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Get an email whenever Wendy Christine Allen 🌸💖🦄 aka EelKat 🧿💛🔮👻 publishes on Medium.

I also write on these locations: | Amazon | Ao3 Blogger | GumRoad | Medium Notd | OnlyFansTumblr | Vocal |



Do you know who drove this backhoe over my house at 146 Portland Avenue, Old Orchard Beach, Maine on August 8, 2013? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.

My house at 146 Portland Ave, Old Orchard Beach, Maine, July 4, 2013, photo taken because we had just finished building a baby room on the back. vs My house August 8, 2013, when the same group of people (yes group, the golf club woman was not alone when she attacked November 14, 2013, nor was she alone with her second attack July 2016.) who murdered my son on November 14, 2013 at Southern Maine Community College and crippled me July 26, 2016 at scarborough WalMart,... they arrived the first time with a backhoe on August 8, 2013, that they used to drive over my house, during a time of day that I normally was home asleep... I had to work a different shift at the Waffle Cone Pizza Food Truck at George's Parking Lot by Bill's Pizza at the OBB Peir, that day, otherwise, I too would be at the bottom of a landfill, along with my house and everything I owned that was also in the house. I was 5 months pregnant at the time and have been homeless for just under 14 years, homeless ever since....

... which means it is now only a few weeks from the 14th anniversary of my son's murder. I was 8 month pregnant November 14, 2013, and a student ay SMCC, and coming out of the Buglight Lighthouse art studio after art class, when a still unidentifiedwoman wielding a golf club attacked me, severed my spine, while I was 8 months pregnant, triggered early labour, then killed my son minutes after he was born.

While accusing me of being transgender, screaming "transvestite freak" and "look at that thing, that's Ken's son in a dress"... while I was 8 months pregnant.

eelkats_house_before_after.jpgMy house at 146 Portland Ave, Old Orchard Beach, Maine, July 4, 2013, photo taken because we had just finished building a baby room on the back. vs My house August 8, 2013, when the same group of people (yes group, the golf club woman was not alone when she attacked November 14, 2013, nor was she alone with her second attack July 2016.) who murdered my son and crippled me, arrived the first time with a backhoe that they used to drive over my house, during a time of day that I normally was home asleep... I had to work a different shift at the Waffle Cone Pizza Food Truck at George's Parking Lot by Bill's Pizza at the OBB Peir, that day, otherwise, I too would be at the bottom of a landfill, along with my house and everything I owned that was also in the house. I was 5 months pregnant at the time and have been homeless for just under 14 years, homeless ever since.

The backhoe driver returned November 14, 2013, armed with a golf club, used it to break my spine and smash my baby's brains out on the ground

On November 14, 2013, my son was murdered. I was 8 months pregnant, leaving my college classroom, and just getting into my car, when 3 strangers, a man and two women, armed with golf clubs leapt out from behind my car screaming "kill or be killed, kill the transvestite freaks, kill them all before they kill us! look at that thing! That is Ken's son, look at how it's dressed! kill the transvestite freaks! kill or be killed"... while the bald man and the red haired woman chanted this over and over, the blonde woman, lunged with the golf club.

She severed my spine, I am now a quadriplegic, and been paralyzed arms and legs, and in a wheelchair for 13 years now. She broke my hips, my knees, my legs, ruptured most of my discs, and shattered three of my vertebrae so bad that the shards of bone acted like glass and embedded themselves into my spinal column nerve bundle.

The attack also triggered labour.

My son was born in that parking lot, and he lived only a couple of minutes, before the deranged blonde woman, beat his head in and smashed his brains out, with the same golfclub she had just used to sever my spine and leave me crippled for the rest of my life.

Realizing that I was not transgender, and they'd just murdered a baby, the man grabbed the 2 women and forcibly dragged them away to a 4 door white pickup truck, and they left me there to die.

The FBI told me later, that a few weeks before this attack, and transwoman, had murdered a cis woman, in a parking lot, abou 20 miles away from where I was attacked. The FBI, believes that my attackers, had somehow found out I wrote transgender fiction, connecting my real name to my penname, (my father's name is in fact "Ken", and I do have a brother) and believed that I wrote transgender fiction, because I was myself transgender, even though I'm not transgender. The FBI, believes the attackers, thought I was my brother, pretending to be a woman.

The FBI investigation, into my son's murder, has dragged on for 13 years, and still now in 2026, continues on, with the FBI, still not having yet identified my attackers, and only guessing at what their motive was.

Thus we come to 2014, and the full swing change of the series I write. WHY my series, went from just a transman main character living life, to the full blown Mpreg genre series that it now is today.

Before the attack, I had a chance of having a baby. I don't know. And because I'm in America, I'm too old to adopt. You have to be under 45 years old to adopt a baby. That is the law in America. I was informed this, when we tried to adopt, now that my injuries leave me unable to get pregnant a 9th time.

Thus began my obsessively writing, my transman main character, pregnant. Always pregnant now. Every time. Every story. Stories that now fully focus on pregnancy, labour, miscarriages, babies dying, babies living, raising babies... the whole series, since 2014 has devolved into an outright baby obsession.

Meanwhile, reborn baby dolls were suggested to me by my therapist, and have also become a deeply obsessive part of my life. Because 13 years ago my son was murdered minutes after he was born, because a transphobic bigot mistook me for being transgender, I'm STILL in a wheelchair, struggling to relearn to use my arms and legs, now 13 years later, and I'm still DAILY dealing with police officers and FBI agents who while they are trying to find my son's killer, they are also daily reminding me... oh, yeah, my son was murdered, literally ripped out of my belly, by a transphobe. Who still has not been located and walks free to kill again.

The golfclub woman as she looked during the golf club attack at Southern Maine community college November 14, 2013. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026.

Clairescreenshot.pngIf you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322

The golfclub woman as she looked during the shopping cart attack at Scarborough WalMart July 26, 2016. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026.

zzzz999ClaireRed2016-screenshotIf you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322

The 2nd woman as she looked at both attacks, her hair goes all the way down to her knees. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026.

Kendrascreenshot.pngIf you have any information about the identity of this child murderer's accomplice, please call FBI Agent Andy Drewer at 207–774–9322

Do you know who these two woman who crippled me and murdered my baby, at Southern Maine Community College at 10PM on November 14, 2013, are, and what their connection to the backhoe that drove over my house is? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.

I am a legally blind quadriplegic, and low verbal, I have also published 138 novels in the last 48 years. It's not as impossible as people think. The problem being blind and quadriplegic, medically have different meanings then how those two words are used medically.

Fewer than 3% of all blind people see nothing. While 97% people who are classified as fully blind are able to see up to two feet in front of them. Legally blind means I can see more then two feet in front of me but not far enough to see twenty feet in front of me. In my case I can see about eight feet.

Quadriplegic, has varying levels, it means having a damaged nerve bundle in the spinal column causing limited mobility of all 4 limbs, (in my case this was done by a women wielding a golf club, who also beat my 8 month infant's head to pulp on the parking lot tarmak, at the same time she severed my spine with the same golf club; both on November 14, 2013; the FBI investigation into my son's murder and my being crippled has gone on now for 13 years, a few weeks away from 14 years now, and the FBI has still not identified the killer or her motive). Contrary to popular misconception, quadriplegic does NOT mean ZERO movement, it means means limited movement, specifically in means unable to lift arms over head, unable to grip fingers around objects to pick them up, and unable to stand for more then 5 minutes to a time. Because there are so many thousands of nerves in each limb it is actually very rare for there to be 100% no movement, but how much, and to what extent varies by patent depending upon the specific point of injury to the spinal column.

Meaning typing is still possible for over 60% of all quadriplegics.

In my case, it was the lower spine that was severed, cutting off completly my ability to move my right leg, leaving limited feeling in my left leg, and an ability to stand but not walk, with crutches, for the first 9 years. I regained enough nerve growth in my legs by the 9th year to be able to take ten or twelve steps allowing me to get out of bed for the first time since the golf club attack; This in turn lead to me being able to start using a wheelchair, as I was able to sit upright for the first time as well.

Because the shattered vertebrae bone fragments are broken off completly and embedded into the nerve bundle just above my tailbone, doctors were saying I would never walk again, but now at 13 years, I am able to push mu wheelchair like a walker, a distance of almost a thousand steps a day. Though doctors are still doubtful I will ever walk "normally" again, I have proven them wrong, when their said 13 years ago, that I would never walk again at all.

But because of the placement of the damage to my spine, regaining hand use, was always thought possible, it was just a matter of waiting long enough for nerve regrowth, along side daily finger exercises. I was able to continue writing, after becoming quadriplegic, because I still have use of my right thumb, and 2 fore figures of my right hand. And can type 90 words per minute with those 3 fingers.

I however have no wrist strength, elbow strength, or shoulder strength, so I am not able to form a fist, or lift objects, or brush my hair, or my teeth, all thing I have to have my caretaker do. But, those things are not needed for typing. Unfortunately, my pinky and ring fingers are "nerve dead" and drag over the keyboard, and cause horrific spelling errors and typos, which are incredibly frustrating to deal with.

Unfortunately trying to edit errors myself, just makes the errors worse, because those same two fingers drag over the keyboard yet again. Prior to the golf club attack, I rarely had spelling errors; now I got more spelling errors then someone is learning English as second language. Editing is a challenge, that I've had to accept, I simply can not do myself, and I have to hire several editors to help with that.

Low verbal means sounds can still be made, sounds that software programs like Dragon can be trained to recognize and translate, and type into full words. More then half my novels were typed with this method.

I still have a long ways to go before I am anything close to being able to do the things I could do before the golf club woman beat my baby's brains out and shattered my spine. And you know what's more frustrating then how slow mu medical progression has been? The fact that it's been 13 years and the police and FBI are still coming up at dead ends as to who the woman who murdered my baby was, or why she even did it.

My son's 14th birthday is only a few weeks away, but he didn't even get to live long enough to celebrate his 1st birthday, I don't even know why. And I can't wait to regain my ability to walk again, because regaining my ability to walk, means gaining the ability to go outside and start looking for my son's murderer myself instead of sitting at home trapped in a wheelchair waiting for the police and FBI to to find her. So, writing isn't a big priority for me anymore. I only write now, as a way to exercise my hands, in between relearning to walk.

Never let a disability stop you. Plenty of writers, artists, athletes, do not let either blindness, speech impediments, or limited mobility hold then back from perusing their careers.

Do you know who these two woman who crippled me and murdered my baby, at Southern Maine Community College at 10PM on November 14, 2013, are, and what their connection to the backhoe that drove over my house is? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.

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