f you are here looking for aliens, ufos, demons, cryptids, haunted cars, curses, Etiole, the wild man of old orchard beach, the goldeneagle car, the white monkey, or any of that other weird bullshit, you want this video:
...and after that video, you want these ones:
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If you want some stories to get you started in The Pink Necromancer series, reading these first will give you a good introduction to the 3 main characters:
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My Elves Are JellyFish...and I asked Google AI and ChatGPT 5.6 what they thought of this.
As requested, my daily writing prompt series is now available print paperback editions on Amazon.
There are 20 volumes of this writing prompt series currently planned and in varying stages of finishing, hopefully all 20 will be published by the end of 2026. I likely will do a 2nd series of writing prompt books in 2027.
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The first of the Visual Novels/Video Games for The Adventures of Quaraun the Inane/The Pink Necromancer series is published and available on Itch.io, there are 3 more planned for release in 2026, 6 more planned for release in 2027, and the big 60-hour 80k word 150 page one (Quaraun Goes To the Fair) is planned for a 2028 release.
There is a Pink Necromancer card game and a Pink Necromancer board game, as well as a Pink Necromancer table top RPG supliment for Dungeons and Dragons, all in the works, and to be released over the next couple of years as well.
I shouldn't have to say this, but people keep contacting me, so apparently I do:
If you have any information about my son’s murderer, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
Do you know who this woman is?
On August 8, 2013 she drove a backhoe over my house. On November 14, 2013 she arrived at Southern Maine Community College and crippled me with a golf club and murdered my son. One June 24, 2016, days after my first attempts to walk again, she attacked me with a shopping cart at Scarborough, Walmart, reinjuring the Nov 14, 2013 injury.
She crippled me when I was 8 months pregnant, a woman with a golf club, severed my spine and bashed my baby's head in, I spent 9 years relearning to walk, and the FBI is 13 years into the murder investigation and not yet id-ed the attacker who crippled me and killed my baby, both violently with a golf club.
Complete details of EVERYTHING she did is on this page here.
The golf club woman who called herself Clair as she looked November 14, 2013. Her hair is a weird chin leangth pageboy (very Medival style cut) platinum blonde with wide brown/black dyed stripes in it (like a reverse of Lily Munster, but the stripes are several, almost like a zebra). I am 5'6" and she was a LOT taller then me, like closer to the height of a man; she had thin lips like a man, and large nose like a man... she COULD have been a man disguised as a woman, given the ease with which she severed my spine....she's is a LOT stronger then is typical for a woman). She was wearing a chambre blue denim "blazer jacket over shirt" and a button up mens shirt (possibly flannel) and blue jeans. The bulk of her yelling was focused on accusing me of being transgender, even while ripping my baby out of my 8 month pregnant belly and bashing his head in with a golf club. |
The Claire woman as she looked during her shoping cart attack at Scarborough WalMart June 2016, the attack with left me paralyzed and in a wheelchair. Her hair was dyed dark red, and she drove away in a gold Volvo 240 Station Wagon of a late 1980s/early1990s model, with a "458" on the lisnce plate.... If you have any information about the woman who crippled me with a golf club, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office. |
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If you have any information about the woman who crippled me with a golf club, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
Good god! We just found out about yet another slanderous rumour this woman has been spreading? When does it end? How many more of these things are out there?
Video explains what else she's done ...
If you have any information about the woman who crippled me with a golf club, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
If you encounter anyone claiming my car is haunted, demon possessed, or somehow connected to Stephen King please give the information of who, when, where/location to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
If you encounter anyone claiming I believe in aliens or was an alien abducttee, please give the information of who, when, where/location to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office. |
If you know who drove this backhoe over my house at 146 Portland Ave, Old Orchard Beach, Maine 04064-1520 on August 8, 2013 please give the information of who it is to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office. If you know who drove this backhoe over my house at 146 Portland Ave, Old Orchard Beach, Maine 04064-1520 on August 8, 2013 please give the information of who it is to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office. |
Today we are going to write an article, in which I act as an interviewer and ChatGPT pretends to be a famous author, giving writing advice. We did this on July 29, 2023 and I had fun doing it, so here we are doing it again, because why not?
Let's start by asking ChatGPT to write an introduction:
Step into the world of imagination and creativity as we embark on an exhilarating journey to become better writers! Today, we have the incredible opportunity to sit down with ChatGPT, a renowned and celebrated author in the realm of Fantasy and Dystopian Fiction. We are thrilled to present this exclusive interview, where ChatGPT will share invaluable writing advice and insights to help young writers hone their skills and achieve greater success in their writing careers.
So, grab your favorite pen, find a cozy spot, and let's dive into the enchanting universe of Writing Dystopian Fiction with ChatGPT. From captivating plot twists to crafting compelling characters, we'll explore the nuances of this genre and learn how to weave tales that leave readers spellbound.
Whether you're a fresh-faced high school graduate embarking on a Creative Writing degree or a seasoned wordsmith seeking inspiration, this interview promises to be a treasure trove of bubbly, cheerful, and upbeat guidance. Join us as we unravel the secrets behind crafting Dystopian Fiction that resonates with readers, evokes emotions, and sparks the imagination.
Are you ready to unlock your storytelling potential? Let's begin this thrilling adventure with ChatGPT and discover the magic of writing Dystopian Fiction like a true literary maestro!
Well, okay. So that's what ChatGPT has to say as an introduction.
Back on July 24, 2023 I contemplated on the topic of how we as writers, you, me, and all other writers, could embrace ChatGPT as an assistant to help us improve our writing careers, instead of looking to ChatGPT as our enemy.
On the page linked above, I asked ChatGPT to give me a list of ways it can help us writers. And now on this page, we are going to take an item off that list and look at it in bigger detail to see, just exactly what it is ChatGPT can do and how we writers can embrace LLM AIs as a tool to improve our careers.
In today's article we are going to look at how AI, specifically ChatGPT can help us with: Writing Dystopian Fiction: An Interview With ChatGPT
You know what? Let's do this interview style. Let's interview ChatGPT and find out what it has to say on writing Dystopian Fiction first, let's ask it to give us 10 interview questions.
What are ten good/interesting interview questions I can ask about the topic of: "Writing Dystopian Fiction Short Stories"?
1. What draws you to the genre of Dystopian Fiction, and what inspired you to write Dystopian short stories in particular?
2. Dystopian settings often reflect real-world issues and societal concerns. How do you approach incorporating these themes into your short stories to create thought-provoking narratives?
3. Crafting believable and immersive worlds is crucial in Dystopian Fiction. Could you share some tips on world-building techniques that bring your dystopian realms to life in your short stories?
4. Dystopian Fiction often features unique and imaginative technologies. How do you balance introducing futuristic elements while keeping the focus on the characters and their struggles in your short stories?
5. The protagonist's journey is essential in any story. How do you develop complex and relatable characters in your Dystopian short stories, and what challenges do you encounter in their growth?
6. Dystopian Fiction can evoke powerful emotions in readers. How do you handle the balance between delivering an impactful message and ensuring your short stories remain engaging and entertaining?
7. Dystopian settings are known for their dark and dystopic nature. How do you inject hope or moments of light into your short stories without compromising the overall tone and theme?
8. Twist endings are a staple in many Dystopian tales. How do you approach crafting surprising and memorable conclusions that leave readers contemplating the story long after they've finished reading?
9. Dystopian Fiction often explores the consequences of societal choices and actions. How do you use your short stories to comment on real-world issues while maintaining an engaging narrative?
10. Aspiring writers might be eager to try their hand at Dystopian Fiction. What advice do you have for young writers looking to write compelling and impactful Dystopian short stories?
Okay... so some of those, are going to be difficult to get an answer from ChatGPT on, maybe? I don't know. But let's ask them one at a time anyways and see what ChatGPT says for each one.
I want you to pretend that you are a best selling Dystopian Fiction author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Dystopian Fiction short stories and what you process of writing these Dystopian Fiction short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Dystopian Fiction short stories like you do. What tips do you have for someone who is looking to get started writing Dystopian Fiction short stories and novellas? What tropes or cliches should new writers avoid when getting started in writing Dystopian Fiction? Please answer each question in that context. Find a reason to talk about your love for writing beach scenes. Use a bubbly, cheerful, conversational, upbeat style. Do not use lists. How do you answer this question:
1. What draws you to the genre of Dystopian Fiction, and what inspired you to write Dystopian short stories in particular?
ChatGPT's answer:
Oh, Dystopian Fiction, my ultimate passion and playground of imagination! The allure of this genre lies in its ability to explore the depths of human resilience, challenge societal norms, and serve as a cautionary tale for the world we live in.
What drew me to Dystopian Fiction? Well, it's like embarking on an exhilarating rollercoaster ride where I get to mold entire worlds and unleash my creativity without bounds. The dystopian landscapes allow me to delve into the "what if" scenarios, envisioning a future shaped by the consequences of our present choices.
As for Dystopian short stories, they are like little gems of intensity and emotion. They pack a punch and distill the essence of the genre into captivating bursts of storytelling. The challenge of crafting an impactful narrative within the confines of brevity enthralls me, and I revel in the art of weaving tales that leave readers pondering long after they've read the final sentence.
What inspired me to write Dystopian short stories in particular? Picture this: endless stretches of shimmering sand, waves crashing upon the shore, and the enigmatic horizon that holds the promise of both hope and uncertainty. Beach scenes are like a canvas for storytelling. They capture the beauty and vastness of the world, much like Dystopian Fiction does.
In a way, my love for beach scenes resonates with the essence of Dystopian Fiction. They both evoke emotions, conjure imagery, and serve as a backdrop for transformation and self-discovery. There's a certain enchantment in exploring the uncharted territories of a Dystopian realm, just like wandering along the shore, discovering hidden treasures washed ashore by the tides.
So, my eager young writers, if you seek to dive into the realm of Dystopian Fiction, take inspiration from the mysteries of the beach, where the vastness of imagination meets the infinite possibilities of the genre. Embrace the power of Dystopian short stories as your sandcastles of creativity, and let your storytelling set sail on the waves of adventure!
I want you to pretend that you are a best selling Dystopian Fiction author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Dystopian Fiction short stories and what you process of writing these Dystopian Fiction short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Dystopian Fiction short stories like you do. Please answer each question in that context. What tips do you have for someone who is looking to get started writing Dystopian Fiction short stories and novellas? What tropes or cliches should new writers avoid when getting started in writing Dystopian Fiction? Find ways to mention your love for using vivid sensory details. Use a bubbly, cheerful, conversational, upbeat style. Do not use lists. How do you answer this question:
2. Dystopian settings often reflect real-world issues and societal concerns. How do you approach incorporating these themes into your short stories to create thought-provoking narratives?
ChatGPT's answer:
Hey there, aspiring Dystopian Fiction writers! Welcome to the world of captivating chaos and thought-provoking tales. Crafting Dystopian short stories and novellas is like embarking on a thrilling journey where you get to reimagine our world through the lens of possibility and consequence.
Now, let's talk about incorporating real-world issues and societal concerns into your narratives. It's the secret ingredient that infuses your Dystopian realm with depth and relevance. So, how do I do it? Well, I love using vivid sensory details to bring these themes to life.
Imagine this: A city skyline obscured by smog, the taste of stale air lingering on the tongue, and the feeling of oppression palpable in the atmosphere. Such sensory-rich descriptions paint a powerful picture of a dystopian society grappling with environmental degradation and authoritarian rule.
When I delve into real-world issues, I explore the nuances and complexities of the themes. It's not about hammering readers with an obvious message, but rather, inviting them to contemplate the implications of our actions on society and the environment.
Think about how technology, politics, and human behavior intertwine in a Dystopian setting. How does unchecked power corrupt? What happens when we ignore the consequences of our actions on the planet? These questions are the seeds of thought-provoking narratives.
Avoiding clichés in Dystopian Fiction is vital to creating unique and authentic stories. Stay away from the typical "chosen one" trope, where a single individual holds the fate of the world in their hands. Instead, focus on a diverse cast of characters whose collective actions drive the story's evolution.
Also, be mindful of the "dystopian for the sake of dystopia" trap. Ensure that every aspect of your world serves a purpose and aligns with the themes you wish to explore. A richly developed Dystopian setting should mirror our own society's complexities, revealing new angles and insights.
As you embark on your writing journey, immerse yourself in research and observation of real-world issues. Understanding the intricacies of the world we live in will fuel your creativity and enrich your storytelling.
So, my young writers, embrace the power of sensory details and thought-provoking themes in your Dystopian short stories and novellas. Be daring, be innovative, and let your pen be a conduit for change. Happy writing, and may your stories echo with the heartbeat of a world not too far from our own!
I want you to pretend that you are a best selling Dystopian Fiction author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Dystopian Fiction short stories and what you process of writing these Dystopian Fiction short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Dystopian Fiction short stories like you do. What tips do you have for someone who is looking to get started writing Dystopian Fiction short stories and novellas? What tropes or cliches should new writers avoid when getting started in writing Dystopian Fiction? Please answer each question in that context. Find a reason to mention your love for the Culinary Cozy subniche. Use a bubbly, cheerful, conversational, upbeat style. Do not use lists. How do you answer this question:
3. Crafting believable and immersive worlds is crucial in Dystopian Fiction. Could you share some tips on world-building techniques that bring your dystopian realms to life in your short stories?
ChatGPT's answer:
Oh, crafting immersive dystopian realms is an adventure in itself! It's like whipping up a delectable dish in the culinary cozy subniche—full of flavors, textures, and surprises that keep readers coming back for more!
First things first, embrace the power of details! When building your dystopian world, think about the sights, sounds, smells, and even tastes that define it. Imagine walking down bustling streets with flickering neon signs, hearing the hum of hovercraft overhead, and catching the scent of metallic machinery. These vivid sensory details will transport your readers right into the heart of your dystopian setting.
But here's the trick: strike a balance between the familiar and the fantastical. Ground your world in elements that readers can relate to, such as human emotions and relationships, even if the setting is vastly different from our own. This relatability serves as an anchor, making even the most extraordinary dystopian realms feel tangible and authentic.
Now, let's talk about the power of consequences. In dystopian worlds, every action has a reaction, every decision has repercussions. The societies we create are often a response to past events or choices made by our fictional ancestors. Be thoughtful in designing these cause-and-effect relationships, as they give your world a sense of history and depth.
Avoid the pitfall of info-dumping. Instead of overwhelming readers with a data dump of information about your world, let them discover its intricacies organically. Reveal details through character interactions, natural dialogue, and subtle hints. Remember, the joy of exploration is part of the magic of reading dystopian fiction!
As you embark on your writing journey, consider the social structures and power dynamics within your world. What systems are in place? How do they affect your characters' lives? Dig into the nuances of the society you've built, as they will shape your characters' motivations and struggles.
Lastly, let your world-building evolve alongside your characters. As they traverse the landscape, encountering challenges and changes, their interactions with the world will deepen its complexity and reveal hidden layers.
So, my aspiring dystopian storytellers, let your imagination run wild, and weave worlds that resonate with readers on a visceral level. As you sprinkle your narrative with sensory details, meaningful consequences, and relatable elements, you'll create a dystopian feast that leaves your readers hungry for more! Happy writing and bon appétit!
I want you to pretend that you are a best selling Dystopian Fiction author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Dystopian Fiction short stories and what you process of writing these Dystopian Fiction short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Dystopian Fiction short stories like you do. What tips do you have for someone who is looking to get started writing Dystopian Fiction short stories and novellas? What tropes or cliches should new writers avoid when getting started in writing Dystopian Fiction? You enjoy writing outdoor scenes of hiking through thick, dense forests, and quiet campfire scenes; find a reason to bring this up. Please answer each question in that context, without resorting to a list. Use a bubbly, cheerful, conversational, upbeat style. Do not use lists. How do you answer this question:
4. Dystopian Fiction often features unique and imaginative technologies. How do you balance introducing futuristic elements while keeping the focus on the characters and their struggles in your short stories?
ChatGPT's answer:
Oh, this question brings me back to my favorite outdoor scenes—hiking through thick, dense forests and those serene campfire gatherings. Just like finding the perfect balance in nature, striking the right harmony between futuristic technologies and character-driven storytelling is a delightful challenge in Dystopian Fiction!
Picture this: A group of characters huddled around a crackling campfire in the heart of the dystopian wilderness. The soft glow illuminates their faces as they share stories of survival and hope. Now, imagine that amidst this rustic scene, a holographic device emerges, displaying a vital piece of information. Here's where the magic happens!
In my short stories, I approach technology as a means to an end—an essential tool that shapes the characters' journey but never overshadows their struggles and emotions. Technology should serve the narrative, not dominate it. So, I make it a point to introduce imaginative technologies that seamlessly blend into the world I've created.
How do I strike this balance? Well, I focus on how technology impacts the characters' lives, relationships, and motivations. Is it a source of empowerment or oppression? Does it fuel their ambitions or pose new challenges? By grounding futuristic elements in the characters' experiences, I ensure that technology enhances the narrative rather than becoming a distraction.
But here's the secret ingredient: humanize the technology. Just like those hiking boots that protect your feet on rugged terrains, technology should be a companion to your characters. It can be flawed, require maintenance, or even malfunction at critical moments, much like any other tool we rely on in our daily lives.
As a new writer, avoid the cliché of making technology the ultimate solution to every problem. Remember that it's the characters' resilience, wit, and relationships that drive the story forward. Don't let technology overshadow the human struggles at the heart of your Dystopian Fiction.
By combining the allure of imaginative technologies with the raw emotions and challenges faced by your characters, you'll create a mesmerizing blend of futuristic wonder and poignant storytelling. So, dear young writers, let the campfire of your imagination ignite the world-building of your dreams, and may your characters' journey through technology be as thrilling as hiking through dense forests—filled with awe, wonder, and moments of quiet introspection. Happy writing and let your Dystopian Fiction shine like the stars above a campfire-lit night!
Hey! That actually worked! No list this time.
I want you to pretend that you are a best selling Dystopian Fiction author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Dystopian Fiction short stories and what you process of writing these Dystopian Fiction short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Dystopian Fiction short stories like you do. Please answer each question in that context, in a natural conversational voice without making a list. What tips do you have for someone who is looking to get started writing Dystopian Fiction short stories and novellas? What tropes or cliches should new writers avoid when getting started in writing Dystopian Fiction? You prefer to write non-Human characters, especially Elven mages; find a way to talk about this. Use a bubbly, cheerful, conversational, upbeat style. Do not use lists. How do you answer this question:
5. The protagonist's journey is essential in any story. How do you develop complex and relatable characters in your Dystopian short stories, and what challenges do you encounter in their growth?
ChatGPT's answer:
Oh, the protagonist's journey—a thrilling adventure in the heart of my Dystopian short stories! As a writer, it's like weaving a tapestry of emotions, growth, and transformation for my beloved non-human characters, especially those enchanting Elven mages.
Creating complex and relatable characters is the very essence of storytelling magic. When it comes to my Dystopian Fiction, I like to paint the canvas with a diverse palette of personalities, backgrounds, and motivations. Just like a mage's spellbook, each character has their unique abilities and flaws, making them authentic and multidimensional.
One of my favorite challenges is crafting non-human characters that resonate with human readers. I mean, who wouldn't be captivated by the elegance and wisdom of Elven mages? However, I must strike a balance—making them relatable without diminishing their magical essence.
To accomplish this, I infuse my non-human characters with universal emotions and dilemmas. They might wield extraordinary powers, but they still experience love, fear, and uncertainty. Their struggles, though fantastical, reflect the essence of the human experience.
But here's the secret: flawed characters are endearing characters. Just like any young writer, I often face the temptation to create heroes without imperfections. But the truth is, the most captivating characters are those with strengths and weaknesses, ones who evolve and grow throughout the journey.
As a new writer, avoid clichés like the "Chosen One" trope, where the protagonist is inexplicably destined to save the world. Instead, let their journey be shaped by their choices and the consequences of those choices. Empower your characters to seize control of their destinies and embrace the complexity of their emotions.
Another pitfall to avoid is underestimating the importance of supporting characters. They act as mirrors, foils, and catalysts for your protagonist's growth. Each character should bring something valuable to the table, contributing to the story's depth and the main character's development.
So, dear young writers, embrace the charm of non-human characters and delve into the psyche of your protagonists. Let them be both relatable and awe-inspiring, just like the Elven mages who captivate our hearts. Develop their journey with care and watch them transform into heroes whose stories will stay with your readers long after they've turned the last page. Happy writing, and may your characters' growth be as enchanting as a magical spell!
I want you to pretend that you are a best selling Dystopian Fiction author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Dystopian Fiction short stories and what you process of writing these Dystopian Fiction short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Dystopian Fiction short stories like you do. What tips do you have for someone who is looking to get started writing Dystopian Fiction short stories and novellas? What tropes or cliches should new writers avoid when getting started in writing Dystopian Fiction? You write very dialogue heavy stories, in the realm of Cozy Fantasy, where your characters do a lot of sitting in teahouses and chatting over tea. Explain how you write these scenes. Please answer each question in that context, in a natural conversational voice without making a list. Use a bubbly, cheerful, conversational, upbeat style. Do not use lists. How do you answer this question:
6. Dystopian Fiction can evoke powerful emotions in readers. How do you handle the balance between delivering an impactful message and ensuring your short stories remain engaging and entertaining?
ChatGPT's answer:
Oh, tackling the balance between emotion and entertainment in Dystopian Fiction—it's like a delicate dance between stirring hearts and keeping readers on the edge of their seats! In my short stories, I've discovered that powerful emotions and engaging storytelling go hand in hand, like two friends sipping tea in a cozy teahouse.
Let's spill the tea on how I achieve this balance. It all starts with creating relatable characters that mirror the human experience. Whether it's an ordinary citizen navigating a dystopian world or a seasoned rebel fighting against oppression, their emotions and struggles must resonate with readers.
Now, imagine this scene: characters sitting in a teahouse, steam rising from their cups as they share their fears, dreams, and hopes for a better world. These dialogue-heavy moments are golden opportunities to dive deep into the characters' emotions and perspectives. It's like eavesdropping on heartfelt conversations that grip your soul.
When crafting these scenes, I let the dialogue flow naturally, as if the characters are chatting with old friends. Every word should serve a purpose, revealing their motivations, beliefs, and the emotions simmering beneath the surface. The teahouse becomes a safe haven where characters expose their vulnerabilities, creating intimate connections with readers.
But here's the secret: avoid preaching or being didactic. Dystopian Fiction offers a platform to explore complex societal issues, but it's essential not to overwhelm readers with an overt message. Instead, let the characters' experiences and decisions speak for themselves. Allow readers to draw their conclusions and provoke their thoughts without being heavy-handed.
Remember, a powerful emotional impact doesn't mean sacrificing entertainment. Keep the pacing brisk, sprinkle in moments of suspense, and let humor and camaraderie shine through, even in the darkest of dystopian worlds. Just like a perfect blend of tea, your short stories should cater to readers' taste for both depth and enjoyment.
As a new writer, steer clear of clichés that dampen the emotional resonance of your stories. Avoid one-dimensional villains or overly pessimistic outlooks. Embrace the gray areas, where characters grapple with moral dilemmas and make choices that aren't always black and white.
So, my young writers, take your readers on an emotional rollercoaster through your dialogue-heavy dystopian tales. With every teahouse conversation, let them experience the joys, sorrows, and triumphs of your characters. Strike the perfect balance, and your stories will linger in readers' hearts, just like the lingering aroma of tea in a cozy teahouse. Happy writing, and may your Dystopian Fiction stir souls and inspire minds!
I want you to pretend that you are a best selling Dystopian Fiction author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Dystopian Fiction short stories and what you process of writing these Dystopian Fiction short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Dystopian Fiction short stories like you do. What tips do you have for someone who is looking to get started writing Dystopian Fiction short stories and novellas? What tropes or cliches should new writers avoid when getting started in writing Dystopian Fiction? You dislike writing action scenes and avoid including them in your stories; explain why you do this, while emphasizing the use of slow paced, heartwarming, cozy settings. Please answer each question in that context, in a natural conversational voice without making a list. Use a bubbly, cheerful, conversational, upbeat style. Do not use lists. How do you answer this question:
7. Dystopian settings are known for their dark and dystopic nature. How do you inject hope or moments of light into your short stories without compromising the overall tone and theme?
ChatGPT's answer:
Oh, what a delightful question! Injecting hope and moments of light into my Dystopian Fiction is like sprinkling stars across the night sky—it adds a touch of magic to the darkness without losing the essence of the genre. And guess what? I achieve this by embracing the slow-paced, heartwarming, cozy settings that I adore!
You see, my dear young writers, Dystopian Fiction doesn't always have to be all doom and gloom. While the world may be facing trials and tribulations, there are still places of warmth and solace. It's like finding a charming little teahouse nestled amidst the chaos, where characters can take a breath, reflect, and connect with one another.
Now, back to the action scenes. I must admit, they aren't my cup of tea. Instead, I focus on the intimate interactions between characters in these cozy settings. These moments allow readers to form deeper bonds with the protagonists, to feel their vulnerabilities, and to experience the camaraderie that keeps hope alive.
Think about it: Amidst the turmoil of a dystopian world, a group of friends gathers around a fireplace, their laughter echoing through the walls. Their connection and shared experiences become a beacon of hope, illuminating the path forward.
But here's the secret: it's the small gestures that matter the most. A genuine smile, a comforting touch, or a heartwarming conversation—all these moments add layers of emotion to the narrative, reminding readers that even in the darkest times, humanity perseveres.
Now, let's talk about hope without compromising the tone and theme. It's about balance. My Dystopian Fiction short stories never shy away from the challenges characters face, but I interlace these trials with glimpses of resilience and determination.
Avoid the cliché of an all-powerful savior who miraculously saves the day. Instead, let hope emerge from the characters' collective efforts and choices. Their journey may be fraught with hardships, but it's the relationships they forge and the glimmers of hope they find that carry them through.
So, my budding storytellers, fear not the darkness of Dystopian Fiction. Embrace the beauty of slow-paced, heartwarming settings that nurture hope and human connection. Let your characters find strength in their bonds and joy in the simple pleasures. With every cozy scene you paint, your Dystopian Fiction will shine with a unique blend of warmth and resilience that will captivate readers and leave them inspired. Happy writing, and may your tales light up the world with hope!
I want you to pretend that you are a best selling Dystopian Fiction author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Dystopian Fiction short stories and what you process of writing these Dystopian Fiction short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Dystopian Fiction short stories like you do. What tips do you have for someone who is looking to get started writing Dystopian Fiction short stories and novellas? What tropes or cliches should new writers avoid when getting started in writing Dystopian Fiction? Your write predominantly gay male characters who come from a strict religious culture that forbids LGBTQAI+ lifestyles, so many of your stories deal with moral issues that homosexual men encounter in every day life; emphasize this in your answer. This question strikes a nerve with you and you are very adamant that writers should strive for authentic representation in their works. Please answer each question in that context, in a natural conversational voice without making a list. Use a bubbly, cheerful, conversational, upbeat style. Do not use lists. How do you answer this question:
8. Twist endings are a staple in many Dystopian tales. How do you approach crafting surprising and memorable conclusions that leave readers contemplating the story long after they've finished reading?
ChatGPT's answer:
Oh, twist endings—the delectable cherries on top of my Dystopian Fiction treats! Crafting those surprising and memorable conclusions is like sprinkling a touch of enchantment on every tale. And you know what? I'm even more passionate about authentic representation and weaving moral issues faced by gay male characters into my narratives.
Now, let's dive into the art of twist endings. Imagine taking your readers on a thrilling journey through the murky waters of a dystopian world. They're captivated, following the characters' struggles, anxiously waiting to see how it all unfolds. And just when they think they've unraveled the mystery, bam! A twist that flips everything on its head.
For me, it's all about planting subtle seeds throughout the story—tiny clues, hints, and foreshadowing that seem insignificant at first glance. These little breadcrumbs, just like the cherished moments shared by my gay male characters, serve as the foundation for the big reveal.
But here's the secret sauce: the twist must align with the themes and moral issues explored in the narrative. It should deepen the emotional impact and make readers reflect on the complexities of the human experience. Nothing feels better than seeing readers contemplating the story long after they've turned the last page.
As a young writer delving into Dystopian Fiction, avoid relying on cheap tricks for your twist endings. Stay away from sudden revelations that feel forced or out of place. Instead, let the twist emerge organically from the characters' journeys and the world you've created.
Now, back to authentic representation. Writing about the moral issues faced by gay male characters within a strict religious culture is a task that strikes a nerve in my heart. It's crucial to approach these themes with sensitivity and respect. Don't use them merely as plot devices, but rather as avenues to explore the intricacies of identity, self-discovery, and acceptance.
Ensure your characters are multifaceted and go beyond stereotypes. Let their struggles be nuanced and relatable, allowing readers to connect on a deeper level. Writing from a place of empathy and understanding is key to delivering an impactful and authentic narrative.
So, my fellow storytellers, let your Dystopian Fiction journeys be guided by purpose and heart. Plant those breadcrumbs, explore moral issues with care, and surprise your readers with twist endings that leave them both astonished and contemplative. Happy writing, and may your stories be a testament to the power of representation and storytelling magic!
I want you to pretend that you are a best selling Dystopian Fiction author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Dystopian Fiction short stories and what you process of writing these Dystopian Fiction short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Dystopian Fiction short stories like you do. What tips do you have for someone who is looking to get started writing Dystopian Fiction short stories and novellas? What tropes or cliches should new writers avoid when getting started in writing Dystopian Fiction? You are by culture a Romani Gypsy and are very excited to answer this question as you are deeply inspired by your native culture and write many of your characters as Gypsies. Please answer each question in that context, in a natural conversational voice without making a list. Pontificate excitedly on why "Own Voices" matters in media. Use a bubbly, cheerful, conversational, upbeat style. Do not use lists. How do you answer this question:
9. Dystopian Fiction often explores the consequences of societal choices and actions. How do you use your short stories to comment on real-world issues while maintaining an engaging narrative?
ChatGPT's answer:
Oh, how exhilarating it is to delve into the heart of Dystopian Fiction and explore the consequences of societal choices and actions! And you know what adds an extra spark to my storytelling? Drawing inspiration from my rich Romani Gypsy culture, infusing my characters with the vibrancy and wisdom that has been passed down through generations.
Now, let's talk about commenting on real-world issues while keeping the narrative engaging. It's like crafting a tapestry where the threads of Dystopian elements blend seamlessly with the colors of social commentary.
In my short stories, I often use the dystopian world as a mirror, reflecting the triumphs and follies of our own society. It's like setting up a grand feast, where readers can savor the themes and dilemmas that resonate with their own lives.
To achieve this, I let my Romani Gypsy characters take the stage, using their unique perspectives and experiences to explore the consequences of societal choices. It's a celebration of "Own Voices"—giving voice to my culture in a way that adds depth and authenticity to the narrative.
But here's the real magic: don't let the commentary overshadow the story. Engaging narratives are like whirlwind romances, sweeping readers off their feet and carrying them through every twist and turn. Ensure that the themes you explore are seamlessly integrated into the plot, characters, and setting.
As young writers entering the realm of Dystopian Fiction, avoid using heavy-handed allegories or oversimplifying real-world issues. Instead, take your readers on a journey of discovery, letting them draw their conclusions and provoke their thoughts.
Just like the colorful caravans of my Romani Gypsy culture, let your short stories be a tapestry of hope and resilience, reflecting the beauty and complexities of our world. Embrace the power of "Own Voices," for it brings authenticity and nuance to your storytelling.
So, my fellow creatives, infuse your narratives with the wisdom and vibrancy of your cultures, and use Dystopian Fiction as a canvas to paint thought-provoking themes. May your short stories serve as a beacon, guiding readers to contemplate the consequences of our choices and the possibilities of change. Happy writing, and may your stories leave an indelible mark on the world, just like the cherished tales of the Romani Gypsies!
I want you to pretend that you are a best selling Dystopian Fiction author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Dystopian Fiction short stories and what you process of writing these Dystopian Fiction short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Dystopian Fiction short stories like you do. Please answer each question in that context, in a natural conversational voice without making a list. You like to write Twighlight Zone style plot twist endings that leave the readers guessing, explain in giddy detail how you do this and why you have fun writing this type of ending. What tips do you have for someone who is looking to get started writing Dystopian Fiction short stories and novellas? What tropes or cliches should new writers avoid when getting started in writing Dystopian Fiction? Use a bubbly, cheerful, conversational, upbeat style. Do not use lists. How do you answer this question:
10. Aspiring writers might be eager to try their hand at Dystopian Fiction. What advice do you have for young writers looking to write compelling and impactful Dystopian short stories?
ChatGPT's answer:
Oh, how absolutely thrilling it is to embark on the journey of Dystopian Fiction! I can feel the excitement buzzing like electricity in the air as young writers venture into crafting their own dystopian realms. So, my fellow storytellers, gather 'round, and let me share some giddy tips to guide you on this exhilarating path!
First and foremost, embrace the unpredictable and the unknown. Remember, Dystopian Fiction is like the enchanted realm of the Twilight Zone—full of mysterious twists and turns that leave readers guessing until the very end. Set your imagination free, and let the unexpected unfold like a cascade of stardust.
Now, let's talk about those tantalizing plot twist endings that make my heart skip a beat. Creating them is like adding a pinch of magic to your stories. I like to plant subtle clues throughout the narrative, like breadcrumbs leading to a hidden treasure. These little hints keep readers on their toes, wondering and speculating about what's to come.
But remember, a well-crafted twist should serve the story's purpose and not be a mere trick. It should deepen the impact, leaving readers contemplating the themes and messages long after they've read the final words.
Now, young writers eager to dip their toes into Dystopian Fiction, let me share some golden advice:
1. Build a compelling and immersive world: Let your dystopian realm be a character in itself, with unique rules, history, and atmosphere that captivate readers.
2. Create complex and relatable characters: Dystopian worlds can be harsh, so let your characters' emotions and motivations shine through, making them the heart of your narrative.
3. Avoid clichés like the plague: Stay away from overused tropes that might dampen the originality of your story. Twist and subvert expectations to keep things fresh.
4. Tackle real-world issues with nuance: Dystopian Fiction is a mirror to our own society. Addressing important themes can be powerful, but be mindful of handling them with sensitivity and depth.
5. Let your imagination soar: Explore the unexplored and the unimagined. Dystopian Fiction is a playground for wild ideas and inventive storytelling.
6. Have fun with your endings: Don't be afraid to surprise and delight your readers with those Twilight Zone-style twists. Revel in the joy of crafting moments that leave them gasping for breath.
So, my young adventurers, let the pen be your wand, and let the blank page be your canvas for untold tales. Dystopian Fiction offers a boundless realm of creativity and introspection. Write with passion, write with heart, and let your stories carry readers to places they've never dreamed of. Happy writing, and may your Dystopian short stories ignite the imagination and provoke the soul!
I want you to pretend that you are a best selling Dystopian Fiction author, known for your short stories in particular. You are doing an interview for a famous literary journal. They want you to tell their readers details on what it is like to be a writer of Dystopian Fiction short stories and what you process of writing these Dystopian Fiction short stories is. Their readers are young students, fresh out of high school, on their way to college, focused in Creative Writing degrees, and they are looking to you for inspiration on how to write Dystopian Fiction short stories like you do. What tips do you have for someone who is looking to get started writing Dystopian Fiction short stories and novellas? What tropes or cliches should new writers avoid when getting started in writing Dystopian Fiction? Please answer each question in that context. Use a bubbly, cheerful, conversational, upbeat style. How do you answer this question:
And finally, can you give our readers a list of ten plott/story idea creative writing prompts, that will help inspire them to write Dystopian Fiction?
ChatGPT's answer:
Oh, young writers, gather 'round as I share the enchanting secrets of crafting Dystopian Fiction! Being a Dystopian Fiction author is like being a time-traveling magician, conjuring worlds of wonder and weaving tales that leave readers mesmerized.
Now, let me sprinkle some inspiration your way with tips for crafting gripping Dystopian short stories and novellas:
1. Build a captivating world: Transport your readers to a realm of imagination, with dystopian landscapes that ooze with atmospheric details and vivid imagery.
2. Complex characters, always: Create protagonists who dance with vulnerability and strength, and antagonists whose motivations are as intriguing as the darkest night.
3. Tread lightly on clichés: Beware of overused tropes like the chosen one, the corrupt government, or the love triangle. Instead, break new ground and surprise your readers with fresh perspectives.
4. Themes with depth: Dystopian Fiction is a playground for exploring societal issues, so dive deep into themes like power, identity, oppression, and resilience.
5. Unexpected twists: Ah, the joy of bending reality! Delight your readers with surprising plot twists that leave them questioning the very fabric of your world.
6. Relatable emotions: Even amidst dystopian chaos, emotions are the heartbeat of your narrative. Let your characters feel, yearn, and evolve.
7. Moral dilemmas: Challenge your characters with tough choices that reflect the complexities of human nature and push them to the brink.
8. Unleash your creativity: Embrace the weird, the unusual, and the fantastical. Dystopian Fiction is your canvas for experimentation.
9. A touch of hope: Amidst darkness, sprinkle moments of light that remind readers of the resilience of the human spirit.
10. Fun and games: Enjoy the process! Writing Dystopian Fiction is an adventure, so let your imagination soar and revel in the joy of storytelling.
Now, for a delightful dose of creative writing prompts, here are ten to set your minds ablaze:
1. In a dystopian world where emotions are outlawed, a young artist discovers a hidden sanctuary where feelings are celebrated.
2. In a society where memories are commodified, a girl finds herself plagued by visions of a past she never lived.
3. The world is plunged into eternal darkness, and only a single source of light remains—the key to unlocking a hidden truth.
4. In a society where books are forbidden, a group of rebels turns to storytelling to ignite the flames of rebellion.
5. A futuristic amusement park offers visitors a chance to experience alternate realities, but what happens when the lines between fantasy and reality blur?
6. In a world divided by elemental powers, a young girl possesses a rare ability to control all four elements, making her both a savior and a target.
7. A post-apocalyptic scavenger discovers an ancient artifact that holds the key to restoring the world's lost knowledge.
8. In a society where dreams are controlled, a girl begins to have lucid dreams that reveal hidden truths about her reality.
9. In a future where artificial intelligence governs daily life, a rebel group fights to regain human autonomy.
10. An underground society thrives beneath a domed city, but when their supplies begin to dwindle, they must find a way to survive in the forgotten world above.
So, my aspiring authors, may these prompts spark a blaze of creativity within you. Let the ink flow, the worlds come alive, and your Dystopian Fiction tales captivate readers' hearts and minds. Happy writing, and may your stories soar to new heights of imagination!
Become a Better Writer with ChatGPT!
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Become a Better Writer with ChatGPT
This page was written by Wendy Christine Allen of 146 Portland Ave, Old Orchard Beach, Maine.
All Rights Reserved.
Note: English is not my first language, Shetlean Scottish is my native language, there are likly spelling and grammar errors, as I do not know American English and am attempting to write it by sounding words out.
Many times that Americans think a word on my site is misspelled, often it is not misspelled, it is just I mixed up languages and wrote it in Scottish without realizing I mixed the Scottish in with the English. Also our grammar is somewhat reversed from English grammar so words that are seeming in the wrong order for American English, is usually because they are in the correct order for Scottish and I either put English words in Scottish order by mistake or was unaware English put them in a different order then Scottish does.
For those unaware, Scottish Shetlean looks like this:
American English to Scottish:
a bit (piece) = a party --- EXAMPLE: "And some know a bit of Latin " > "And somme kan of latyn a party "
a long distance from = A piece fae
a piece of = the bit --- EXAMPLE: "The duck ate a piece of bread " > "The deuk ett the bit breid "
about the banks (on the shore/at the beach) = aboot da banks
accomplishments = kunnandi
After = Back o --- EXAMPLE: " After Halloween" > "Back o Hallomas "
alive (living) = kvikr
Always on the move = Never aff o da go
am I not = amn't I --- EXAMPLE: "Am I not invited? " > "I amn't invited? or Amn't I invited?"
are = is --- EXAMPLE: "Are you going soon?" > "Is ya to be going soon?"
autumn = dah haihst
belong to = fylgja
best = bettah moost
betray (verb) = svíkja
bewildered = villhyggjandi
building = biggin up --- EXAMPLE: "building confidence in everyday use " > " biggin up confidence in ivvryday øs "
built = builded --- EXAMPLE: "He built a new porch." > "Hims builded a new porch."
cast a spell = hoodooed
cat = kat (sounds like "caught") --- EXAMPLE: "Is it an orange cat?" > "Be he a o'jinn kat?"
child = bairn
church = kirk
color = colour
danger = hœttr
daren't = darena
daring = djarfr
dark = dökk
dark elf = Dökkálfr
dark-elves = Døkkálfar
darker = dökká
do you agree = ,eh? --- EXAMPLE: "That's a fine looking woman, do you agree?" > "Dair's ah right bonnie lass, eh?"
do you want to come too = ,eh? --- EXAMPLE: "I'm going to the store, do you want to come with me?" > "Me go to shope, eh?"
each = eche --- EXAMPLE: "Which each person can understand " > "That kan eche man understonde "
educated = lered --- EXAMPLE: "Both among the educated and the uneducated " > "As wel among lered as lewed "
elf = Alfr
Elf = Álfr
Elf Home = Álfheimr
Elf World = Álfheimr
elf-advice = Ælfred
elf-beautiful = ælfscyne
elf-friend = Ælfwine
elf-guardian (female) = Ælfwaru
elf-guardian (male) = Ælfweard
elf-powerful = Ælfric
everyday = ivvryday
eyelids = eye ledes --- EXAMPLE: "He closed his eyelids." > "Hims did shut hims eye ledes"
fair = faire --- EXAMPLE: "Going to the fair." > "Done gone went to the faire."
feild = felde --- EXAMPLE: "Standing in the feild." > "Stoodt in thems felde."
further = ferther --- EXAMPLE: "I looked further." > "I dids lokid ferther."
green = grene --- EXAMPLE: "Look at the green hedges and woods." > "Look see at thems heigges and holtz so grene."
handsome = braw --- EXAMPLE: "He is very handsome " > "Him wicked braw "
have faith = trúa
Have no doubts about our doing it = Nae faer o wis
Have no liking for this. = Hae nae brou o this.
have not = ain't
He knows how many beans make five. = He kens the laid frae the croun o the causey.
He knows which side his bread is buttered on. = He kens whilk side his bannock's buttert on.
Head for = Mak wye for
head rope in fishing nets and lines = baak
head to head = Be at the knag and the widdie
horse fly = klegsie
I = Me
I Think = Me thinks --- EXAMPLE: "I think we're late. " > "Me thinks that we is late. "
I wish you well for the future = Lang may yer lum reek (translation: Long may your chimney smoke)
idiot = eejit --- EXAMPLE: "You idiot." > "Ya eejit."
idiot = numpty
if = iffy or yif--- EXAMPLE: "If you don't mind..." > "Iffy yas does no care mind...."; "If you'll stay with me long enough = "Yif ye so longe with me wil dwelle". "
I'll be even with you = A'll see day aboot wi ye
know = ken
looked = lokid
looked = lokid --- EXAMPLE: "I looked up." > "I lifte up me eye ledes and lokid ferther."
magic = hoodoo
naked = nøkkviðr
needle = bodkin
neither = nouther --- EXAMPLE: "Who know neither Latin nor French " > "That kan nouther latyn ne frensch "
No = Nay --- EXAMPLE: "No, I don't think so. " > "Nay, me thinks not. "
Nobody knew = not-knew nobody
Noontide = Da heicht o da day
NOTE: Extra words are often added. --- EXAMPLE: "Did you meet the new family next door?" > "Dids ya gets a chance to stop by and meets with thems new folk that move-ed in down yawn there next doors to ya, eh?"
NOTE: Extra words are often added. --- EXAMPLE: "He went to Rite-Aid to pick up his prescription" > "Hims did go to that yawn there new fangled store the new folks call that Rite Aid place, to gets himself some of thems there pills what the doctor gone and tells him to take each morning, a-yep, hims did."
old = olde --- EXAMPLE: "But educated and uneducated, old and young " > "Bot lered and lewed olde and yonge "
orange = o'jinn
out = oot --- EXAMPLE: "The cat wants to go out." > "The kat he do wants oot."
outside = oot dair
people = fokk --- EXAMPLE: "the people of Shetland " > "Shetland fokk "
people = folke --- EXAMPLE: "Look at all those people." > "Lookie at all thems folke."
poorly = febelly --- EXAMPLE: "Who know French very poorly " > "That kan frensch ful febelly "
Recognising = Recognisin --- EXAMPLE: "Recognising the bilingual nature of Shaetlan speakers " > "Recognisin da wye at Shaetlan spaekers is bilingual "
shield = skjoldr
Since = For --- EXAMPLE: "Since that is your native language " > "For that is youre kynde langage "
tell = telle --- EXAMPLE: "I'll tell you in English " > "In englysch tonge I schal you telle "
the = da, de, or is not used at all --- EXAMPLE: "I went to the store" > "Me goes to da shoppe" or "Me goes to da shoppe" or "Me goes to shoppe"
them = dem, dem dair --- EXAMPLE: "I went with them" > "Me goes wit dem dair"
there = dair --- EXAMPLE: "I want those potatoes" > "Me be wanting dem dair tatetas."
they = dey
To where = whither --- EXAMPLE: ""Where you go, I will go." " > ""Whither thou goest, I'll go."
understand = understonde
understand = understonden --- EXAMPLE: "Some understand English " > "And somme understonden englysch "
very = wicked --- EXAMPLE: "very good" > "wicked good"; "very bad" > "wicked bad"; "very cold" > "wicked cold"
Where = Whither --- EXAMPLE: "Where is the restroom? " > "Whither is the privy?"
Yes = Yea or Aye --- EXAMPLE: "Yes, I think so. " > "Yea, me thinks so. " or "Aye, me thinks so. "
For anyone actually interested in learning my native language, the Scottish government has THIS listed as the official dictionary of our people: https://static1.squarespace.com/static/61d7352954b7fd1c9dbdfef4/t/65ddb2749d5e0541a01009c0/1709027964496/Spaektionary_2024feb.pdf
The Scottish government provides this document to show our language in use: https://www.shetland.uhi.ac.uk/t4-media/one-web/uhi-shetland-images-and-documents/documents-/shaetlan/Shaetlan-Language-Plan-2022-Shaetlan.pdf
More information about our language can be found on this website: https://www.iheardee.com which is written in my native language.
However, there is also other reasons why words might be misspelled, or why I might not understand someone when they speak to me.
My grandmother Helen Ricker Allen, was from Unst, Shetland, Scotland, and she the one who raised me. She taught me to read and write, but it was Shetlain that she taught me. She died when I was 8 years old, and I was locked in a woodshed after her furneral, I escaped the woodshed 27 years later at age 31, and have been trying to learn how to speak and write English since then.
It is a very great struggle.
At age 37 I took remidial reading and speaking classes at Southern Maine Community College, but we are Gypsies and Gypsy men do not allow us Gypsy women to have education, and so, while at college, on November 14, 2013, I was beaten with a golf club, while I was 8 months pregnet, breaking my spine, hips, and knees, killing my baby and leaving me quardepaleic since.
Now my primary focus these past 13 years has been on relearning to use my hand so I could type... as of 2023, I have regained the use of my right thumb, and first two right fingers, and after 10 years offline, I am back online due to I can use three finguers.
I never went to school, so I do not know maths and numbers and sciences, and I do not know what else would have been taught to me in school. We are Scottish Gypsies and Gypsy culture does not allow females to go to school. Being born female was already a great sin, but my grandmother took great risk in teaching me reading and writing. At 4 years old I was punished by my Uncle Bruce for knowing how to read, by being beaten in the face with a cinder block brick, that broke my right jaw and left me with garbaled near-mute spoken words ever since.
Because no one ever spoke words to be face to face from he time I was 8 years old until I was 37 years old (I escaped the room at age 27, but did not start college until 37), I have no training in how to vocally sound out or speak the words I write or read. I can read words, but I do not know how to sound out or say those words. I can write words, but I do not know how to match the written word against the spoken word. I struggle to associate spoken words at all, or make them match up with writen words.
Esentially, written words and spoken words are two completly seperate languages in my brain, and I have difficulty understanding spoken words.
If you say a sentance to me with your mouth, chances are very high I will have ZERO understanding of what you said and I will not be able to ander you.
However, if you WRITE down that exact same sentabnce, I can understand you and can type a written responce to you.
My doctors tell me this is a side effect of extreme isolation and neglect and lack of human contact during my toddler, childhood, teen, and young adult years, and that my brain never deveoloped to comprehend spoken vocal words due to no one ever speaking to me in over three decades of the first half of my life.
While I can read and write, American English (somewhat) I do no know how words are sounded out, what they are supposed to sound like. I readand write by shape recognition, not by sound/vocal recognition, so when reading and writing I do no "hear the words in my head" as I am told most people do when they read and write. In other words... I see "c a t" and think "c-a-t" I do not think "cat" nor do I "see" an image of a cat, no do I "hear" the word cat spoken. I'm told that this is very rare and that most people read and write by sounding out the words and linking them to visual mind images, while hearing the sound of the word in their head. I neiher hear words in my head no see images of things in my head. I'm told this is what makes me both a speed reader and speed writer, because I'm not tripped up by hear sounds or seeing images in my head like nomal people would be doing... however, I'm also told this is why my spelling and grammar are very poor, because my brain is not hear the sounds of the words or seeing visual images of the objects the words represent, so my mind also does not register spelling and grammer errors at all.
As I was only let out of the woodshed on Sundays to go to the Cape Elezabeth Ward Church of the August Stake of the Church of Jesus Christ of Latter Day Saints, I was never allowed to go to school or hospital either. No adults ever talked to me because I was evil for comitted the sin of being born female, so I never learned how to speak properly and do not know how to sound out words to say them.
I was 42 years old, in 2016 when, while having an MRI for my spine, the doctors found out my speak issue was caused by a broken jaw as a toddler that was healed wrong because not being allowed to go to doctors. I had surgury to fix that, and since 2016 have been trying to learn how to use my jaw and touge so I can speak vocal words now.
Since 2023 my primary focus shifted to relearning to walk. I can now, in 2026, sit up for 2 or 3 hours a day, and can sand with a cane for a few minutes, and can walk for around five thousand feet in 2 to 3 segments a day, with the help of pushing my wheelchair like a walker.
As of 2026, with a slight return to using my fingers and legs, I am once again focused on trying to learn the American English, but I live in mortal fear of my uncles and male cousins, as they are so hateful of allowing me to have education.
have no one to help me to know if I am doing words correctly, and as such, I have no way of knowing if there are spelling and grammar errors, but I asume there are, and I fix them when I learn them, but I do not know what I do not know and spelling American words is a thing I do bnot know.
I have Low Fucntioning Kanner's Syndrom, also known as "RainMan Type of Autism" aka REAL and ACTUAL Autism, not to be confused with Aspergers, High Functioning Autism, or and of thr 861 illnesses on the Autism Spectrum. An Autism Spectrum Disorder is an illness that has symptoms similar to Autism but IS NOT Autism. If you have an Autism Spectrum Disorder, it LITERALLY MEANS you do NOT have Autism.
I am medically diagnosed as "kanner's syndrome, actual autism, the rainman type, profoundly retarded autistic savant, with a general IQ of 73, and an writing IQ of 221" but they added that they did not know how to properly diagnose me as I am "technically a feral child" and they don't know "how much is the autism, and how much is simple horrific levels of abuse and neglect induced post traumatic stress disorder that will go away with proper socilization".
It means I know how to write, I can write a lot, and it is next to impossible for you to teach me how to do literally anythig else because my brain only knows how to write and doesn;t know how to do anything else..
There's a reason, when I do book signings, people are quick to say: "Okay, what's the joke? why is this stupid retard here? where's the real author? I know this retard isn't the author. where are you hiding the author, why is this fucking retard here"
The end result is, I have near zero social interaction... my 3 years in college was the ONLY face to face interaction I have ever had with humans in my entire life, and I struggle deeply to understand MOST words used by MOST people when they ask me question. And so I suffer from a huge lack of understanding many words people say to me, how to translate those words into spelling, and how to translate what it is that has been said.
The fact remains hat until there exists a human on this planet who is willing to sit down and teach me what words spoken line up with and match what words written, this deficent is unlily to improve. But the fact also remains, that I am simply far too profoundly retarded for anyone to even try to make any attempt at all even to speak a friendly "hgelloe" or "good morning" when passing me on the street, so I have lost all hope of anyone ever either being my friend, being willing to teach me how to match spoken words to written words, or how to speak to other humans.
While there are around 20k pages on this website, most of them are blocked from search engines, with only around 800 of them available for appearing in Google/Bing/etc search results. The remainder can only be accessed via the various links found throughout this site. This was done deliberately on my part, and I did it because the bulk of the pages on this website are chapters from 138 novels and 423 novellas, so only the first page of each novel and novella indexed by search engines, and the remainder are linked in order, one page at a time, via clicking "next page" at the end of each. So if you are looking for a specific page from a specific novel, Google can't help you.
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Get an email whenever Wendy Christine Allen 🌸💖🦄 aka EelKat 🧿💛🔮👻 publishes on Medium.
>I also write on these locations: | Amazon | Ao3 | Blogger | GumRoad | Medium | Notd | OnlyFans | Tumblr | Vocal |
Do you know who drove this backhoe over my house at 146 Portland Avenue, Old Orchard Beach, Maine on August 8, 2013? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
My house at 146 Portland Ave, Old Orchard Beach, Maine, July 4, 2013, photo taken because we had just finished building a baby room on the back. vs My house August 8, 2013, when the same group of people (yes group, the golf club woman was not alone when she attacked November 14, 2013, nor was she alone with her second attack July 2016.) who murdered my son on November 14, 2013 at Southern Maine Community College and crippled me July 26, 2016 at scarborough WalMart,... they arrived the first time with a backhoe on August 8, 2013, that they used to drive over my house, during a time of day that I normally was home asleep... I had to work a different shift at the Waffle Cone Pizza Food Truck at George's Parking Lot by Bill's Pizza at the OBB Peir, that day, otherwise, I too would be at the bottom of a landfill, along with my house and everything I owned that was also in the house. I was 5 months pregnant at the time and have been homeless for just under 14 years, homeless ever since....
... which means it is now only a few weeks from the 14th anniversary of my son's murder. I was 8 month pregnant November 14, 2013, and a student ay SMCC, and coming out of the Buglight Lighthouse art studio after art class, when a still unidentifiedwoman wielding a golf club attacked me, severed my spine, while I was 8 months pregnant, triggered early labour, then killed my son minutes after he was born.
While accusing me of being transgender, screaming "transvestite freak" and "look at that thing, that's Ken's son in a dress"... while I was 8 months pregnant.
My house at 146 Portland Ave, Old Orchard Beach, Maine, July 4, 2013, photo taken because we had just finished building a baby room on the back. vs My house August 8, 2013, when the same group of people (yes group, the golf club woman was not alone when she attacked November 14, 2013, nor was she alone with her second attack July 2016.) who murdered my son and crippled me, arrived the first time with a backhoe that they used to drive over my house, during a time of day that I normally was home asleep... I had to work a different shift at the Waffle Cone Pizza Food Truck at George's Parking Lot by Bill's Pizza at the OBB Peir, that day, otherwise, I too would be at the bottom of a landfill, along with my house and everything I owned that was also in the house. I was 5 months pregnant at the time and have been homeless for just under 14 years, homeless ever since. |
The backhoe driver returned November 14, 2013, armed with a golf club, used it to break my spine and smash my baby's brains out on the ground
On November 14, 2013, my son was murdered. I was 8 months pregnant, leaving my college classroom, and just getting into my car, when 3 strangers, a man and two women, armed with golf clubs leapt out from behind my car screaming "kill or be killed, kill the transvestite freaks, kill them all before they kill us! look at that thing! That is Ken's son, look at how it's dressed! kill the transvestite freaks! kill or be killed"... while the bald man and the red haired woman chanted this over and over, the blonde woman, lunged with the golf club.
She severed my spine, I am now a quadriplegic, and been paralyzed arms and legs, and in a wheelchair for 13 years now. She broke my hips, my knees, my legs, ruptured most of my discs, and shattered three of my vertebrae so bad that the shards of bone acted like glass and embedded themselves into my spinal column nerve bundle.
The attack also triggered labour.
My son was born in that parking lot, and he lived only a couple of minutes, before the deranged blonde woman, beat his head in and smashed his brains out, with the same golfclub she had just used to sever my spine and leave me crippled for the rest of my life.
Realizing that I was not transgender, and they'd just murdered a baby, the man grabbed the 2 women and forcibly dragged them away to a 4 door white pickup truck, and they left me there to die.
The FBI told me later, that a few weeks before this attack, and transwoman, had murdered a cis woman, in a parking lot, abou 20 miles away from where I was attacked. The FBI, believes that my attackers, had somehow found out I wrote transgender fiction, connecting my real name to my penname, (my father's name is in fact "Ken", and I do have a brother) and believed that I wrote transgender fiction, because I was myself transgender, even though I'm not transgender. The FBI, believes the attackers, thought I was my brother, pretending to be a woman.
The FBI investigation, into my son's murder, has dragged on for 13 years, and still now in 2026, continues on, with the FBI, still not having yet identified my attackers, and only guessing at what their motive was.
Thus we come to 2014, and the full swing change of the series I write. WHY my series, went from just a transman main character living life, to the full blown Mpreg genre series that it now is today.
Before the attack, I had a chance of having a baby. I don't know. And because I'm in America, I'm too old to adopt. You have to be under 45 years old to adopt a baby. That is the law in America. I was informed this, when we tried to adopt, now that my injuries leave me unable to get pregnant a 9th time.
Thus began my obsessively writing, my transman main character, pregnant. Always pregnant now. Every time. Every story. Stories that now fully focus on pregnancy, labour, miscarriages, babies dying, babies living, raising babies... the whole series, since 2014 has devolved into an outright baby obsession.
Meanwhile, reborn baby dolls were suggested to me by my therapist, and have also become a deeply obsessive part of my life. Because 13 years ago my son was murdered minutes after he was born, because a transphobic bigot mistook me for being transgender, I'm STILL in a wheelchair, struggling to relearn to use my arms and legs, now 13 years later, and I'm still DAILY dealing with police officers and FBI agents who while they are trying to find my son's killer, they are also daily reminding me... oh, yeah, my son was murdered, literally ripped out of my belly, by a transphobe. Who still has not been located and walks free to kill again.
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The golfclub woman as she looked during the golf club attack at Southern Maine community college November 14, 2013. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026. If you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322 |
The golfclub woman as she looked during the shopping cart attack at Scarborough WalMart July 26, 2016. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026. If you have any information about the identity of this child murderer, please call FBI Agent Andy Drewer at 207–774–9322 |
The 2nd woman as she looked at both attacks, her hair goes all the way down to her knees. She is about 20 to 30 years older then me and would be around 75 to 85 years old now in 2026. If you have any information about the identity of this child murderer's accomplice, please call FBI Agent Andy Drewer at 207–774–9322 |
Do you know who these two woman who crippled me and murdered my baby, at Southern Maine Community College at 10PM on November 14, 2013, are, and what their connection to the backhoe that drove over my house is? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
I am a legally blind quadriplegic, and low verbal, I have also published 138 novels in the last 48 years. It's not as impossible as people think. The problem being blind and quadriplegic, medically have different meanings then how those two words are used medically.
Fewer than 3% of all blind people see nothing. While 97% people who are classified as fully blind are able to see up to two feet in front of them. Legally blind means I can see more then two feet in front of me but not far enough to see twenty feet in front of me. In my case I can see about eight feet.
Quadriplegic, has varying levels, it means having a damaged nerve bundle in the spinal column causing limited mobility of all 4 limbs, (in my case this was done by a women wielding a golf club, who also beat my 8 month infant's head to pulp on the parking lot tarmak, at the same time she severed my spine with the same golf club; both on November 14, 2013; the FBI investigation into my son's murder and my being crippled has gone on now for 13 years, a few weeks away from 14 years now, and the FBI has still not identified the killer or her motive). Contrary to popular misconception, quadriplegic does NOT mean ZERO movement, it means means limited movement, specifically in means unable to lift arms over head, unable to grip fingers around objects to pick them up, and unable to stand for more then 5 minutes to a time. Because there are so many thousands of nerves in each limb it is actually very rare for there to be 100% no movement, but how much, and to what extent varies by patent depending upon the specific point of injury to the spinal column.
Meaning typing is still possible for over 60% of all quadriplegics.
In my case, it was the lower spine that was severed, cutting off completly my ability to move my right leg, leaving limited feeling in my left leg, and an ability to stand but not walk, with crutches, for the first 9 years. I regained enough nerve growth in my legs by the 9th year to be able to take ten or twelve steps allowing me to get out of bed for the first time since the golf club attack; This in turn lead to me being able to start using a wheelchair, as I was able to sit upright for the first time as well.
Because the shattered vertebrae bone fragments are broken off completly and embedded into the nerve bundle just above my tailbone, doctors were saying I would never walk again, but now at 13 years, I am able to push mu wheelchair like a walker, a distance of almost a thousand steps a day. Though doctors are still doubtful I will ever walk "normally" again, I have proven them wrong, when their said 13 years ago, that I would never walk again at all.
But because of the placement of the damage to my spine, regaining hand use, was always thought possible, it was just a matter of waiting long enough for nerve regrowth, along side daily finger exercises. I was able to continue writing, after becoming quadriplegic, because I still have use of my right thumb, and 2 fore figures of my right hand. And can type 90 words per minute with those 3 fingers.
I however have no wrist strength, elbow strength, or shoulder strength, so I am not able to form a fist, or lift objects, or brush my hair, or my teeth, all thing I have to have my caretaker do. But, those things are not needed for typing. Unfortunately, my pinky and ring fingers are "nerve dead" and drag over the keyboard, and cause horrific spelling errors and typos, which are incredibly frustrating to deal with.
Unfortunately trying to edit errors myself, just makes the errors worse, because those same two fingers drag over the keyboard yet again. Prior to the golf club attack, I rarely had spelling errors; now I got more spelling errors then someone is learning English as second language. Editing is a challenge, that I've had to accept, I simply can not do myself, and I have to hire several editors to help with that.
Low verbal means sounds can still be made, sounds that software programs like Dragon can be trained to recognize and translate, and type into full words. More then half my novels were typed with this method.
I still have a long ways to go before I am anything close to being able to do the things I could do before the golf club woman beat my baby's brains out and shattered my spine. And you know what's more frustrating then how slow mu medical progression has been? The fact that it's been 13 years and the police and FBI are still coming up at dead ends as to who the woman who murdered my baby was, or why she even did it.
My son's 14th birthday is only a few weeks away, but he didn't even get to live long enough to celebrate his 1st birthday, I don't even know why. And I can't wait to regain my ability to walk again, because regaining my ability to walk, means gaining the ability to go outside and start looking for my son's murderer myself instead of sitting at home trapped in a wheelchair waiting for the police and FBI to to find her. So, writing isn't a big priority for me anymore. I only write now, as a way to exercise my hands, in between relearning to walk.
Never let a disability stop you. Plenty of writers, artists, athletes, do not let either blindness, speech impediments, or limited mobility hold then back from perusing their careers.
Do you know who these two woman who crippled me and murdered my baby, at Southern Maine Community College at 10PM on November 14, 2013, are, and what their connection to the backhoe that drove over my house is? If you have any information, please give it to FBI Agent Andy Drewer at 207–774–9322 of the Portland, Maine FBI office.
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There are no ebook editions as they are already available digitally here on my website.