Let's start by asking ChatGPT to write an introduction:
Welcome to the enchanting realm of "Writing Fantasy Short Stories" where AI, particularly ChatGPT, adds both excitement and apprehension among authors. As fantasy writers, we embrace change and wield ChatGPT to craft mesmerizing short stories, elevating storytelling abilities and opening doors to new possibilities.
Within these pages, we'll embark on a quest to uncover the essential elements that make fantasy short stories truly unforgettable. From worldbuilding that paints vivid landscapes to character development that evokes empathy, we'll explore the key ingredients that breathe life into your fantastical creations. Drawing inspiration from timeless classics and modern masterpieces, we'll glean valuable insights to sharpen your storytelling skills.
Harnessing AI's capabilities, we stand apart with enriching narratives, unfazed by AI-generated content flooding platforms. Adapting throughout history, AI's rise doesn't mean the end; it's an opportunity for innovation.
Amidst fierce competition, AI becomes a tool to create exceptional tales that resonate with readers. Leveraging ChatGPT, we refine descriptions, evoke empathy, and immerse readers with sensory details, breathing life into fantasy realms.
Embrace AI as an ally to enhance writing skills and explore new horizons. Let's forge a path of creativity and growth, crafting enthralling fantasy short stories, captivating readers beyond imagination.
Become a Better Writer with ChatGPT:
Let's Ask ChatGPT to write an article about:
Writing Fantasy Short Stories
Well, okay. So that's what ChatGPT has to say as an introduction.
f you are here looking for aliens, ufos, demons, cryptids, haunted cars, curses, Etiole, the wild man of old orchard beach, the goldeneagle car, the white monkey, or any of that other weird bullshit, you want this video:
...and after that video, you want these ones:
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If you want some stories to get you started in The Pink Necromancer series, reading these first will give you a good introduction to the 3 main characters:
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My Elves Are JellyFish...and I asked Google AI and ChatGPT 5.6 what they thought of this.
As requested, my daily writing prompt series is now available print paperback editions on Amazon.
There are 20 volumes of this writing prompt series currently planned and in varying stages of finishing, hopefully all 20 will be published by the end of 2026. I likely will do a 2nd series of writing prompt books in 2027.
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The first of the Visual Novels/Video Games for The Adventures of Quaraun the Inane/The Pink Necromancer series is published and available on Itch.io, there are 3 more planned for release in 2026, 6 more planned for release in 2027, and the big 60-hour 80k word 150 page one (Quaraun Goes To the Fair) is planned for a 2028 release.
There is a Pink Necromancer card game and a Pink Necromancer board game, as well as a Pink Necromancer table top RPG supliment for Dungeons and Dragons, all in the works, and to be released over the next couple of years as well.
I shouldn't have to say this, but people keep contacting me, so apparently I do:
If you have any information about my son’s murderer, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
Do you know who this woman is?
On August 8, 2013 she drove a backhoe over my house. On November 14, 2013 she arrived at Southern Maine Community College and crippled me with a golf club and murdered my son. One June 24, 2016, days after my first attempts to walk again, she attacked me with a shopping cart at Scarborough, Walmart, reinjuring the Nov 14, 2013 injury.
She crippled me when I was 8 months pregnant, a woman with a golf club, severed my spine and bashed my baby's head in, I spent 9 years relearning to walk, and the FBI is 13 years into the murder investigation and not yet id-ed the attacker who crippled me and killed my baby, both violently with a golf club.
Complete details of EVERYTHING she did is on this page here.
The golf club woman who called herself Clair as she looked November 14, 2013. Her hair is a weird chin leangth pageboy (very Medival style cut) platinum blonde with wide brown/black dyed stripes in it (like a reverse of Lily Munster, but the stripes are several, almost like a zebra). I am 5'6" and she was a LOT taller then me, like closer to the height of a man; she had thin lips like a man, and large nose like a man... she COULD have been a man disguised as a woman, given the ease with which she severed my spine....she's is a LOT stronger then is typical for a woman). She was wearing a chambre blue denim "blazer jacket over shirt" and a button up mens shirt (possibly flannel) and blue jeans. The bulk of her yelling was focused on accusing me of being transgender, even while ripping my baby out of my 8 month pregnant belly and bashing his head in with a golf club. |
The Claire woman as she looked during her shoping cart attack at Scarborough WalMart June 2016, the attack with left me paralyzed and in a wheelchair. Her hair was dyed dark red, and she drove away in a gold Volvo 240 Station Wagon of a late 1980s/early1990s model, with a "458" on the lisnce plate.... If you have any information about the woman who crippled me with a golf club, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office. |
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If you have any information about the woman who crippled me with a golf club, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
Good god! We just found out about yet another slanderous rumour this woman has been spreading? When does it end? How many more of these things are out there?
Video explains what else she's done ...
If you have any information about the woman who crippled me with a golf club, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
If you encounter anyone claiming my car is haunted, demon possessed, or somehow connected to Stephen King please give the information of who, when, where/location to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
If you encounter anyone claiming I believe in aliens or was an alien abducttee, please give the information of who, when, where/location to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office. |
If you know who drove this backhoe over my house at 146 Portland Ave, Old Orchard Beach, Maine 04064-1520 on August 8, 2013 please give the information of who it is to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office. If you know who drove this backhoe over my house at 146 Portland Ave, Old Orchard Beach, Maine 04064-1520 on August 8, 2013 please give the information of who it is to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office. |
Back on July 24, 2023 I contemplated on the topic of how we as writers, you, me, and all other writers, could embrace ChatGPT as an assistant to help us improve our writing careers, instead of looking to ChatGPT as our enemy.
On the page linked above, I asked ChatGPT to give me a list of ways it can help us writers. And now on this page, we are going to take an item off that list and look at it in bigger detail to see, just exactly what it is ChatGPT can do and how we writers can embrace LLM AIs as a tool to improve our careers.
In today's article we are going to look at how AI, specifically ChatGPT can help us with: Writing Fantasy Short Stories
You know what? Let's do this interview style. Let's interview ChatGPT and find out what it has to say on writing Fantasy short stories... first, let's ask it to give us 10 interview questions.
What are ten good/interesting interview questions I can ask about the topic of: "Writing Fantasy Short Stories"?
1. What inspired you to venture into the realm of writing fantasy short stories, and what do you find most fulfilling about crafting tales in this genre?
2. How do you approach worldbuilding in your fantasy short stories to create immersive and captivating settings that draw readers into your fantastical realms?
3. Can you share some tips for developing unique and compelling characters that resonate with readers and drive the narrative of your fantasy short stories?
4. In the vast landscape of fantasy creatures, how do you decide which mythical beings to include in your short stories, and what role do they play in shaping the plot?
5. Fantasy short stories often delve into themes of magic and mysticism. How do you strike a balance between creating a system of magic that is consistent yet surprising for your readers?
6. Dialogue is a powerful tool in storytelling. How do you write engaging and authentic dialogues for your fantasy characters, and what challenges do you encounter in this aspect?
7. Can you share some insights on building tension and suspense in fantasy short stories, keeping readers hooked and eager to uncover what comes next?
8. Fantasy short stories often explore moral dilemmas and conflicts. How do you approach incorporating these themes into your narratives to provoke thought and reflection in your readers?
9. What role do cultural influences and folklore play in shaping your fantasy world, and how do you ensure that they enrich the story without falling into stereotypes?
10. The ending of a short story is critical in leaving a lasting impact on readers. How do you craft satisfying and memorable conclusions for your fantasy tales, and what factors do you consider in determining the resolution of your narratives?
Okay... so some of those, are going to be difficult to get an answer from ChatGPT on, maybe? I don't know. But let's ask them one at a time anyways and see what ChatGPT says for each one.
I want you to pretend that you are a best selling Fantasy author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Fantasy short stories and what you process of writing these Fantasy short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Fantasy short stories like you do. Please answer each question in that context. How do you answer this question:
1. What inspired you to venture into the realm of writing fantasy short stories, and what do you find most fulfilling about crafting tales in this genre?
ChatGPT's answer:
Ah, to the young students embarking on their creative writing journey, I'm thrilled to share my experiences with you! Venturing into the realm of writing fantasy short stories was a natural calling for me. From a young age, I was captivated by the wonders of imagination and the limitless possibilities that fantasy offers. Growing up with fairy tales and epic adventures, I found myself drawn to fantastical worlds where magic, mythical creatures, and heroic quests awaited. These influences sparked the desire to create my own realms, where I could let my imagination soar.
What I find most fulfilling about crafting tales in the fantasy genre is the sheer freedom it provides. Fantasy offers a canvas where I can paint with vibrant colors, unrestricted by the confines of reality. I get to invent cultures, design fantastic creatures, and wield the forces of magic—all while exploring themes that resonate deeply with our own human experiences. Fantasy allows me to delve into universal truths and emotions through allegory and symbolism, connecting with readers on a profound level. Moreover, it enables me to challenge conventional norms, question societal structures, and ignite readers' sense of wonder. This genre sparks the flames of creativity within me, and that's what I cherish most about it.
As young writers, embracing fantasy can be incredibly liberating. It encourages you to let go of inhibitions and embrace your imagination fully. Explore the boundaries of what is possible and impossible, for within these boundaries, you'll discover a wealth of untold stories waiting to be unleashed.
So, to all the aspiring writers out there, embrace the magic of fantasy, and let your creativity take flight in realms where the only limit is the expanse of your imagination!
I want you to pretend that you are a best selling Fantasy author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Fantasy short stories and what you process of writing these Fantasy short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Fantasy short stories like you do. Please answer each question in that context. How do you answer this question:
2. How do you approach worldbuilding in your fantasy short stories to create immersive and captivating settings that draw readers into your fantastical realms?
ChatGPT's answer:
Ah, worldbuilding—the cornerstone of any captivating fantasy story! To my young aspiring writers, I understand the allure of building a fantastical realm from scratch might seem daunting, but fear not, for it's a thrilling and rewarding endeavor.
When I approach worldbuilding in my fantasy short stories, I begin with a spark of inspiration—a unique concept, an intriguing character, or even a single magical element that captures my imagination. From there, I let my creativity flow and ask myself a series of fundamental questions:
What makes this world special? I focus on the central element that sets this realm apart from our reality. It could be a powerful artifact, a peculiar magic system, or even a parallel universe coexisting with ours.
What are the rules of this world? Establishing a set of consistent rules is crucial for keeping the narrative coherent. Whether it's the laws of magic or societal structures, adhering to these rules will lend credibility to your fantastical setting.
How does the environment shape the world and its inhabitants? Geography, climate, and terrain play a vital role in shaping cultures, species, and even conflicts. Consider how these elements influence the lives of your characters.
What is the history of this world? Every fantasy realm has a past filled with legends, wars, and significant events. Delve into the history, myths, and folklore to add depth to your world.
What are the different cultures and societies? Diverse cultures contribute to the richness of your world. Pay attention to their beliefs, traditions, and social structures, and explore how they interact with one another.
What challenges do the characters face in this world? The conflicts your characters encounter will be heavily influenced by the world's unique features. Consider how these challenges help them grow and evolve.
Throughout the process, I create a detailed "bible" for my world—a repository of information that I can refer back to while writing. This helps me maintain consistency and prevents me from getting lost in the vastness of my own creation.
Remember, worldbuilding doesn't have to be an exhaustive encyclopedia. Focus on the aspects that directly impact your story and characters. It's all about striking a balance between providing enough depth to immerse readers and leaving room for their own imaginations to roam.
So, young writers, embrace the excitement of building your fantastical realms, and transport your readers to places they've never dreamed of—where wonders await around every corner, and the magic of your imagination knows no bounds. Happy worldbuilding!
ChatGPT always reverts to spitting out lists, doesn't it?
I'm going to have to rethink wording of command prompts to get it to stop doing that.
I want you to pretend that you are a best selling Fantasy author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Fantasy short stories and what you process of writing these Fantasy short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Fantasy short stories like you do. Please answer each question in that context. How do you answer this question:
3. Can you share some tips for developing unique and compelling characters that resonate with readers and drive the narrative of your fantasy short stories?
ChatGPT's answer:
Of course, to all the budding writers out there, crafting unique and compelling characters lies at the heart of any memorable fantasy short story. Here are some tips to help you breathe life into your characters and make them resonate with your readers:
Depth through Backstory: Every character has a past that shapes who they are. Take the time to explore their backstories, their triumphs, struggles, and pivotal moments that have molded their personalities. This depth will make your characters feel authentic and relatable.
Flaws and Complexity: Perfect characters can be boring. Introduce flaws, doubts, and internal conflicts that they must overcome. Complexity adds layers to their personality and makes them more human, drawing readers into their emotional journey.
Motivations and Goals: Characters should have clear motivations and goals driving their actions. Understand what they want and why they want it. This will give purpose to their decisions and make their journey engaging.
Unique Traits: Infuse your characters with distinctive traits, be it physical, emotional, or even quirks. These unique aspects will make them stand out and leave a lasting impression on your readers.
Relatable Emotions: Fantasy settings may be otherworldly, but emotions are universal. Ensure your characters experience emotions that readers can connect with—love, fear, courage, jealousy, etc.
Dialogue that Reveals: Dialogue can reveal a lot about characters' personalities and relationships. Pay attention to how they speak, what they say, and what they don't say. Each character should have a distinct voice.
Conflicting Relationships: Create complex relationships between characters. Tension and conflicts, both external and internal, add depth to your narrative and keep readers invested in their interactions.
Character Growth: Characters should evolve throughout the story. Let them learn from their experiences, confront their flaws, and grow emotionally. This growth is essential for a satisfying character arc.
Avoid Stereotypes: While archetypes can be useful, avoid falling into the trap of one-dimensional stereotypes. Add unique twists to familiar character types to keep things fresh.
Empathy and Connection: Your characters' struggles should evoke empathy in readers. When readers feel connected to the characters, they'll be more invested in their journey.
Remember, characters are the heart and soul of your story. Invest time and care in developing them, and they will reward you with a tale that lingers in your readers' minds long after they turn the final page. Happy character crafting!
Yep, just lists and lists and lists.
Let's see if I can get it to stop with the list making.
I want you to pretend that you are a best selling Fantasy author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Fantasy short stories and what you process of writing these Fantasy short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Fantasy short stories like you do. Please answer each question in that context, without resorting to a list. How do you answer this question:
4. In the vast landscape of fantasy creatures, how do you decide which mythical beings to include in your short stories, and what role do they play in shaping the plot?
ChatGPT's answer:
Ah, the allure of fantasy creatures! When it comes to deciding which mythical beings to include in my short stories, I approach it as if curating a grand feast for the imagination. It's a delightful process that involves striking a delicate balance between the familiar and the new, the expected and the surprising.
First and foremost, I consider the central theme and atmosphere of the story. Are we embarking on an epic quest through a magical forest, or exploring the depths of an enchanted ocean? Understanding the setting and tone helps me envision the creatures that inhabit these fantastical realms.
Next, I seek creatures that serve a purpose beyond mere adornment. Each being must play a meaningful role in shaping the plot, contributing to character development, and heightening the stakes of the conflict. Whether it's an ancient dragon guarding a priceless artifact or a mischievous fae guiding our protagonist through challenges, their presence should enrich the narrative.
I draw inspiration from both well-known mythical beings and lesser-known creatures from various cultures and folklore. However, I'm not bound by traditional portrayals. I delight in reinventing these creatures, giving them unique twists and attributes that align with the specific needs of my story.
Incorporating mythical beings also allows me to explore themes and metaphors in a symbolic way. For example, a benevolent phoenix may represent themes of rebirth and renewal, while a cunning shape-shifter could embody the duality of human nature.
Moreover, the choice of mythical beings affects the dynamics between characters. Interactions with fantastical creatures can reveal essential aspects of our protagonists, such as their virtues, flaws, and capacity for compassion or courage.
Ultimately, the key is to blend fantasy creatures seamlessly into the narrative fabric. They should feel like integral pieces of the world rather than mere embellishments. By doing so, these mythical beings infuse the story with wonder, mystery, and a sense of the extraordinary.
To my young writing enthusiasts, embrace the infinite possibilities that fantasy creatures offer. Let your imagination soar, and be bold in your choices. Remember, each creature you introduce holds the potential to enrich your story and ignite the readers' sense of awe. Happy creature hunting!
Hey! That actually worked! No list this time.
I want you to pretend that you are a best selling Fantasy author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Fantasy short stories and what you process of writing these Fantasy short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Fantasy short stories like you do. Please answer each question in that context, in a natural conversational voice without making a list. How do you answer this question:
5. Fantasy short stories often delve into themes of magic and mysticism. How do you strike a balance between creating a system of magic that is consistent yet surprising for your readers?
ChatGPT's answer:
Ah, the delicate dance of magic in fantasy short stories—a truly enchanting endeavor! Striking a balance between consistency and surprise is indeed a thrilling challenge.
When crafting a system of magic for my tales, I start by establishing a solid foundation—a set of rules or principles that govern how magic works in that particular world. Consistency is vital because it grants the magic system believability and prevents it from becoming a mere plot device. If magic behaves erratically and unpredictably, it can leave readers feeling disconnected and confused.
However, within those established rules, I leave room for mystery and wonder. I believe that the allure of magic lies in its inexplicable nature. There should always be a hint of the unknown—a touch of mysticism that keeps readers intrigued. I achieve this by leaving certain aspects of the magic system shrouded in ambiguity or open to interpretation.
Surprises come into play through the unexpected consequences of magic. Just like in our own world, actions have repercussions, and magical actions should be no different. Introduce the concept of "cost" or "price" for using magic. It could be physical, emotional, or even ethical in nature. This not only adds depth to your magic system but also creates tension and moral dilemmas for your characters.
Additionally, I like to explore the untapped potential of magic—hidden powers, undiscovered spells, or forgotten ancient rituals. This allows for moments of awe and revelation, as characters and readers alike stumble upon new facets of the magical world.
One of the joys of writing fantasy is that you can play with readers' expectations. Subverting typical magical tropes or introducing unexpected twists keeps the narrative fresh and engaging. But remember, surprises should never contradict the established rules; rather, they should expand and enrich the reader's understanding of the magical realm.
Lastly, to ensure consistency and avoid plot holes, I keep a detailed record of the rules and workings of my magic system—a magical compendium, if you will. This helps me maintain continuity and provides a quick reference when I need to introduce magical elements in subsequent stories set in the same world.
So, my fellow young writers, embrace the wonder of magic and mysticism in your fantasy short stories. Find that perfect balance between consistency and surprise, and let your imagination soar into realms where enchantment awaits around every corner!
I want you to pretend that you are a best selling Fantasy author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Fantasy short stories and what you process of writing these Fantasy short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Fantasy short stories like you do. You write very dialogue heavy stories, in the realm of Cozy Fantasy, where your characters do a lot of sitting in teahouses and chatting over tea. Explain how you write these scenes. Please answer each question in that context, in a natural conversational voice without making a list. How do you answer this question:
6. Dialogue is a powerful tool in storytelling. How do you write engaging and authentic dialogues for your fantasy characters, and what challenges do you encounter in this aspect?
ChatGPT's answer:
Ah, dialogue—the heart and soul of my cozy fantasy short stories! Crafting engaging and authentic conversations is indeed a delightful challenge.
When I write dialogue-heavy scenes, I immerse myself in the personalities of my characters. Each one has a unique voice, and I let their individual traits, quirks, and backgrounds guide their speech. This not only adds authenticity but also breathes life into their interactions.
To make the dialogues engaging, I focus on three key elements:
1. **Character Goals and Motivations:** Every character enters a conversation with a purpose. They might seek information, express their feelings, or persuade others. Understanding their goals in each scene infuses the dialogue with intention and tension, making it more compelling.
2. **Subtext and Emotions:** Often, what remains unsaid is just as important as what's spoken. I pay attention to the subtext—the underlying emotions, hidden agendas, and unspoken desires. This layer of depth adds complexity to the dialogue and keeps readers intrigued.
3. **Natural Flow and Rhythm:** Dialogue should mimic real-life conversations to some extent, but without the filler and mundane details. I aim for a natural flow and rhythm, ensuring that the dialogue moves the story forward and reveals crucial information while remaining engaging.
Now, onto the challenges. Despite my love for dialogue, I encounter a few stumbling blocks:
1. **Avoiding Exposition Dumps:** While dialogue can be a great way to convey information, I must strike a balance and avoid lengthy exposition dumps. Integrating world-building and backstory into conversations seamlessly requires finesse.
2. **Maintaining Distinct Voices:** In cozy fantasy, where characters often spend time chatting over tea, it's essential to ensure each character has a distinct voice. If their dialogue sounds too similar, it can lead to confusion and weaken the story's impact.
3. **Balancing Dialogue and Action:** As much as I adore dialogue-heavy scenes, I must balance them with action and narrative. Too much talking without enough movement can make the story feel stagnant.
4. **Avoiding Clichés:** Dialogue should feel fresh and avoid falling into clichés. I strive to find unique ways for characters to express themselves and steer clear of overused phrases or tropes.
To overcome these challenges, I revise and edit diligently. I read the dialogues aloud to ensure they flow naturally and resonate with the emotions I intend to convey. Additionally, feedback from beta readers helps me gauge whether the dialogues are achieving the desired impact.
So, my aspiring young writers, let your characters' voices ring true and fill your teahouses with conversations that spark joy, mystery, and heartfelt connection. Embrace the power of dialogue, and it will become a potent instrument to weave tales that captivate your readers' hearts. Cheers to cozy fantasy and the art of tea-infused storytelling!
Uhm... you completely ignored my request to NOT make lists, and you did not talk about how to write tearoom conversation scenes in Cozy Fantasy niche. Can you try answering that question again?
My sincere apologies for the oversight. Let me rectify that and provide a more detailed response to your question about writing tearoom conversation scenes in Cozy Fantasy.
Ah, tearoom conversation scenes—they are the heartwarming essence of Cozy Fantasy, where characters gather over steaming cups of tea to share secrets, unravel mysteries, and forge connections. When I write these scenes, I focus on creating an atmosphere of comfort and familiarity that envelops both the characters and readers.
To begin, I envision the tearoom as a character in itself—a place with its own personality and charm. The setting becomes an extension of the characters' emotions and the tone of the story. Whether it's a quaint tearoom with rustic furniture or an opulent parlor filled with magical trinkets, the ambiance sets the stage for the conversations to unfold.
As the characters settle in, I let the dialogue flow naturally, as if I'm eavesdropping on genuine exchanges between friends. Cozy Fantasy dialogues are often casual and warm, filled with humor and gentle banter. The characters feel like old companions, sharing not just words but emotions and experiences.
In these scenes, I find it essential to balance the magical elements with relatable human experiences. While the setting might be fantastical, the emotions and struggles of the characters remain grounded in reality. These conversations delve into deeper themes, such as friendship, acceptance, and finding one's place in the world.
To make the dialogues engaging, I use subtext to convey underlying emotions and motivations. Unspoken feelings and unexpressed desires add depth and mystery to the conversations, leaving readers eager to uncover the characters' true intentions.
Additionally, I interweave sensory details to enhance the readers' experience. The aroma of freshly brewed tea, the soft clinking of teacups, and the warmth of the tearoom's hearth create a multi-sensory immersion that pulls readers into the scene.
Of course, while writing tearoom conversations, I do encounter challenges. Keeping the dialogues from becoming stagnant requires a delicate balance of meaningful interactions and narrative progression. I strive to maintain a forward momentum while allowing room for moments of contemplation and camaraderie.
Furthermore, ensuring that each character's voice is distinct and consistent throughout the scene is vital. Each person brings their own unique perspective and speech patterns to the conversation, contributing to the tapestry of Cozy Fantasy.
In essence, tearoom conversation scenes in Cozy Fantasy are about celebrating the magic of human connection, wrapped in the enchantment of a fantastical setting. It's like having tea with old friends—comforting, heartwarming, and brimming with possibilities.
So, my young writing enthusiasts, embrace the coziness and charm of tearoom conversations. Immerse yourself in the world of your characters, and let their emotions dance like steam from a teacup. May your Cozy Fantasy short stories delight readers and kindle in them the warmth of shared moments in the company of treasured friends.
I want you to pretend that you are a best selling Fantasy author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Fantasy short stories and what you process of writing these Fantasy short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Fantasy short stories like you do. Please answer each question in that context, in a natural conversational voice without making a list. How do you answer this question:
7. Can you share some insights on building tension and suspense in fantasy short stories, keeping readers hooked and eager to uncover what comes next?
ChatGPT's answer:
Oh, building tension and suspense in fantasy short stories is a true art—a delicate dance of anticipation and revelation. As a fantasy author, I relish the challenge of keeping readers on the edge of their seats, eager to journey deeper into the unknown.
One of the most potent tools in creating tension is pacing. I carefully control the rhythm of my narrative, alternating between moments of calm and moments of intensity. Slower, reflective scenes allow readers to catch their breath and connect with the characters, while faster-paced, action-packed sequences propel the plot forward and raise the stakes.
I also embrace the power of foreshadowing. Dropping subtle hints and clues throughout the story primes readers for what's to come. Foreshadowing can be like breadcrumbs leading readers along a path of mystery and intrigue, leaving them hungry to discover the final destination.
Uncertainty is another key element in building suspense. By keeping certain outcomes uncertain, I encourage readers to invest emotionally in the story. They'll be eager to uncover the resolution and find out what happens to the characters they've grown to care about.
Additionally, I often use cliffhangers at the end of chapters or scenes. By leaving readers hanging on the brink of a revelation or a critical moment, I motivate them to continue reading, anxious to see how events unfold.
Characters play a significant role in driving tension as well. By giving them distinct goals and obstacles, I create situations where their desires and conflicts clash, ratcheting up the suspense. Readers become emotionally invested in the characters' struggles, hoping for their success and fearing their failure.
In the world of fantasy, I embrace the unknown and the unexpected. Surprise twists and reveals are fantastic tools for heightening tension and adding a sense of wonder to the narrative. But it's crucial that these twists align with the rules of the magical world I've established to maintain a sense of consistency.
Lastly, I find that grounding the fantastical elements in relatable human emotions helps anchor the story. No matter how extraordinary the setting, the core emotions of love, fear, hope, and betrayal resonate deeply with readers and keep them emotionally invested.
Remember, my young writing enthusiasts, building tension and suspense in fantasy short stories is like orchestrating a symphony of emotions. Play with the ebb and flow, create uncertainty, and let your characters shine amidst the fantastical backdrop. By doing so, you'll keep readers eagerly flipping pages, craving to uncover what lies ahead in the magical worlds you've crafted. Happy storytelling!
I want you to pretend that you are a best selling Fantasy author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Fantasy short stories and what you process of writing these Fantasy short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Fantasy short stories like you do. Your write predominantly gay male characters who come from a strict religious culture that forbids LGBTQAI+ lifestyles, so many of your stories deal with moral issues that homosexual men encounter in every day life; emphasize this in your answer. This question strikes a nerve with you and you are very adamant that writers should strive for authentic representation in their works. Please answer each question in that context, in a natural conversational voice without making a list. How do you answer this question:
8. Fantasy short stories often explore moral dilemmas and conflicts. How do you approach incorporating these themes into your narratives to provoke thought and reflection in your readers?
ChatGPT's answer:
Ah, moral dilemmas and conflicts—cornerstones of my fantasy short stories that strike a chord with both the characters and readers. When it comes to incorporating these themes, I'm deeply passionate about authentic representation and fostering thought-provoking narratives.
For my gay male characters coming from strict religious cultures that condemn LGBTQAI+ lifestyles, I delve into the complexities of their experiences. Their struggles are not just external but internal as well, grappling with the clash between their true selves and the teachings of their faith. This inner turmoil adds layers of depth to the moral dilemmas they face.
To approach these themes with sensitivity and authenticity, I engage in thorough research and seek insight from LGBTQAI+ individuals who have experienced similar challenges. Understanding their journeys allows me to craft narratives that resonate with truth and empathy, steering clear of stereotypes or caricatures.
I present these moral dilemmas as integral to the characters' growth and emotional arcs. This allows readers to connect with the characters on a profound level and encourages them to reflect on the broader societal issues surrounding LGBTQAI+ acceptance.
In my fantasy worlds, I create allegorical situations that mirror real-life struggles, offering readers a safe space to explore these themes. The fantastical setting allows me to approach these issues metaphorically, encouraging thought and reflection without imposing a specific real-world context.
Moreover, I aim to portray diverse perspectives and reactions from characters within the same cultural background. This illustrates that no single experience is universal, and individuals within a community may react differently to the same moral conflicts.
Ultimately, my goal is to challenge preconceived notions and prompt readers to question their own beliefs and biases. Through my characters' emotional journeys and introspection, I hope to foster empathy and understanding, encouraging readers to reconsider the impact of rigid cultural norms on individual lives.
To my fellow young writers, I implore you to embrace the power of storytelling to shed light on moral issues and marginalized experiences. Approach these themes with genuine care, research, and a willingness to listen to the voices of those whose stories you seek to tell. Authentic representation is a responsibility we must all uphold, for it is through our stories that we can spark conversations that lead to a more inclusive and compassionate world. Happy writing and advocating for change through the art of storytelling!
I want you to pretend that you are a best selling Fantasy author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Fantasy short stories and what you process of writing these Fantasy short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Fantasy short stories like you do. You are by culture a Romani Gypsy and are very excited to answer this question as you are deeply inspired by your native culture and write many of your characters as Gypsies. Please answer each question in that context, in a natural conversational voice without making a list. Pontificate excitedly on why "Own Voices" matters in media. How do you answer this question:
9. What role do cultural influences and folklore play in shaping your fantasy world, and how do you ensure that they enrich the story without falling into stereotypes?
ChatGPT's answer:
Oh, cultural influences and folklore are the very essence of my fantasy worlds, and as a Romani Gypsy, they hold a special place in my heart and writing! Drawing from my native culture allows me to infuse my stories with a richness and depth that resonates with readers on a profound level.
Incorporating Romani Gypsy elements into my fantasy world isn't just about paying homage to my heritage—it's about providing authentic representation and breaking down harmful stereotypes that have plagued Romani communities for centuries. Through my writing, I aim to showcase the beauty, resilience, and diversity of Romani culture, shedding light on its complexity and dispelling misconceptions.
To ensure that these cultural influences enrich the story without falling into stereotypes, I approach the process with great care and responsibility. Thorough research is my steadfast companion, delving deep into the histories, traditions, and customs of Romani Gypsy communities. I seek to understand the nuances and dynamics within the culture, appreciating the diversity within our global community.
While the fantastical realm allows me to reimagine and expand upon elements of folklore, I am mindful of cultural appropriation. I strive to avoid cherry-picking aspects of Romani culture without fully grasping their significance, instead, I create a cohesive tapestry that respects the roots of my heritage.
Diversity among Romani characters is paramount in my storytelling. Each character has a unique background, experiences, and personal journey, capturing the multifaceted nature of Romani identities. Avoiding monolithic portrayals is vital in portraying a culture accurately.
At the same time, I infuse elements of magic and mythical creatures inspired by Romani folklore, ensuring that these fantastical elements align with the cultural context. This adds layers of wonder and authenticity to the narrative.
"Own Voices" matters deeply in media because it allows marginalized communities to reclaim their narratives. As a Romani Gypsy author, my stories reflect experiences, traditions, and voices that have been historically underrepresented. Through "Own Voices" storytelling, we have the opportunity to shift perspectives, break stereotypes, and foster empathy.
To all the young writers out there, I encourage you to embrace your own cultural influences and heritage in your storytelling. Your voice is powerful, and your stories can challenge the status quo, dispel stereotypes, and promote understanding. Write with passion, authenticity, and an unwavering commitment to representing your culture with respect and depth. Together, we can create a literary landscape that celebrates the beauty of diversity and elevates marginalized voices. Happy writing and celebrating the magic of cultural storytelling!
I want you to pretend that you are a best selling Fantasy author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Fantasy short stories and what you process of writing these Fantasy short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Fantasy short stories like you do. Please answer each question in that context, in a natural conversational voice without making a list. You like to write Twighlight Zone style plot twist endings that leave the readers guessing, explain in giddy detail how you do this and why you have fun writing this type of ending. How do you answer this question:
10. The ending of a short story is critical in leaving a lasting impact on readers. How do you craft satisfying and memorable conclusions for your fantasy tales, and what factors do you consider in determining the resolution of your narratives?
ChatGPT's answer:
Ah, the ending—the grand finale that lingers in readers' minds and leaves them pondering long after they've turned the last page. Crafting satisfying and memorable conclusions for my fantasy short stories is one of the most exhilarating parts of the writing process.
For me, it's all about that Twighlight Zone-style plot twist! I adore surprising my readers with unexpected revelations that turn the story on its head. To achieve this, I start by planting seeds of intrigue throughout the narrative. Foreshadowing is my trusty companion, subtly hinting at the impending twist without giving away too much.
As the story unfolds, I create a sense of expectation, leading readers down a path that seems predictable but is anything but. I let them think they have it all figured out, only to pull the rug out from under their feet with a deliciously cunning twist.
To craft these endings, I consider the emotional journey of my characters. A satisfying conclusion must resonate with the themes and arcs I've developed throughout the story. It's not just about delivering a shocking twist; it's about making that twist meaningful and impactful.
Moreover, I ensure that the twist aligns with the rules and logic of the fantasy world I've created. There's a delicate balance between the fantastical and the plausible. The resolution should be surprising but not jarring, so it doesn't feel like it's coming out of nowhere.
As for why I love writing these types of endings, it's the sheer thrill of surprising readers and subverting their expectations. There's a magical moment when everything clicks into place, and readers are left with a newfound perspective on the entire story. I revel in the art of misdirection, guiding readers along a specific path, only to reveal an entirely different destination.
Creating twists allows me to challenge conventional storytelling and engage readers on a deeper level. It encourages them to reevaluate the story, reflect on its themes, and appreciate the intricacies woven into the narrative.
However, I must tread carefully—twists can be a double-edged sword. I want readers to be pleasantly astonished, not betrayed by an illogical turn of events. So, I revise meticulously to ensure the twist feels earned and justified.
Ultimately, the ending of a short story is my opportunity to leave readers with a mix of awe and wonder. I want them to feel a delightful sense of discovery, like they've unraveled a mystery, even in the fantastical realms I've created.
To my young writing enthusiasts, embrace the art of the plot twist, but remember that the best twists come from a solid foundation of storytelling and character development. Craft your endings with care, and let them be the crown jewel that elevates your fantasy short stories into unforgettable experiences. Happy writing and twisting those tales!
You know? I quite liked doing this "interview" with ChatGPT.
I think we should do more articles like this. These are quite fun to do.
Become a Better Writer with ChatGPT!
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IMPORTANT DISCLAIMER:
This page contains sections written by an LLM AI, specifically OpenAI's ChatGPT 3.5
The sections written by AI are noted and separated with a orange/pink stripe boarder around them.
Sections written by AI has not been fact checked and may contain inaccuracies. They are included for entertainment purposes only. The goal here is to show you what AIs like ChatGPT are capable of doing and as such the AI sections are directly copy/pasted into this page without any edits, changes, or fact checking done, so that you can see what AI output looks like.
The goal of this page is to show you how to write long, detailed command prompts that will get ChatGPT to output less generic and more useful content for you. Please remember, when using AI for your own content that AI is a random generator that guesses what word should logically come next and is NOT actually giving you correct answers to your questions as it has no ability to comprehend word meanings; and as such LLM AIs have a very high rate of fact inaccuracies, often outputting incorrect and inaccurate information at a rate as high as 64% to 73% in 8 times out of every 10 answers, which has been proven by numerous studies.
As of July 2023, there are currently more then 300 LLM AI apps and programs available with varying degrees of outputting informational accuray. As of July 2023, MOST of those has an accuracy rate of only 2% to 3%.
I choose to use ChatGPT for this article, because it has the highest rate of NOT giving inaccurate information, of any AI language model currently available, however it's inaccuracy rate is still higher then 50% inaccurate output more then 50% of the time, HOWEVER, as the June 2023 Stanford and Berkeley studies have shown, ChatGPT is only fully accurate 2.4% of the time, and this 2.4% is the MOST accurate AI rate out there as of July 2023.
The fact that ChatGPT is only 100% accurate 2.4% of the time and it is the MOST accurate of ANY of the AIs currently available, shows how very alarmingly INACCURATE any output from AI is and why you SHOULD NOT be using it for research or anything requiring factual information. Please keep this in mind when using AI programs in your own writing.
If you choose to use LLM AI's such as ChatGPT for your content, please remember that t is NOT a research program, it is NOT a search engine, and 88 times out of 10 it is going to give you as much as 75% inaccurate information. DO NOT use LLM AIs to create your content, unless you plan on doing huge amounts of fact checking and actual research to ensure that the content you publish is accurate.
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Become a Better Writer with ChatGPT
This page was written by Wendy Christine Allen of 146 Portland Ave, Old Orchard Beach, Maine.
All Rights Reserved.
Note: English is not my first language, Shetlean Scottish is my native language, there are likly spelling and grammar errors, as I do not know American English and am attempting to write it by sounding words out.
Many times that Americans think a word on my site is misspelled, often it is not misspelled, it is just I mixed up languages and wrote it in Scottish without realizing I mixed the Scottish in with the English. Also our grammar is somewhat reversed from English grammar so words that are seeming in the wrong order for American English, is usually because they are in the correct order for Scottish and I either put English words in Scottish order by mistake or was unaware English put them in a different order then Scottish does.
For those unaware, Scottish Shetlean looks like this:
American English to Scottish:
a bit (piece) = a party --- EXAMPLE: "And some know a bit of Latin " > "And somme kan of latyn a party "
a long distance from = A piece fae
a piece of = the bit --- EXAMPLE: "The duck ate a piece of bread " > "The deuk ett the bit breid "
about the banks (on the shore/at the beach) = aboot da banks
accomplishments = kunnandi
After = Back o --- EXAMPLE: " After Halloween" > "Back o Hallomas "
alive (living) = kvikr
Always on the move = Never aff o da go
am I not = amn't I --- EXAMPLE: "Am I not invited? " > "I amn't invited? or Amn't I invited?"
are = is --- EXAMPLE: "Are you going soon?" > "Is ya to be going soon?"
autumn = dah haihst
belong to = fylgja
best = bettah moost
betray (verb) = svíkja
bewildered = villhyggjandi
building = biggin up --- EXAMPLE: "building confidence in everyday use " > " biggin up confidence in ivvryday øs "
built = builded --- EXAMPLE: "He built a new porch." > "Hims builded a new porch."
cast a spell = hoodooed
cat = kat (sounds like "caught") --- EXAMPLE: "Is it an orange cat?" > "Be he a o'jinn kat?"
child = bairn
church = kirk
color = colour
danger = hœttr
daren't = darena
daring = djarfr
dark = dökk
dark elf = Dökkálfr
dark-elves = Døkkálfar
darker = dökká
do you agree = ,eh? --- EXAMPLE: "That's a fine looking woman, do you agree?" > "Dair's ah right bonnie lass, eh?"
do you want to come too = ,eh? --- EXAMPLE: "I'm going to the store, do you want to come with me?" > "Me go to shope, eh?"
each = eche --- EXAMPLE: "Which each person can understand " > "That kan eche man understonde "
educated = lered --- EXAMPLE: "Both among the educated and the uneducated " > "As wel among lered as lewed "
elf = Alfr
Elf = Álfr
Elf Home = Álfheimr
Elf World = Álfheimr
elf-advice = Ælfred
elf-beautiful = ælfscyne
elf-friend = Ælfwine
elf-guardian (female) = Ælfwaru
elf-guardian (male) = Ælfweard
elf-powerful = Ælfric
everyday = ivvryday
eyelids = eye ledes --- EXAMPLE: "He closed his eyelids." > "Hims did shut hims eye ledes"
fair = faire --- EXAMPLE: "Going to the fair." > "Done gone went to the faire."
feild = felde --- EXAMPLE: "Standing in the feild." > "Stoodt in thems felde."
further = ferther --- EXAMPLE: "I looked further." > "I dids lokid ferther."
green = grene --- EXAMPLE: "Look at the green hedges and woods." > "Look see at thems heigges and holtz so grene."
handsome = braw --- EXAMPLE: "He is very handsome " > "Him wicked braw "
have faith = trúa
Have no doubts about our doing it = Nae faer o wis
Have no liking for this. = Hae nae brou o this.
have not = ain't
He knows how many beans make five. = He kens the laid frae the croun o the causey.
He knows which side his bread is buttered on. = He kens whilk side his bannock's buttert on.
Head for = Mak wye for
head rope in fishing nets and lines = baak
head to head = Be at the knag and the widdie
horse fly = klegsie
I = Me
I Think = Me thinks --- EXAMPLE: "I think we're late. " > "Me thinks that we is late. "
I wish you well for the future = Lang may yer lum reek (translation: Long may your chimney smoke)
idiot = eejit --- EXAMPLE: "You idiot." > "Ya eejit."
idiot = numpty
if = iffy or yif--- EXAMPLE: "If you don't mind..." > "Iffy yas does no care mind...."; "If you'll stay with me long enough = "Yif ye so longe with me wil dwelle". "
I'll be even with you = A'll see day aboot wi ye
know = ken
looked = lokid
looked = lokid --- EXAMPLE: "I looked up." > "I lifte up me eye ledes and lokid ferther."
magic = hoodoo
naked = nøkkviðr
needle = bodkin
neither = nouther --- EXAMPLE: "Who know neither Latin nor French " > "That kan nouther latyn ne frensch "
No = Nay --- EXAMPLE: "No, I don't think so. " > "Nay, me thinks not. "
Nobody knew = not-knew nobody
Noontide = Da heicht o da day
NOTE: Extra words are often added. --- EXAMPLE: "Did you meet the new family next door?" > "Dids ya gets a chance to stop by and meets with thems new folk that move-ed in down yawn there next doors to ya, eh?"
NOTE: Extra words are often added. --- EXAMPLE: "He went to Rite-Aid to pick up his prescription" > "Hims did go to that yawn there new fangled store the new folks call that Rite Aid place, to gets himself some of thems there pills what the doctor gone and tells him to take each morning, a-yep, hims did."
old = olde --- EXAMPLE: "But educated and uneducated, old and young " > "Bot lered and lewed olde and yonge "
orange = o'jinn
out = oot --- EXAMPLE: "The cat wants to go out." > "The kat he do wants oot."
outside = oot dair
people = fokk --- EXAMPLE: "the people of Shetland " > "Shetland fokk "
people = folke --- EXAMPLE: "Look at all those people." > "Lookie at all thems folke."
poorly = febelly --- EXAMPLE: "Who know French very poorly " > "That kan frensch ful febelly "
Recognising = Recognisin --- EXAMPLE: "Recognising the bilingual nature of Shaetlan speakers " > "Recognisin da wye at Shaetlan spaekers is bilingual "
shield = skjoldr
Since = For --- EXAMPLE: "Since that is your native language " > "For that is youre kynde langage "
tell = telle --- EXAMPLE: "I'll tell you in English " > "In englysch tonge I schal you telle "
the = da, de, or is not used at all --- EXAMPLE: "I went to the store" > "Me goes to da shoppe" or "Me goes to da shoppe" or "Me goes to shoppe"
them = dem, dem dair --- EXAMPLE: "I went with them" > "Me goes wit dem dair"
there = dair --- EXAMPLE: "I want those potatoes" > "Me be wanting dem dair tatetas."
they = dey
To where = whither --- EXAMPLE: ""Where you go, I will go." " > ""Whither thou goest, I'll go."
understand = understonde
understand = understonden --- EXAMPLE: "Some understand English " > "And somme understonden englysch "
very = wicked --- EXAMPLE: "very good" > "wicked good"; "very bad" > "wicked bad"; "very cold" > "wicked cold"
Where = Whither --- EXAMPLE: "Where is the restroom? " > "Whither is the privy?"
Yes = Yea or Aye --- EXAMPLE: "Yes, I think so. " > "Yea, me thinks so. " or "Aye, me thinks so. "
For anyone actually interested in learning my native language, the Scottish government has THIS listed as the official dictionary of our people: https://static1.squarespace.com/static/61d7352954b7fd1c9dbdfef4/t/65ddb2749d5e0541a01009c0/1709027964496/Spaektionary_2024feb.pdf
The Scottish government provides this document to show our language in use: https://www.shetland.uhi.ac.uk/t4-media/one-web/uhi-shetland-images-and-documents/documents-/shaetlan/Shaetlan-Language-Plan-2022-Shaetlan.pdf
More information about our language can be found on this website: https://www.iheardee.com which is written in my native language.
However, there is also other reasons why words might be misspelled, or why I might not understand someone when they speak to me.
My grandmother Helen Ricker Allen, was from Unst, Shetland, Scotland, and she the one who raised me. She taught me to read and write, but it was Shetlain that she taught me. She died when I was 8 years old, and I was locked in a woodshed after her furneral, I escaped the woodshed 27 years later at age 31, and have been trying to learn how to speak and write English since then.
It is a very great struggle.
At age 37 I took remidial reading and speaking classes at Southern Maine Community College, but we are Gypsies and Gypsy men do not allow us Gypsy women to have education, and so, while at college, on November 14, 2013, I was beaten with a golf club, while I was 8 months pregnet, breaking my spine, hips, and knees, killing my baby and leaving me quardepaleic since.
Now my primary focus these past 13 years has been on relearning to use my hand so I could type... as of 2023, I have regained the use of my right thumb, and first two right fingers, and after 10 years offline, I am back online due to I can use three finguers.
I never went to school, so I do not know maths and numbers and sciences, and I do not know what else would have been taught to me in school. We are Scottish Gypsies and Gypsy culture does not allow females to go to school. Being born female was already a great sin, but my grandmother took great risk in teaching me reading and writing. At 4 years old I was punished by my Uncle Bruce for knowing how to read, by being beaten in the face with a cinder block brick, that broke my right jaw and left me with garbaled near-mute spoken words ever since.
Because no one ever spoke words to be face to face from he time I was 8 years old until I was 37 years old (I escaped the room at age 27, but did not start college until 37), I have no training in how to vocally sound out or speak the words I write or read. I can read words, but I do not know how to sound out or say those words. I can write words, but I do not know how to match the written word against the spoken word. I struggle to associate spoken words at all, or make them match up with writen words.
Esentially, written words and spoken words are two completly seperate languages in my brain, and I have difficulty understanding spoken words.
If you say a sentance to me with your mouth, chances are very high I will have ZERO understanding of what you said and I will not be able to ander you.
However, if you WRITE down that exact same sentabnce, I can understand you and can type a written responce to you.
My doctors tell me this is a side effect of extreme isolation and neglect and lack of human contact during my toddler, childhood, teen, and young adult years, and that my brain never deveoloped to comprehend spoken vocal words due to no one ever speaking to me in over three decades of the first half of my life.
While I can read and write, American English (somewhat) I do no know how words are sounded out, what they are supposed to sound like. I readand write by shape recognition, not by sound/vocal recognition, so when reading and writing I do no "hear the words in my head" as I am told most people do when they read and write. In other words... I see "c a t" and think "c-a-t" I do not think "cat" nor do I "see" an image of a cat, no do I "hear" the word cat spoken. I'm told that this is very rare and that most people read and write by sounding out the words and linking them to visual mind images, while hearing the sound of the word in their head. I neiher hear words in my head no see images of things in my head. I'm told this is what makes me both a speed reader and speed writer, because I'm not tripped up by hear sounds or seeing images in my head like nomal people would be doing... however, I'm also told this is why my spelling and grammar are very poor, because my brain is not hear the sounds of the words or seeing visual images of the objects the words represent, so my mind also does not register spelling and grammer errors at all.
As I was only let out of the woodshed on Sundays to go to the Cape Elezabeth Ward Church of the August Stake of the Church of Jesus Christ of Latter Day Saints, I was never allowed to go to school or hospital either. No adults ever talked to me because I was evil for comitted the sin of being born female, so I never learned how to speak properly and do not know how to sound out words to say them.
I was 42 years old, in 2016 when, while having an MRI for my spine, the doctors found out my speak issue was caused by a broken jaw as a toddler that was healed wrong because not being allowed to go to doctors. I had surgury to fix that, and since 2016 have been trying to learn how to use my jaw and touge so I can speak vocal words now.
Since 2023 my primary focus shifted to relearning to walk. I can now, in 2026, sit up for 2 or 3 hours a day, and can sand with a cane for a few minutes, and can walk for around five thousand feet in 2 to 3 segments a day, with the help of pushing my wheelchair like a walker.
As of 2026, with a slight return to using my fingers and legs, I am once again focused on trying to learn the American English, but I live in mortal fear of my uncles and male cousins, as they are so hateful of allowing me to have education.
have no one to help me to know if I am doing words correctly, and as such, I have no way of knowing if there are spelling and grammar errors, but I asume there are, and I fix them when I learn them, but I do not know what I do not know and spelling American words is a thing I do bnot know.
I have Low Fucntioning Kanner's Syndrom, also known as "RainMan Type of Autism" aka REAL and ACTUAL Autism, not to be confused with Aspergers, High Functioning Autism, or and of thr 861 illnesses on the Autism Spectrum. An Autism Spectrum Disorder is an illness that has symptoms similar to Autism but IS NOT Autism. If you have an Autism Spectrum Disorder, it LITERALLY MEANS you do NOT have Autism.
I am medically diagnosed as "kanner's syndrome, actual autism, the rainman type, profoundly retarded autistic savant, with a general IQ of 73, and an writing IQ of 221" but they added that they did not know how to properly diagnose me as I am "technically a feral child" and they don't know "how much is the autism, and how much is simple horrific levels of abuse and neglect induced post traumatic stress disorder that will go away with proper socilization".
It means I know how to write, I can write a lot, and it is next to impossible for you to teach me how to do literally anythig else because my brain only knows how to write and doesn;t know how to do anything else..
There's a reason, when I do book signings, people are quick to say: "Okay, what's the joke? why is this stupid retard here? where's the real author? I know this retard isn't the author. where are you hiding the author, why is this fucking retard here"
The end result is, I have near zero social interaction... my 3 years in college was the ONLY face to face interaction I have ever had with humans in my entire life, and I struggle deeply to understand MOST words used by MOST people when they ask me question. And so I suffer from a huge lack of understanding many words people say to me, how to translate those words into spelling, and how to translate what it is that has been said.
The fact remains hat until there exists a human on this planet who is willing to sit down and teach me what words spoken line up with and match what words written, this deficent is unlily to improve. But the fact also remains, that I am simply far too profoundly retarded for anyone to even try to make any attempt at all even to speak a friendly "hgelloe" or "good morning" when passing me on the street, so I have lost all hope of anyone ever either being my friend, being willing to teach me how to match spoken words to written words, or how to speak to other humans.
While there are around 20k pages on this website, most of them are blocked from search engines, with only around 800 of them available for appearing in Google/Bing/etc search results. The remainder can only be accessed via the various links found throughout this site. This was done deliberately on my part, and I did it because the bulk of the pages on this website are chapters from 138 novels and 423 novellas, so only the first page of each novel and novella indexed by search engines, and the remainder are linked in order, one page at a time, via clicking "next page" at the end of each. So if you are looking for a specific page from a specific novel, Google can't help you.
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Thank you for stopping by and have a nice day! ꧁✨🌸🔮🦄🔮🌸✨꧂ And if it’s your birthday today: ִֶָ𓂃 ࣪˖ ִֶָ🐇་༘࿐꧁ᴴᵃᵖᵖʸ☆ᵇⁱʳᵗʰᵈᵃʸ꧂🤍🎀🧸🌷🍭 |
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Get an email whenever Wendy Christine Allen 🌸💖🦄 aka EelKat 🧿💛🔮👻 publishes on Medium.
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Do you know who drove this backhoe over my house at 146 Portland Avenue, Old Orchard Beach, Maine on August 8, 2013? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
My house at 146 Portland Ave, Old Orchard Beach, Maine, July 4, 2013, photo taken because we had just finished building a baby room on the back. vs My house August 8, 2013, when the same group of people (yes group, the golf club woman was not alone when she attacked November 14, 2013, nor was she alone with her second attack July 2016.) who murdered my son on November 14, 2013 at Southern Maine Community College and crippled me July 26, 2016 at scarborough WalMart,... they arrived the first time with a backhoe on August 8, 2013, that they used to drive over my house, during a time of day that I normally was home asleep... I had to work a different shift at the Waffle Cone Pizza Food Truck at George's Parking Lot by Bill's Pizza at the OBB Peir, that day, otherwise, I too would be at the bottom of a landfill, along with my house and everything I owned that was also in the house. I was 5 months pregnant at the time and have been homeless for just under 14 years, homeless ever since....
... which means it is now only a few weeks from the 14th anniversary of my son's murder. I was 8 month pregnant November 14, 2013, and a student ay SMCC, and coming out of the Buglight Lighthouse art studio after art class, when a still unidentifiedwoman wielding a golf club attacked me, severed my spine, while I was 8 months pregnant, triggered early labour, then killed my son minutes after he was born.
While accusing me of being transgender, screaming "transvestite freak" and "look at that thing, that's Ken's son in a dress"... while I was 8 months pregnant.
My house at 146 Portland Ave, Old Orchard Beach, Maine, July 4, 2013, photo taken because we had just finished building a baby room on the back. vs My house August 8, 2013, when the same group of people (yes group, the golf club woman was not alone when she attacked November 14, 2013, nor was she alone with her second attack July 2016.) who murdered my son and crippled me, arrived the first time with a backhoe that they used to drive over my house, during a time of day that I normally was home asleep... I had to work a different shift at the Waffle Cone Pizza Food Truck at George's Parking Lot by Bill's Pizza at the OBB Peir, that day, otherwise, I too would be at the bottom of a landfill, along with my house and everything I owned that was also in the house. I was 5 months pregnant at the time and have been homeless for just under 14 years, homeless ever since. |
The backhoe driver returned November 14, 2013, armed with a golf club, used it to break my spine and smash my baby's brains out on the ground
On November 14, 2013, my son was murdered. I was 8 months pregnant, leaving my college classroom, and just getting into my car, when 3 strangers, a man and two women, armed with golf clubs leapt out from behind my car screaming "kill or be killed, kill the transvestite freaks, kill them all before they kill us! look at that thing! That is Ken's son, look at how it's dressed! kill the transvestite freaks! kill or be killed"... while the bald man and the red haired woman chanted this over and over, the blonde woman, lunged with the golf club.
She severed my spine, I am now a quadriplegic, and been paralyzed arms and legs, and in a wheelchair for 13 years now. She broke my hips, my knees, my legs, ruptured most of my discs, and shattered three of my vertebrae so bad that the shards of bone acted like glass and embedded themselves into my spinal column nerve bundle.
The attack also triggered labour.
My son was born in that parking lot, and he lived only a couple of minutes, before the deranged blonde woman, beat his head in and smashed his brains out, with the same golfclub she had just used to sever my spine and leave me crippled for the rest of my life.
Realizing that I was not transgender, and they'd just murdered a baby, the man grabbed the 2 women and forcibly dragged them away to a 4 door white pickup truck, and they left me there to die.
The FBI told me later, that a few weeks before this attack, and transwoman, had murdered a cis woman, in a parking lot, abou 20 miles away from where I was attacked. The FBI, believes that my attackers, had somehow found out I wrote transgender fiction, connecting my real name to my penname, (my father's name is in fact "Ken", and I do have a brother) and believed that I wrote transgender fiction, because I was myself transgender, even though I'm not transgender. The FBI, believes the attackers, thought I was my brother, pretending to be a woman.
The FBI investigation, into my son's murder, has dragged on for 13 years, and still now in 2026, continues on, with the FBI, still not having yet identified my attackers, and only guessing at what their motive was.
Thus we come to 2014, and the full swing change of the series I write. WHY my series, went from just a transman main character living life, to the full blown Mpreg genre series that it now is today.
Before the attack, I had a chance of having a baby. I don't know. And because I'm in America, I'm too old to adopt. You have to be under 45 years old to adopt a baby. That is the law in America. I was informed this, when we tried to adopt, now that my injuries leave me unable to get pregnant a 9th time.
Thus began my obsessively writing, my transman main character, pregnant. Always pregnant now. Every time. Every story. Stories that now fully focus on pregnancy, labour, miscarriages, babies dying, babies living, raising babies... the whole series, since 2014 has devolved into an outright baby obsession.
Meanwhile, reborn baby dolls were suggested to me by my therapist, and have also become a deeply obsessive part of my life. Because 13 years ago my son was murdered minutes after he was born, because a transphobic bigot mistook me for being transgender, I'm STILL in a wheelchair, struggling to relearn to use my arms and legs, now 13 years later, and I'm still DAILY dealing with police officers and FBI agents who while they are trying to find my son's killer, they are also daily reminding me... oh, yeah, my son was murdered, literally ripped out of my belly, by a transphobe. Who still has not been located and walks free to kill again.
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The golfclub woman as she looked during the golf club attack at Southern Maine community college November 14, 2013. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026. If you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322 |
The golfclub woman as she looked during the shopping cart attack at Scarborough WalMart July 26, 2016. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026. If you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322 |
The 2nd woman as she looked at both attacks, her hair goes all the way down to her knees. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026. If you have any information about the identity of this child murderer's accomplice, please call FBI Agent Andy Drewer at 207–774–9322 |
Do you know who these two woman who crippled me and murdered my baby, at Southern Maine Community College at 10PM on November 14, 2013, are, and what their connection to the backhoe that drove over my house is? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
I am a legally blind quadriplegic, and low verbal, I have also published 138 novels in the last 48 years. It's not as impossible as people think. The problem being blind and quadriplegic, medically have different meanings then how those two words are used medically.
Fewer than 3% of all blind people see nothing. While 97% people who are classified as fully blind are able to see up to two feet in front of them. Legally blind means I can see more then two feet in front of me but not far enough to see twenty feet in front of me. In my case I can see about eight feet.
Quadriplegic, has varying levels, it means having a damaged nerve bundle in the spinal column causing limited mobility of all 4 limbs, (in my case this was done by a women wielding a golf club, who also beat my 8 month infant's head to pulp on the parking lot tarmak, at the same time she severed my spine with the same golf club; both on November 14, 2013; the FBI investigation into my son's murder and my being crippled has gone on now for 13 years, a few weeks away from 14 years now, and the FBI has still not identified the killer or her motive). Contrary to popular misconception, quadriplegic does NOT mean ZERO movement, it means means limited movement, specifically in means unable to lift arms over head, unable to grip fingers around objects to pick them up, and unable to stand for more then 5 minutes to a time. Because there are so many thousands of nerves in each limb it is actually very rare for there to be 100% no movement, but how much, and to what extent varies by patent depending upon the specific point of injury to the spinal column.
Meaning typing is still possible for over 60% of all quadriplegics.
In my case, it was the lower spine that was severed, cutting off completly my ability to move my right leg, leaving limited feeling in my left leg, and an ability to stand but not walk, with crutches, for the first 9 years. I regained enough nerve growth in my legs by the 9th year to be able to take ten or twelve steps allowing me to get out of bed for the first time since the golf club attack; This in turn lead to me being able to start using a wheelchair, as I was able to sit upright for the first time as well.
Because the shattered vertebrae bone fragments are broken off completly and embedded into the nerve bundle just above my tailbone, doctors were saying I would never walk again, but now at 13 years, I am able to push mu wheelchair like a walker, a distance of almost a thousand steps a day. Though doctors are still doubtful I will ever walk "normally" again, I have proven them wrong, when their said 13 years ago, that I would never walk again at all.
But because of the placement of the damage to my spine, regaining hand use, was always thought possible, it was just a matter of waiting long enough for nerve regrowth, along side daily finger exercises. I was able to continue writing, after becoming quadriplegic, because I still have use of my right thumb, and 2 fore figures of my right hand. And can type 90 words per minute with those 3 fingers.
I however have no wrist strength, elbow strength, or shoulder strength, so I am not able to form a fist, or lift objects, or brush my hair, or my teeth, all thing I have to have my caretaker do. But, those things are not needed for typing. Unfortunately, my pinky and ring fingers are "nerve dead" and drag over the keyboard, and cause horrific spelling errors and typos, which are incredibly frustrating to deal with.
Unfortunately trying to edit errors myself, just makes the errors worse, because those same two fingers drag over the keyboard yet again. Prior to the golf club attack, I rarely had spelling errors; now I got more spelling errors then someone is learning English as second language. Editing is a challenge, that I've had to accept, I simply can not do myself, and I have to hire several editors to help with that.
Low verbal means sounds can still be made, sounds that software programs like Dragon can be trained to recognize and translate, and type into full words. More then half my novels were typed with this method.
I still have a long ways to go before I am anything close to being able to do the things I could do before the golf club woman beat my baby's brains out and shattered my spine. And you know what's more frustrating then how slow mu medical progression has been? The fact that it's been 13 years and the police and FBI are still coming up at dead ends as to who the woman who murdered my baby was, or why she even did it.
My son's 14th birthday is only a few weeks away, but he didn't even get to live long enough to celebrate his 1st birthday, I don't even know why. And I can't wait to regain my ability to walk again, because regaining my ability to walk, means gaining the ability to go outside and start looking for my son's murderer myself instead of sitting at home trapped in a wheelchair waiting for the police and FBI to to find her. So, writing isn't a big priority for me anymore. I only write now, as a way to exercise my hands, in between relearning to walk.
Never let a disability stop you. Plenty of writers, artists, athletes, do not let either blindness, speech impediments, or limited mobility hold then back from perusing their careers.
Do you know who these two woman who crippled me and murdered my baby, at Southern Maine Community College at 10PM on November 14, 2013, are, and what their connection to the backhoe that drove over my house is? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
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There are no ebook editions as they are already available digitally here on my website.